Hinges of the Western Hemisphere  , in collaboration with Eugene Ahn, 2025, interactive video installation, laser-cut acrylic, 6 mini-projectors, rotating motor, augmented reality feature, dimensions variable, Altán Klamovka, curated by Lenka Sýko
   Hinges of the Western Hemisphere,   in collaboration with Eugene Ahn, 2024, interactive video installation with augmented reality feature, dimensions variable, Prague, Belgrade & Novi Sad, Serbia
   Monumentos Liminales (Flores),   diptych, in collaboration with Eugene Ahn, 2025-2026, digital prints designed for Supermarket Art Fair, Stockholm with AR feature from Mexico City’s La Ruta de Amistad performance events, Berlin-Los Angeles-Mexico
   Santa Cachucha  , in collaboration with Eugene Ahn, levitating mutant tractor augmented reality feature developed for the exhibition Revolutions Generators at panke gallery, Berlin together with  OpenAr.com , 2023, dimensions variable. Santa Cachu
   Super Humor y Valor (totém),   diptych, 2025, printed digital collage, framed, designed for the exhibition Smiling in Chaos, Bogotá, 24x 18 inches each
   Kool Katz vs. Black Widows,   2025, acrylic on canvas, 56 x 48 inches
   Bridges Beyond Edges,   2024, in collaboration with Eugene Ahn, interactive video installation and augmented reality features, dimensions variable, designed for the exhibition Method, curated by Kira Xonorika with SUPERCOLLIDER, Angels Gate Cultur
   Peace Frog (Shattered Magic Gathers),   2024, laser-cut acrylic mirror, 19 x 18 inches
   Bridges Edges,   2024, in collaboration with Eugene Ahn, interactive video installation with augmented reality features, dimensions variable, artespaziotempo, Venice, Italy, curated by Camilla Boemio
   I sense there’s an object at the center of that cloud,   2024 collaborative kinetic installation by Alexandra Wiesenfeld, Carlos Beltran Arechiga, Arezoo Bharthania, Carolyn Mason, and Ismael de Anda III, designed for the exhibition Science Fictio
   Dancing WuLi Masters  , 2024, in collaboration with Eugene Ahn, vinyl dancefloor as screen, sculpture, and frame for human activity, interactive video installation and augmented reality features, dimensions variable; movement performance by Ariel
   Top: Poparosa, Bottom: ItzaL.A. Cool,   2024, Rotating, kinetic drum set sculptures with video & sound, inspired by Santee Alley, downtown Los Angeles and Mexico City’s two volcanoes, Popocatépetl and Iztaccihuatl, that are lovers, dimensions
   Volando  , 2024, red vinyl on silver metallic paper, designed for Supermarket Art Fair, Stockholm, 17 x 11 inches
   Revolutions Generators  , 2023, in collaboration with Eugene Ahn, interactive video installation and augmented reality feature, feature developed for the exhibition Revolutions Generators at  panke.gallery , Berlin together with  OpenAr.art , dime
   Polyglots (Atmoshperes of Influence)  , 2023, installation, murals, Taiwanese souvenirs, rotating motors, shadows, Sia-long, Jaili, Taiwan, dimensions variable
   Polyglots (Atmoshperes of Influence)  , 2023, installation, murals, Taiwanese souvenirs, rotating motors, shadows, Sia-long, Jaili, Taiwan, dimensions variable
   Revolutions Generators series  , 2022, in collaboration with Eugene Ahn, Stonehenge intersection, augmented reality feature, dimensions variable
   Revolutions Generators series  , 2022, in collaboration with Eugene Ahn, video projection intersections, Rome and Venice, Italy, dimensions variable
   Revolutions Generators series  , 2022, in collaboration with Eugene Ahn, 59th Venice Biennale and Documenta fifteen intersections, augmented reality feature, dimensions variable
Mestizo Dispossessed, 2022, in collaboration with Eugene Ahn
   Mirrors for Tomorrow’s Midnight Suns  , 2022, Laser cut colored acrylic mirrors mounted on MDF, dimensions variable
   Revolutions Regenerator,   in collaboration with Eugene Ahn, 2021interactive site-specific augmented reality projection with integrated live broadcast drone performance, exhibited at High Beams #5: Night Moves, Bendix Building rooftop, Los Angeles
   Revolutions Generators Series  , 2020, digital collage on aluminum, 16 x 20 inches
   Lazaro's Run  , 2020, cardboard, mylar, duct tape, LED lights 162 x 46 x 46 inches
   LA Bloom (Los Angeles Blossom)  , 2020 digital mural print, 48 x 96 inches
   Constellation Chihuahua  , 2015, Customized seven-point paper piñatas laced with LED lights, 120 x 480 inches, dimensions variable, Sala Subterráneo, Chihuahua, Mexico, curated by Fernando Rascón
   Multiverso 3,   2019, 2,000 acrylic pavement markers (4 inches in diameter each) from the streets of Los Angeles & Chihuahua, Mexico, acrylic enamel spray paint, vinyl sheeting, drywall screws, double-sided mounting tape, 8th story window with
   The Sun Came Out at Night and Sang to Me,   2020, Photo installation, 2 printed digital photo-collages, 48 x 192 inches, dimensions variable, City-wide drive by exhibition We Are Here / Here We Are, organized by Durden and Ray ,  Snap Fitness, San
Neo-Quechquémitl (installation/performance), 2019
   Wide Latin (The Artist Has a Higher Threshold for Chaos)  , 2018, Gray gallery floor paint on gallery wall, 120 x 132 inches, dimensions variable; Kellogg Art Gallery, California State Polytechnic University Polytechnic, Pomona, CA
   Love Duster,   2017, wood, canvas, latex enamel, tape, vinyl, LED lamps, steel hinges, dimensions variable, Center for the Arts Eagle Rock, Los Angeles, CA
   Celestial Bodies,   2017, Steel, spray paint, 300 stitched t-shirts donated by the Lubbock, Texas & Los Angeles communities, 96 x 288 inches, dimensions variable, Human Sciences Department Building, Texas Tech University, Lubbock, Texas
   Multiverso   (exterior), acrylic on plexi discs with spray enamel, LED lamps, each disc 48 inches in diameter, Agua Fuerte, Chihuahua, Mexico, curated by Fernando Rascón
   Multiverso   (interior), 2016, 1,550 re-purposed acrylic circular bollas or “Botts” dots pavement markers (4 inches in diameter each) from the streets of the city of Chihuahua, Mexico, spray enamel; dimensions variable; Agua Fuerte, Chihuahua, Mex
   Binarynversion-Jedi   (installation view), 2 glider swing-sculptures, 96 x 96 x 120 inches each, fragmented memory, fabric, acrylic on wood & steel, 6 “space explosion” paintings, acrylic on wood, 48 in. x 84 in. each; 3rd Los Angeles SUR: Bie
   Superextremos Ulteriores,   2014, local rock from Hermosillo, Sonora, Mexico, vinilica paint, astro-turf, laser cut acrylic multi-colored mirrors, vinyl decals, artificial plants, dimensions variable; Museo de Arte Sonora (MUSAS), Hermosillo, Mexi
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