http://www.durdenandray.com/gipfel daily 0.75 2020-11-16 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1534367743553-7SZE9NH9QLCSGN29W88G/1+Floating+Downstream+%232.jpg Tom Dunn - Floating Downstream #2 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1534367743553-7SZE9NH9QLCSGN29W88G/1+Floating+Downstream+%232.jpg Tom Dunn - Floating Downstream #2 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558913532-2D3PNMUCQTTG7RBTWA6Z/Dunn-painting-1.jpg Tom Dunn - Floating Downstream: Toevine Dionysus 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466920825275-MLKKRDNCCN3N4C08F72A/Robert-Evans_King-of-the-Mountain-1966-1974.jpg Tom Dunn - Robert Evans: King of the Mountain 1966-1974 2011, Mirror, razor blade, bank note, American Express card, powder https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558913641-5JWQ916RZIQQF59VJDLP/Dunn-painting-2.jpg Tom Dunn - Floating Downstream: Mr Squiggle the Man from the Moon 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558925905-5XH9SWYIV6Q5AJX6ZM7G/Dunn-painting-3.jpg Tom Dunn - Floating Downstream: Moon Paddle Dream Fishing 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558925849-SXG2WRWMZD3A1MJ8PCKI/Dunn-painting-4.jpg Tom Dunn - Floating Downstream: Osmosis Garden 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558940410-QZXGOU34RLFXW4EMATX3/Dunn-painting-5.jpg Tom Dunn - Floating Downstream: Osmosis Garden Night 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558938089-I0C1LHSN00A8AULQZTZC/Dunn-painting-6.jpg Tom Dunn - Floating Downstream: Electric Schuck 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558943839-Q6UCXNB8YKXYFR1KLEOM/Dunn-painting-7.jpg Tom Dunn - Floating Downstream Triptych #1 3/ 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558950667-B3G0EAROVWGY3XZPMM5N/Dunn-painting-8.jpg Tom Dunn - Floating Downstream: Erythrospermum 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558954386-VTEPP34PM51RZXUMZHJE/Dunn-painting-9.jpg Tom Dunn - Floating Downstream: Toe Painter 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558955490-TXY8QNDQ6F5PA76O3PLD/Dunn-painting-10.jpg Tom Dunn - Floating Downstream: Black Ocean Reverb Triptych 3/56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558967683-6SZYHQOUAUEXN4EYQ0SI/Dunn-painting-11.jpg Tom Dunn - Floating Downstream: Drain Circle 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558967886-17K5CJKFQWTY88MA11YW/Dunn-painting-12.jpg Tom Dunn - Floating Downstream: Padre Schuck 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558977699-4HV8T0WOSDEGHHOUISU9/Dunn-painting-13.jpg Tom Dunn - Floating Downstream: Honeydew 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558977039-CEVB4SL729WUZ7TNY3W9/Dunn-painting-14.jpg Tom Dunn - Floating Downstream Diptych #4 2/ 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558988689-T8V7R0M2CQISI3HE3W0D/Dunn-painting-15.jpg Tom Dunn - Floating Downstream: Foot Pine Blues 56 x 72 inches, 2020, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605558989089-8TKDDZOIDLPKH0V71ZW4/Dunn-painting-16.jpg Tom Dunn - Floating Downstream: In the Reeds 28 x 36 inches, 2020, oil on canvas http://www.durdenandray.com/gebaude daily 0.75 2016-07-07 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467930229240-L6URP0D6FJ7DYAQOJESI/Light+BOx+72dpi.jpg Jesse Standlea - Light Box 2016, Originally made in 2012, Ceramic, Light and Acrylic https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467930229240-L6URP0D6FJ7DYAQOJESI/Light+BOx+72dpi.jpg Jesse Standlea - Light Box 2016, Originally made in 2012, Ceramic, Light and Acrylic https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467929440757-8FCABVVJXU6Y7QFCW7AH/Light+Box+back+72.jpg Jesse Standlea - Light Box 2016, Originally made in 2012, Ceramic, Light and Acrylic https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467929411222-3JKV0P2KLT9P4VE0VFBX/Blue+Stack+72dpi.jpg Jesse Standlea - Blue Stack 2016, Books, Paper, Form https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467929420415-RS7OE82KNKSDJL1L9O54/BLue+Stack+front+72dpi.jpg Jesse Standlea - Blue Stack https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467929421897-85CDGE5J9D5GKJHW9HN1/Blue+stack+square+close+up+72dpi.jpg Jesse Standlea - Blue Stack https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466982868038-V3YJP6T3WYQ5J2O3YFFZ/Posts+8+72dpi.jpg Jesse Standlea - Property Line 2016, unfired clay and rope https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466982882735-HIWC1I4KX57KRS972MAC/Posts+11+72dpi.jpg Jesse Standlea - Property Line 2016, unfired clay and rope https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466982903059-A0Y1S6VBB5P999V5T2SV/Posts+10+72dpi.jpg Jesse Standlea - Property Line 2016, unfired clay and rope https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922458512-XLH9WRX123KJACGZ52IB/Split-1-72dpi.jpg Jesse Standlea - Split 2015, Paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922459964-9RM91NQN7YD0XKNR3AV7/Split-2-72dpi.jpg Jesse Standlea - Split 2015, Paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922460101-P80P6FL8X85G5EZJRMBQ/Split-3-72dpi.jpg Jesse Standlea - Split 2015, Paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922447789-VIKMQHC3J37QJ3DXVCI6/PigFeet-2-72dpi.jpg Jesse Standlea - Pigs Feet 2014, paper, plaster cast pig’s feet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922447286-KLRW2TRDZSNURNUYEIMR/PigFeet-1-72dpi.jpg Jesse Standlea - Pigs Feet 2014, paper, plaster cast pig’s feet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922448918-QVQWWKHF9WF4L56BAFZG/PigFeet-3-72dpi.jpg Jesse Standlea https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922449253-PNLIDWE84ZSZ9TI58L80/snail-1-72dpi.jpg Jesse Standlea - Snail 2014 paper, bottling wax cast snail from Burgundy https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922452806-E2H94E6BWWM9RXGWFV80/Snail-2-72+dpi.jpg Jesse Standlea - Snail 2014 paper, bottling wax cast snail from Burgundy https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922453215-YEA0VI1VPW4A982MRXKS/Snail-3-72dpi.jpg Jesse Standlea - Snail 2014 paper, bottling wax cast snail from Burgundy https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922455325-7TE33CQ7V8BT4UDJ0EF2/Soft-Rock-1-72dpi.jpg Jesse Standlea - Soft Rock 2014, paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922456150-14Q2T201HJM06H4REOKA/Soft-Rock-2-72dpi.jpg Jesse Standlea - Soft Rock 2014, paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922457780-NU1PGMLK93KZY7DZDLRV/SoftRock-3-72dpi.jpg Jesse Standlea - Soft Rock 2014, paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466982959552-EFZHRHT8OM4IJPTGVAOX/Speaker+Box.jpg Jesse Standlea - Speaker Box 2012, ceramic, concrete, gypsum, speaker, terracotta and wood http://www.durdenandray.com/work daily 0.75 2025-11-13 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466919830298-G0TODN6ZXYU26FNETE4A/Tom-Dunn_Mesopotamia-Diptych--1_I_536.jpg Artists https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466925140830-2WWZCEQ8WMOKUD5ZY1B8/800apileofcandy-LATimes.jpg Artists - a pile of candy (LA Times) 2014, acrylic paint (no support) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1471363330768-ZPR91M44R3RLXA7JJEE1/David+1.jpg Artists - 10.14.15 2015, gold ink on black paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1478304592311-6Q1L56BDBLB9VNPDTPQD/blue+sculpture+.jpg Artists https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1480557925177-9QLY8FEQ9HALK615YHGI/Jorin_Bossen_Gilles_Perrin.jpg Artists - Gilles Perrin 2015, oil, acrylic and pastel pencil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501716580301-YZ72747AOWGC4HC8OTKB/Ty_a.jpg Artists - Untitled 2017, loose sand, dry pigment, steel https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1516325226664-CZ0ZF3Y4VY4NGO20X9LC/1a++75.jpg Artists - We Miss Your Figure-1 Acrylic Painting; 30x24in 2017 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1524428386057-PWJFDA6T723FVZXN55TM/DigitalLandscape+II+55x44.5+Mixed+Med.+.jpg Artists https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1526153972025-F18B3A0AG65XFM71LO07/01_Davidson_Shape+I%27m+In.jpg Artists - You Don’t Know the Shape I’m In 2018. Cast hydrocal, rope, powdered graphite. 76” x 80” x 9” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1571163121505-RRP2WA2G6KQAZTRW9739/CoperCastle.JPG Artists - Coper Castle Acrylic, spray paint, yarn and threads, photo, paper Dimension varies upon the space 2017 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1627942510228-KY1ML2ISABMW3A9MTMP5/A+Far+Glance.jpg Artists https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1655932315808-RLBKG3ZJQPMH7QUZAXKM/DaniDodge_Two+thousand+twenty-one_5.jpg Artists - Embracing the Incarnate, 2022 Dani Dodge's artwork from her artist-in-residency at Mojave National Preserve was displayed at Joshua Tree National Park’s Black Rock Art Gallery in Spring 2022 in a solo exhibition titles Embracing the Incarnate. The show is a study of Joshua trees at Mojave National Preserve between 2018 and 2021 that artistically embodies the joy of the majestic trees, the devastation from the 2020 Dome Fire, and the glimmer of hope from their potential recovery and restoration. Image: Dani Dodge, Two Thousand Twenty-One, No. 5 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1671924400493-Y9LH0BI7Z2Z2GZ9ZT5LE/1.+The+Opportunist_2022.jpg Artists https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674258956417-VH90OKW5C9TME1W5FK91/01_ill-contained.jpg Artists - Stephanie Sherwood, ill-contained, exhibition view, 2022. Courtesy of the artist and Pierce College Art Gallery. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1675456693891-R8IILSUUMTFUG5NGV1HS/Curtis+Stage+Art+2022+-+Patterns+of+Belief.jpg Artists - Curtis Stage "Patterns of Belief" 2022 24" x 24" (Unframed/Unmounted) Photograph (Archival Giclée Print on Archival Artist Paper) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1675914285387-MC0DFOVCW96AHHJP87B0/1.+Mestizo+Dispossessed_In+collaboration+with+Eugene+Ahn_dimensions+variable_satellite+exhibition+Rome_2022_de+Anda.jpg Artists - Mestizo Dispossessed In collaboration with Eugene Ahn Dimensions variable Satellite exhibition for the Pera + Flora + Fauna collateral event of 59th International Art Exhibition La Biennale di Venezia, presented by Port Perak in collaboration with AOC F58 Galleria Bruno Lisi, Rome. Curated by Camilla Boemio. 2022 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1701200324676-800WWK990RSX5TUS53IR/1.+Fang%2C+52+x+40%2C+acrylic+on+canvas%2C+2022+HAGER.jpg Artists https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1703283055160-XLDF1GBEPGWA7F1F0DAJ/1-ReVisitEvolve+58+x+68_+oil_+canvas+2023.jpeg Artists - ReVisitEvolve 58 x 68" oil/ canvas 2023 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718737870036-T5ESD04NRCQYGW8QHLU0/unnamed.jpg Artists - Parallax #36 2020-24 oil, acrylic, motor oil, tea, enamel, patches, badge, metal ornament skull, plastic tape, leather glove on canvas 84 x 66 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720716290275-ZXK84PYP1R6KYG7LC8Q4/unnamed-4.jpg Artists - Ursula does West, 50”x 40” oil on canvas, 2022 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720716842238-ZD60AG9VPDHAFVC2088L/1_Petrovic_GanEden.jpg Artists - Gan Eden 2023 video installation, 3D print, infinity mirror,3D pen 12 x 6 x 6 feet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720717845277-A76WDL4OZVI01U7T3O4I/01_Installation+view+1.jpg Artists - Installation view https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1728847939999-SJFA1AD5NA3J1TT2Z15V/1_Ricards_FutureFossil.jpg Artists - Ricards, Future Fossil (1 of 5) Concrete, Inflatable Dinosaur, 2022 http://www.durdenandray.com/nacht daily 0.75 2016-08-25 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921552030-87TWF7HN6SEYPEEYNXUT/abuse.jpg Jon Flack - Abuse 2013, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921552030-87TWF7HN6SEYPEEYNXUT/abuse.jpg Jon Flack - Abuse 2013, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921554194-Y02O1ECZ6B7G0QUVQG8A/bd.jpg Jon Flack - Balance 2012, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921552789-KZVMPHJOIVT8ILNGN8CW/black-face.jpg Jon Flack - Blackface 2013, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921553562-OQ9ZCZMUTOYRK4Q0A79R/brave-1.jpg Jon Flack - The Brave 2010, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921554080-Y1KBO6NGOO8U5C811J86/free.JPG Jon Flack - The Free 2010, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921554375-BAUFX6Y6TA0D1FJPFH55/henry+portrait+of+a+cereal+eater.JPG Jon Flack - Henry, Portrait of a Cereal Eater 2010, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921555036-N4U7Y2KEDFYDLM1PT0AH/JFlack-CryUncle.JPG Jon Flack - Cry Uncle 2009, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921554939-LYX4RVW9QZUNPTHGTMXW/JFlack-ElMalvado-1.jpg Jon Flack - Malvado 2007, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921555820-KHWY5AZ357UZP5B25A72/JFlack-LilPeeps.jpg Jon Flack - Little Peeps 2006, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921556453-L8SZNBG2JH2FZB3QYMF9/JFlack-Medicine.JPG Jon Flack - Medicine Boy 2010, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921556401-7QSVV27PYG5ELKRFB1VJ/JFlack-Pan.jpg Jon Flack - Pan 2006, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921557317-8EWUYV68ZLHAMAA0NERM/JFlack-PleasureSeekers.jpg Jon Flack - Pleasure Seekers 2009, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921558009-QBV9O088UY048AUEP2TP/memorial-park.jpg Jon Flack - Memorial Park 2013, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921558152-MJMBJ40BZSLSNKOGSZUY/silly+rabbit.jpg Jon Flack - Silly Rabbit 2008, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921559436-2BGSPE1FL5H39KRHYHWA/slh.jpg Jon Flack - She Lived Here 2012, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921559095-VGR5BGZF09AJ2FE2M3WQ/tiny.jpg Jon Flack - Tiny Demons 2012, oil on canvas http://www.durdenandray.com/maritime daily 0.75 2016-07-04 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921780174-EHW6ATUFZC2MTEV1FCN5/WHITE-ELEPHANT-02-800px.jpg Kio Griffith - White Elephant / Fukushima Daiichi No.4 Reactor 2013, sound sculpture, wire, resistor, germanium diode, bottle, wood, antenna, speaker, batteries https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921780174-EHW6ATUFZC2MTEV1FCN5/WHITE-ELEPHANT-02-800px.jpg Kio Griffith - White Elephant / Fukushima Daiichi No.4 Reactor 2013, sound sculpture, wire, resistor, germanium diode, bottle, wood, antenna, speaker, batteries https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921747229-4U9ZD4JA7V5R40R6N8KI/any-colour-you-like_670.jpg Kio Griffith - Any Colour You Like 2016, felt, cardboard and gansai pigment on wood https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921759328-LV61TN5UMD131B9MAI0H/IMG_3202_670.jpg Kio Griffith - America 2016, haikussemblage: beach mat, bendable plastic straws, tape, orange felt and plunger https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921748141-K0768GE864ZNG4JQVW0P/blue-nova_670.jpg Kio Griffith - Blue Nova 2015, 1963 Chevy Nova wagon, blue quotes through 4 channel audio, halogen work lights, LED light strip https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921748141-1H1PPE4M2K1VVKCGH9JS/blueprint_01_1000px.jpg Kio Griffith - Blueprint 2014, 100 blue quote readings, 11 cassette player/recorders, 6 90-minute cassettes, 5 endless cassettes, 4 10-wattspeakers, 3 white modular blocks, ipod nano and ipad https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921749051-M1GVOLKUJ5XTGM2U1O7R/breakfast-of-champions-again-1200px.jpg Kio Griffith - Breakfast Of Champions Again 2014, mixed media https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921750036-CKQXOWJKT1W67TYVB6WT/coral-sea-blueprint-02_670.jpg Kio Griffith - Coral Sea 2015 bleach on Diazotype https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921751170-TZAOVD6TYNQ2FBMGO9A5/coral-sea-heavy-fog-FINAL-1200px_670.jpg Kio Griffith - Coral Sea (Heavy Fog) 2015, bleach on Diazotype film152" x 44", shelf below Eyes of Providence Discs [Akihiro Yasugi collaboration] (from left to right) World Records / My Isle Of Golden Dreams”, “Pacific/Night In China”, “Showa Record / A Slip Of The Lip”, “Voices From The Fleet”, “Taihei / President Roosevelt’s War Message To Congress And The Nation”, “Nipponophone / Between The Devil And The Deep Blue Sea”</b>, 78prm record, stained wood, rivets, metallic post https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921753669-CGFWHELLKM4NFB2KBCUY/coral-sea-stamp-02_670.jpg Kio Griffith - Coral Sea / 8 May 1942 2015, 1914 Heidelberg letterpress print, iodine colored ink https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921754951-56JBJ8NVY8KZRUOUQQT2/EMBER_670.jpg Kio Griffith - Ember 2015, altered book "Fahrenheit 451" "Fires In The Plain", Fu Rong Wang cigarettes https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921755783-KALF4RVTXTMTMUWQ8R8S/genesisutraga_1000px.jpg Kio Griffith - Genesisutraga 2014, 36" x 120" xerox printed score on butcher paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921757777-QTR5AIG55BL6O68EV6LA/gravity.jpg Kio Griffith - Defy Gravity 2014, coat hanger wire, wire, styrofoam ball, plastic blower and batteries https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921757676-TZY4661HPAX2UEOK7YK8/guernica_kio_600px.jpg Kio Griffith - A Horse With No Name 2014, [1/8 section of Guernica] plastic model kit parts, wire coat hanger, wire, acrylic, chalkboard spray, paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921759097-9HVESIESTZ5UJWBUZAUI/IMG_4419_670.jpg Kio Griffith - Ski Mt. Rushmore painted weathered 2x4s, faded pair Adidas '62 Chile edition shoes, tape, wire cable covers, moldy rubber kitchen gloves https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921759656-ISTXG03FZ4ZILYR2YNWZ/kio_griffith_01_umbrella_01.jpg Kio Griffith - Umbrella 01 2010, acrylic, white-out, white chalk, bleach, burnt wood panel https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921760345-IK9J6STK2M9JSO3TJ17A/kio_griffith_02_umbrella_02.jpg Kio Griffith - Umbrella 02 2010, acrylic, tar, black chalk, charcoal, burnt wood panel https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921760481-NYBRJWH67NFB7UMCVO87/kio_griffith_03_birthmark.jpg Kio Griffith - Birthmark 2010, with Heyward Bracey, performance with customized mechanical music box and 3-string lute https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921761361-BELUZ8YURGRTRTPF2WV8/kio_griffith_04__05.jpg Kio Griffith - Yugawara series 2012, photograph https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921761347-RLA4R28ULU780YHZCZVA/kio_griffith_13_oracle_enigma_01.jpg Kio Griffith - Oracle & Enigma 2011, live video + audio fee https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921761964-V7FM4FDHX3SZPSJC4PFY/kio_griffith_13_oracle_enigma_02.jpg Kio Griffith - Oracle & Enigma 2011, live video + audio fee https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921761964-IZ4KB3Z7RNW2PXA77UET/kio_griffith_16_osmosis_02.jpg Kio Griffith - Osmosis en Tres Movimientos CEARTE2012, with Marisa Caichiloloperformance + video https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921763398-D39ZP4HG5RKOUXJR1TVL/kio_griffith_16_osmosis_03.jpg Kio Griffith - Osmosis en Tres Movimientos CEARTE2012, with Marisa Caichiloloperformance + video https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921764692-50FXII7DFQAHUFTPOJ5Q/kio_griffith_39_a_stigmatism_08.jpg Kio Griffith - a stigmatism 2013, with Heyward Bracey, Michelle Lai and Jie Ma, live video + audio feed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921765397-5KYT30NRO7IMUB4CDGVQ/kio_griffith_49_Black-Powder.jpg Kio Griffith - Black Powder 2013, set of appropriated book chapters, charcoal   https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921765733-XWOQ11LPMTGF7BQNN3N4/kio_griffith_49_Chapter-even.jpg Kio Griffith - Chapter even 2013, set of appropriated book chapters, gold spray paint, charcoal, gouache, tape https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921766307-X5LQDVDGT5S78L18HRQK/kio_griffith_49_Chapter-Twelve.jpg Kio Griffith - Chapter Twelve 2013, set of appropriated book chapters, sandpaper, charcoal, gouache, tape https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921767054-H0CAJ3DCKZDA78SZOCP6/kio_griffith_49_Forgotten-Sleep-With-A-Maid.jpg Kio Griffith - Forgotten Sleep With A Maid / Spine Collective 2013, book spines, resin, marker, cellophane tape, gouache https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921767270-668TO9KA5KOI6SB2V1EM/kio_griffith_49_Office-Twist-Lime-Pit.jpg Kio Griffith - Office Twist Lime Pit / Spine Collective 2013, book spines, resin, marker, cellophane tape, gouache https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921769359-AERDKVTSBNEB56GNKMAP/kio_griffith_62_lenguas_devoradoras_03.jpg Kio Griffith - Lenguas Devoradoras 2013, with Carmina Escobaremerging compositional linguistics performance + installation https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921769202-JIYFGMIQDAH9UHXLSHKN/kio_griffith_62_lenguas_devoradoras_04.jpg Kio Griffith - Lenguas Devoradoras 2013, with Carmina Escobaremerging compositional linguistics performance + installation https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921771573-4LUTU1YHO0OZ3KLC70A2/kio_griffith_62_lenguas_devoradoras_05.jpg Kio Griffith - Lenguas Devoradoras 2013, with Carmina Escobaremerging compositional linguistics performance + installation https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921771207-XWEQ42OWXHPR4BN6COZO/kio_griffith_big_yellow_taxi.jpg Kio Griffith - big yellow taxi 2011, loop digital performance of disengaged vector lyrics https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921772360-DMA65VTO501B4TLTBPPA/kio_griffith_good_time_bad_times.jpg Kio Griffith - good times bad times 2011, loop digital performance of disengaged vector lyrics https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921772702-7Y1CI01RBTP6UIKSI0T5/kio_griffith_star_spangled_banner_01.jpg Kio Griffith - Star Spangled Banner 00:04:33 2014 , 9 minute 11 seconds. single-channel video, 2-channel audio https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921773441-SPR6QEWH61AGOZ9UXIOO/kio_griffith_star_spangled_banner_02.jpg Kio Griffith - Star Spangled Banner 00:06:04 2014, Star Spangled Banner, 9 minute 11 seconds. single-channel video, 2-channel audio https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921773548-050PVJX6TBYVN3QQXBSX/kio_griffith_star_spangled_banner_03.jpg Kio Griffith - Star Spangled Banner 00:08:06 2014, Star Spangled Banner, 9 minute 11 seconds. single-channel video, 2-channel audio https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921775063-6OEIA7IXCT4KDQFVVT5C/loxodrome_griffith_03.jpg Kio Griffith - Loxodrome 2013, sound sculpture, ceramic, clock movement, 7-inch vinyl and adapter, steel rod, cork, 2B drawing lead, spray paint, battery https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921775698-14AVJBDJKO6IVBFEJ4H7/paperhack-writer-series-web.jpg Kio Griffith - Paperhack Writer 2014, book covers, marker, enamel, gouache, epoxy https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921776991-CGIX0ELGOF538UJC9MW2/pirouette-01-800px.jpg Kio Griffith - Pirouette 2014, elmer's glue, acrylic, wire coat hanger https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921777614-P66KZYYKE9U9G3FBCULT/red-wheelbarrow_web_670.jpg Kio Griffith - "Red Wheelbarrow" 2016, haikussemblage, aluminum, foil, photographic prints, Bakelite, cloth tape, acrylic, plant support, strainer https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921777543-OMDJTC1OCUUIDJLCLEX6/spontaneous-combustion_638.jpg Kio Griffith - Spontaneous Combustion 2016, photographic print https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921777981-YV1BRXFJSJFF4QZ29W0S/theory_20_installayion_01_670.jpg Kio Griffith - Theory in 20 movements 2014, cardboard shipping box, package tape, inkjet print on label and QR code access audio tracks, size variable https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921778497-5U96PW81FKKVIZUFSKIT/thumbdrive_project_number.jpg Kio Griffith - Thumbdrive 2014, improvideologue, single channel video https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921779546-XEIWVSKJH7L0UH5S1RQF/vintage-network-government-smartphone.jpg Kio Griffith - Vintage Networking Package / Youtube MP4 Film 2014, digital print, folded paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921779982-D7UK2H4UR8AJ5SHY0AD5/vintage-network-youtube.jpg Kio Griffith - Vintage Networking Package / Government XXX Smartphone 2014, digital print, folded paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921780607-7LVTR1S9DHAYF0DKI7SV/WHITE-ELEPHANT-03_02-800px.jpg Kio Griffith - White Elephant / Fukushima Daiichi No.1 Reactor 2013, sound sculpture, wire, resistor, germanium diode, bottle, wood, antenna, speaker, batteries https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921781246-LSFB4GNZJUS8LL22K8MU/WIND-TUNNEL-02_670.jpg Kio Griffith - Wind Tunnel 2015, sound installation. double exposure full moon video loop, 4 channel audio, cocktail travel case, White Elephant / Fukushima Daiichi No.4 Reactor and bottle https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921781635-O5E3I7HROJAPIO1VPE2M/yours-truly_670.jpg Kio Griffith - Yours Truly 2014, 500 monoprints, inkjet on 100lb bond paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467252190072-ZU8WXVSNEO7L4C30PEAT/kio_griffith_39_a_stigmatism_06.jpg Kio Griffith - a stigmatism 2013, with Heyward Bracey, Michelle Lai and Jie Ma, live video + audio feed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467252411352-0DZWZKROOTPQGDSYXB4X/kio_griffith_39_a_stigmatism_07.jpg Kio Griffith - a stigmatism 2013, with Heyward Bracey, Michelle Lai and Jie Ma, live video + audio feed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327080455-D12JJQEAFVW8813PIWYJ/kio_griffith_all_along_watchtower.jpg Kio Griffith - all along the watchtower 2011, loop digital performance of disengaged lyrics https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327432999-W7ZRK8P41X82ZAX2F7CT/kio_griffith_04__01.jpg Kio Griffith - Yugawara series 2012, photograph https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921762651-41Q1DPKJTD082EY3BDN5/kio_griffith_28_sunspot_05.jpg Kio Griffith - sun spot 2012, with Heyward Bracey. live video + audio feed, frying pan, skillet, tin plate and broom https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327880720-9BDSRM7CDYN2D1KUTX5L/kio_griffith_28_sunspot_04.jpg Kio Griffith - sun spot 2012, with Heyward Bracey. live video + audio feed, frying pan, skillet, tin plate and broom https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467329930354-U73DH1NT68OHH4THFZHN/kio_griffith_28_sunspot_02.jpg Kio Griffith - sun spot 2012, with Heyward Bracey. live video + audio feed, frying pan, skillet, tin plate and broom https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327888988-TWE943C6ETKYUDCHLYN4/24flat6B.jpg Kio Griffith - 24flat6B- 2014 2014, sound performance https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327892360-RZ34W1L1FFKG19JDO0LD/contract-with-america-kio-griffith.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio, Contract With America https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327910923-P80C01D9O1ZFCLIIN5LN/revolutions_per_minute_01.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327917156-JJVSQZGFCE820OBUL3QK/revolutions_per_minute_02.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327921072-1M8J94DP20I8P4RL238E/scum-manifesto-kio-griffith.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio, SCUM Manifest https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467327929100-0SP61D8IK1MQ6JQTR21X/kio_griffith_69_a_brighter_memento_01.jpg Kio Griffith - a brighter memento 2013, video loop https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467328726721-XQBO9L89ZET3NL2EB30V/kio_griffith_12_a_brighter_memento_01.jpg Kio Griffith - a brighter memento 2012, video loop, 1963 vintage TV, altered book, found photos https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467328935223-7GLD5FR9210MOKR2EVB7/tokyo-electric-company-kio-griffith.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio, Tokyo Electric Power Company https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467328942873-N4LZLPLH5ANXML1Y5KKQ/we-are-BP-kio-griffith.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio, We Are BP https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467329286445-G9FDRPN0N0AD74MQY7WA/surrealist-manifesto--kio-griffith.jpg Kio Griffith - Revolutions Per Minute 2013, eradicated 7-inch vinyls, labels, sleeves, one-minute audio, Le Manifeste Du Surrealisme http://www.durdenandray.com/pier daily 0.75 2016-07-01 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922185890-799JS762D9MJ2ZQH2PYE/02-2.jpg Gil Kuno - Guitar Morphologies - Pregnancy 2009, earthenware, glaze, lacquer https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922185890-799JS762D9MJ2ZQH2PYE/02-2.jpg Gil Kuno - Guitar Morphologies - Pregnancy 2009, earthenware, glaze, lacquer https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922186499-TPD57VPONY3IH63V9Y28/03-2.jpg Gil Kuno - Guitar Morphologies - Impotence 2008, earthenware, glaze, lacquer, https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922187604-6GT5JO8A75JF1RSJWBSR/04-1.jpg Gil Kuno - Guitar Morphologies - Mummified 2008, earthenware, pigment https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466922188313-34TJFIBB5JYT50EH3AH3/10-1.jpg Gil Kuno - OMO 2008, lithograph https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467415344337-45FD77A08DTERAZUOY8J/09-1.jpg Gil Kuno - Endoskeleton 2008, woodblock print http://www.durdenandray.com/schwane daily 0.75 2022-03-31 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759593893-0LQMB1M915WNKQLAYHY7/01Roni_Feldman-Quicksilver5.jpg Roni Feldman https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1466921104857-RIIWEFYXMBDDTS4ZD881/Roni+Feldman-+Behind+the+Eyes%2C+2015%2C+acrylic+and+collage+on+canvas%2C+12x16.jpg Roni Feldman - Behind the Eyes 2015, Acrylic and Collage on Canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759116206-KMINP2A3TFWR2ZE6PI3M/01Roni_Feldman-Quicksilver5.jpg Roni Feldman - Quicksilver #5, 2020, acrylic on canvas, 36 x 48 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759116466-121OR6KW613UWB86Y5VT/02Roni_Feldman-Quicksilver-Installation_View.jpg Roni Feldman - Installation View of Quicksilver #5, 2020, acrylic on canvas, 36 x 48 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759117120-4XW7Z9S6QJO3ELY54HZK/03Roni_Feldman-Quicksilver1.jpg Roni Feldman - Quicksilver #1, 2020, acrylic on canvas, 27 x 36 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759117345-5BEGE93WIRF4OKB10NV0/04Roni_Feldman-Quicksilver-Installation_View.jpg Roni Feldman - Installation View of Quicksilver #1, 2020, acrylic on canvas, 27 x 36 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759117984-C2C0GV9JI58XJ4WPJN5J/05Roni_Feldman-Quicksilver2.jpg Roni Feldman - Quicksilver #5, 2020, acrylic on canvas, 36 x 48 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759118380-5345FXAAWJAE3IDK1M93/06Roni_Feldman-Quicksilver3.jpg Roni Feldman - Quicksilver #3, 2020, acrylic on canvas, 36 x 48 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759118743-F52U46QSAW0JUOBZPYUV/07Roni_Feldman-Quicksilver4.jpg Roni Feldman - Quicksilver #4, 2020, acrylic on canvas, 36 x 48 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759119286-U2E24YZTEO0F4Y9TBLTW/08Roni_Feldman-Quicksilver10.jpg Roni Feldman - Quicksilver #10, 2020, acrylic on canvas, 36 x 36 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759119859-FW8W7F9B1C7APXH4XMTU/09Roni_Feldman-Quicksilver11.jpg Roni Feldman - Quicksilver #11, 2021, acrylic on canvas, 24 x 24 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759120537-66MXGYGEKQKMYOI94NSM/10Roni_Feldman-Quicksilver12.jpg Roni Feldman - Quicksilver #12, 2021, acrylic on canvas, 24 x 24 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759121035-V7DCVSVDRUWO9EVOZPI0/11Roni_Feldman-Quicksilver14.jpg Roni Feldman - Quicksilver #14, 2021, acrylic on canvas, 18 x 24 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1648759121544-BF32L9J2OKHT9YNI8ZWK/12Roni_Feldman-Quicksilver15.jpg Roni Feldman - Quicksilver #15, 2021, acrylic on canvas, 18 x 24 inches http://www.durdenandray.com/ed-gomez daily 0.75 2016-07-01 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467333075250-8PXCZRNI174OHBVXZW28/Front_Towards_enemy_EdGomez+%281%29.jpg Ed Gomez - Front Towards enemy 2012, acrylic on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467333075250-8PXCZRNI174OHBVXZW28/Front_Towards_enemy_EdGomez+%281%29.jpg Ed Gomez - Front Towards enemy 2012, acrylic on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467333079662-O023VV2ZDWMWAGK29CXN/Jack_EdGomez.jpg Ed Gomez - Jack https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467333087525-S2IO80WW97GID6WT907G/Memorial_EdGomez.jpg Ed Gomez - Founders Memorial 2016, granite tombstones https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467333098900-RFZQMIYEZKMFDYJC4PWQ/Pale_Horse_EdGomez.jpg Ed Gomez - Pale Horse 2016, polystyrene https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1467333103673-JXEJTBJ1CV8YBVBNDG1V/Tent%2CEdGomez.jpg Ed Gomez - Tent 2010, linen http://www.durdenandray.com/shiva daily 0.75 2016-10-06 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717043776-5CCRC6JCJJ73EABYS9WM/1.SafetyofOjbectsIII.jpg Shiva Aliabadi - Safety of Ojbects III 2015, Styrene https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717043776-5CCRC6JCJJ73EABYS9WM/1.SafetyofOjbectsIII.jpg Shiva Aliabadi - Safety of Ojbects III 2015, Styrene https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717047426-JAGUVN23ZGFBAPRCBM19/2.SafetyBlue-Orange.jpg Shiva Aliabadi - Safety Blue-Orange 2016, Styrene and Paint https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717053554-NYUMT4MGU1GESVGG38M2/4.SafetyofObjectsTriptych.jpg Shiva Aliabadi - Safety Splatter 2016, Styrene and Paint https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717053897-4TB21ZA8HG5K8LM8P3UD/4.SafetyofObjectsTriptych.jpg Shiva Aliabadi - Safety of Objects Triptych 2016, Styrene and Paint https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717054158-9ZRYT2LSJ4SSQSVPDWDB/5.TracesIII.jpg Shiva Aliabadi - Traces III 2015, Holi (Indian) Powder, Plastic Roll, https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717059884-M26NERNJEWZG3CCF9ZA0/6.TracesII.jpg Shiva Aliabadi - Traces II 2015, Holi (Indian) Powder, Plastic Roll https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717061846-JKMI8YEZOFNBS7V9XGLH/7.UnderbellyII.jpg Shiva Aliabadi - Underbelly II 2014, Wood, Paint, Charcoal https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717063385-7XP4PJUDXT69JAZCU3JC/8.UnderbellyIIdetail.jpg Shiva Aliabadi - Underbelly II (Detail), Wood, Paint, Charcoal,   https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717065067-18WIA32PPCOTITWJVVTF/9.YieldII.jpg Shiva Aliabadi - Yield II 2015, Copper Foil, https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717072175-27KGTQSVEHEPW3FTMX3P/10.YieldIIdetail.jpg Shiva Aliabadi - Yield II (Detail), Copper Foil https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717075883-XG34AS94A5SJPV4TWW9B/11.SixPaintings.jpg Shiva Aliabadi - Six Paintings 2014, Wood, Mixed Media including pieces from Lakota/Mexica spiritual practice https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1475717928612-NZBHPDZ6WDOJJ3OWTLQ8/12.SixPaintingsdetail.jpg Shiva Aliabadi - Six Paintings (Detail), Wood, Mixed Media including pieces from Lakota/Mexica spiritual practice, http://www.durdenandray.com/new-gallery daily 0.75 2016-11-22 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479838176350-HIUOHFNXJCAJFPAPO3I9/Woods_Alison_Detroit_DR.png Alison Woods https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479838176350-HIUOHFNXJCAJFPAPO3I9/Woods_Alison_Detroit_DR.png Alison Woods https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479838171951-ULJL01YOCG3BW3A7BDKR/Woods_Alison_BigScience_DR.png Alison Woods https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479838173265-2DH7CP9W8BHQ17ON8JXB/Woods_Alison_Eris_DR.png Alison Woods https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479838176039-EWQFD5FWF8IP7D6WILJH/Woods_Alison_UtopiaMachine_DR.png Alison Woods https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479838173930-5EPHIUPXNI82QXYTEDE0/Woods_Alison_Matrix_DR.png Alison Woods http://www.durdenandray.com/ben-jackel daily 0.75 2017-01-11 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143781961-ER9QLI69WKAAD78C63BN/BJ_01.jpg Ben Jackel - Syntagma Porcelain, mahogany, bismuth alloy, 72 x 60 x 16 in, 2008 – 2009 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143781961-ER9QLI69WKAAD78C63BN/BJ_01.jpg Ben Jackel - Syntagma Porcelain, mahogany, bismuth alloy, 72 x 60 x 16 in, 2008 – 2009 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143794876-W4SOYK5AINY0UVHBWJUH/BJ_02.jpg Ben Jackel - Syntagma (detail) Porcelain, mahogany, bismuth alloy, 72 x 60 x 16 in, 2008 – 2009   https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143795146-23QSZ7DX5LCX2M978NCM/BJ_03.jpg Ben Jackel - IED Stoneware and beeswax, 32 x 17 x 17 in, 2008 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143795651-JGH42S2I1FHJCB2JVX48/BJ_04.jpg Ben Jackel - Polecat Mahogany, graphite, ebony, 6 x 24 x 96 in, 2013 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143837607-J92D0UMT4DJ4V4I8ZW5U/BJ_06.jpg Ben Jackel - NY Standpipes with Spikes Stoneware, beeswax, and ebony, 20 x 26 x 13 in, 2012 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143840862-FWUKFAHX7CIHDEBVPYU1/BJ_07.jpg Ben Jackel - Garrison Stoneware, beeswax, and ebony, 18 x 40 x 21 in, 2012   https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143843012-ZB7PLOZ5CGAGCM65YWYY/BJ_08.jpg Ben Jackel - Large headed hydrant stoneware, beeswax, 34 x 12 x 12 in., 2013 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143844980-ZY7P2JF6IGS7WICVI6OT/BJ_09.jpeg Ben Jackel - Coiled Navy Hose Stoneware, beeswax, 13 x 27 x 6 1/2 in., 2014 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143850470-FKOQ5LFGBIA8EZ2XNUSB/BJ_11.jpg Ben Jackel - Zumiwalt Douglas fir, mahogany and graphite, 8 x 45 x 7 in, 2014 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143852899-EGM1LY7HJBCY0S5M6ROP/BJ_12.jpg Ben Jackel - Rockefeller (standpipe) Stoneware and beeswax, 28 x 17 x 13 in., 2014 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143859264-QVHWFNCZ4EI6OESVH0Z2/BJ_13.jpg Ben Jackel - Triple Bell Stoneware and beeswax, 37 x 32 x 2 in., 2014   https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143863832-14A31FJYCB0HOPUIWL71/BJ_14.jpg Ben Jackel - Burgonet, grooved Stoneware, beeswax, 19 x 14 x 23 in, 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143871391-3JKB7UH3URXNQL7KN59Q/BJ_16.JPG Ben Jackel - Legacy Douglas fir and graphite, 70 x 84 x 32 in., 2015   https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484143872839-8K6NSKLYI7HW5PXBTSWB/BJ_17.jpg Ben Jackel - Five bladed propeller Mahogany, graphite, 24x 24 x 7 in, 2016 http://www.durdenandray.com/david-spanbock daily 0.75 2017-01-19 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851155486-KZZEZ1MA3B9FF8Y6I1Y8/Spanbock+TPOT+24+x+20+2016+D%26R3%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851155486-KZZEZ1MA3B9FF8Y6I1Y8/Spanbock+TPOT+24+x+20+2016+D%26R3%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851155876-OO22VF6X1TCJQ6OWYRXR/Spanbock+TPOT+72+x+48+2016D%26R%231%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851156980-O4EBTQ2PPYFQRCAEV984/Spanbock+TPOT+96+x+78+2015D%26R2%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851157613-WE7MIWXBZTWECBZERC0E/Spanbock+TPOT+2015+24x18+D%26R5%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851158396-GNM8DL5U1B83YF51U2U3/Spanbock+TPOT+2015+48+x+30D%26R4+%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851158526-K2Y1ZCSW89YM3I6C4292/Spanbock+TPOT+2016+21+x+16+D%26R7%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851159935-RHD6VGFM4DW5GCCCRY1R/Spanbock+TPOT+2016+24+x+20P+D%26R8%2872%29.jpg David Spanbock https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1484851160189-S4ORBZHI7GJ74ZE781R7/Spanbock+TPOT+2016+36+x+24P+D%26R6%2872%29.jpg David Spanbock http://www.durdenandray.com/jennifer-cielo daily 0.75 2020-04-07 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586276938101-RK1JW5Z4264C87EQWSPU/Celio_A+persistent+cuss.jpg Jennifer Celio - Places to die in Fabric jewelry box, Flashe paint, chains, bracket, paper, 27 x 3 x 4 inches, 2019 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586276938101-RK1JW5Z4264C87EQWSPU/Celio_A+persistent+cuss.jpg Jennifer Celio - Places to die in Fabric jewelry box, Flashe paint, chains, bracket, paper, 27 x 3 x 4 inches, 2019 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586276939500-J69EW0Y4GE48VRRYKUUI/Celio_Double+parked+with+hazards.jpg Jennifer Celio - Double parked with hazards Acrylic and Flashe on canvas, found plastic, fake fur, 60 x 32 x 7 inches, 2020 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586277384393-E4WCUSCLSOPV9CXULX6J/Celio_Every+day+was+a+holiday.jpg Jennifer Celio - To hear its voice on the other side Spray paint on found bag, arrows, fake fur, wood, pleather, twine, metal chain, brackets, 60 x 32 x 7 inches, 2020 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586276943595-RUVMCOUPANDX5AVHJHOZ/Celio_Places+to+die+in.jpg Jennifer Celio - Every day was a holiday Denim jacket, pins, paint on rock, cord, hook, bracket, 29 x 12 x 7 inches, 2019 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586276946199-MQ5E9WF9UG9P7CQHBYDN/Celio_The+night+it+all+came+crashing+down.jpg Jennifer Celio - The night it all came crashing down Speaker, contact paper, fake fur, light, ashtray, metal chain, 32 x 17.5 x 12 inches, 2020 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1586276946336-W3BC6OCIYZIBYKT5BIPM/Celio_To+hear+its+voice+on+the+other+side.jpg Jennifer Celio - A persistent cuss T-shirt, cassette tape, brackets, metal chain, 44 x 10 x 7 inches, 2020 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430705183-H7SPSYZ976UOA3U50JBE/1_Celio_Status+its+complicated.jpg Jennifer Celio - Status: it’s complicated 2018, 36 x 16 x 1”, watercolor on canvas; twine; wood https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430727373-0D9EN0VWWKRU4X110IIP/2_Celio_C2OSED.jpg Jennifer Celio - C2OSED 2018, 12 x 17 x 1”, watercolor and acrylic on canvas; wood; twine; rubber bands https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430735461-IDUUTQPRMW1PKQ9D1KZ4/3_Celio_Soft+shoulders+and+broken+dreams.jpg Jennifer Celio - Soft shoulders and broken dreams 2018, 12 x 13”, watercolor and acrylic on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1509920483723-P8HXH8TDV7SQB67Y3GVK/But+is+it+selfie+heaven_lower+res.jpg Jennifer Celio - But is it selfie heaven? 2017, 80 x 36”, watercolor and charcoal on Yupo paper and cut paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1509920275475-DUYWDF7IT6QMAJW6PKGL/Celio-Jennifer-10.Holding+back+the+wilderness.jpg Jennifer Celio - Holding Back the Wilderness 2017, 19 x 20 x 3”, watercolor on cut paper, acrylic on canvas, vinyl, metal https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430757142-8CPNXKR4B5E591T14NGP/6_Celio_Gravity+will+do+its+thing.jpg Jennifer Celio - Gravity will do its thing 2018, 48" tall, 45" wide, 65" deep ,found objects (beach trash), blankets, cardboard, concrete, house paint, spray paint, lights, fan, noise machine https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1509920414092-RDKKMF3EIDVNTIYTHPH1/Antarctica_lower+res.jpg Jennifer Celio - Untitled (Antarctica) 2017, 100 x 120 x 13”, watercolor on Yupo and paper; wood; cut paper; handmade paper; spray paint on mylar; cut paper on acetate; plexiglass; shaped mirror https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430781764-OGK0LEDKO6C5N2HX32JX/8_Celio_In+Concert_A+Concerted+Effort.jpg Jennifer Celio - In Concert/A Concerted Effort 2018, 61” wide, 28” deep, 84” tall, speakers, light box, audio CD, handmade stickers, sound sensors, cords and antenna https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430789614-L4URD4VA44WTOPG3PWTL/9_Celio_In+Concert_A+Concerted+Effort.jpg Jennifer Celio - In Concert/A Concerted Effort (detail) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430802573-N46V6TX1TVVXXY0LOYH2/10_Celio_Catch+All.jpg Jennifer Celio - Catch All 2018, dimensions variable, fishing net, fishing line, vinyl tape, found objects, paper, paint, string https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1509920151362-BYNCAUHCPC9LNHN5G2I2/Green+boots_lower+res.jpg Jennifer Celio - Green boots   2017, 53 x 44 x 5”, watercolor on Yupo; paper; vinyl; cardboard; lights; thread and T-pins https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1540430823409-YH9UTHR9SON3KXSN9XVV/12_Celio_With+just+a+whiff+of+remorse.jpg Jennifer Celio - With just a whiff of remorse 2017, 24 x 37.5”, watercolor, charcoal, and graphite pencil on Yupo paper and cut paper http://www.durdenandray.com/new-gallery-1 daily 0.75 2017-06-30 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788366968-JTGR0WMGO7OQ10OCHHHS/Sean_Noyce_Albert.jpg Sean Noyce - Albert Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788366968-JTGR0WMGO7OQ10OCHHHS/Sean_Noyce_Albert.jpg Sean Noyce - Albert Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788367999-MU30CC6945W2JYWDZTFP/Sean_Noyce_Genesis_2016.jpg Sean Noyce - Genesis Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788372486-YAXYDE0HYC8CKJNUWA5A/Sean_Noyce_George.jpg Sean Noyce - George Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788374876-IUC1QI4AZTWUGLF86PZ4/Sean_Noyce_Hillary_2016.JPG Sean Noyce - Hillary Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788379506-ZDQ5WX7V0NKXPJXBY5BW/Sean_Noyce_Jaden_2016.jpg Sean Noyce - Jaden Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788381750-RX2P9CXHFELTTOTS42MC/Sean_Noyce_Kim_2016.jpg Sean Noyce - Kim Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788384784-6BO3DDOIQWQD0IV7ASX4/Sean_Noyce_Ta-Nehisi.jpg Sean Noyce - Ta-Nehisi Acrylic, screenprint, and custom code, 24" x 24", 2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498788386737-XAHJGBI5D9FEW000H2PV/Sean_Noyce_William.jpg Sean Noyce - William Acrylic, screenprint, and custom code, 24" x 24", 2016 http://www.durdenandray.com/carl-berg daily 0.75 2017-08-02 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715505345-ZLC49GXVPR5URYA2GUGO/Carl+Berg-Sergei+Rachmaninoff%2C+Piano+Concerto+No.+1%2C+2015%2C+For+Cecilia+Miniucchi-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - Sergei Rachmaninoff, Piano Concerto No. 1 2015, For Cecilia Miniucchi-Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715505345-ZLC49GXVPR5URYA2GUGO/Carl+Berg-Sergei+Rachmaninoff%2C+Piano+Concerto+No.+1%2C+2015%2C+For+Cecilia+Miniucchi-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - Sergei Rachmaninoff, Piano Concerto No. 1 2015, For Cecilia Miniucchi-Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715504972-U7H9DXF2CPDVZJ5IIUQM/Carl+Berg-The+Cars%2C+The+Cars%2C+For+Christopher+Thorpe%2C+2016-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - The Cars, The Cars, For Christopher Thorpe 2016, Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715507448-S2O374RLTNQOLT0X126P/Carl+Berg-The+Modern+Lovers%2C+The+Modern+Lovers%2C+2015%2C+For+Stephen+Maine%2C+Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - The Modern Lovers, The Modern Lovers 2015, For Stephen Maine, Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715507561-5B3FDARVFZKGUHHDNBWC/Carl+Berg-Brandi+Carlile%2C+The+Story%2C+2016%2CFor+Mazin+Sami%2C+B-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - Brandi Carlile, The Story 2016, For Mazin Sami, B-Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715515170-IMCDIXGDGZGLRANOE28R/Carl+Berg-David+Bowie%2C+The+Rise+And+Fall+Of+Ziggy+Stardust+And+The+Spiders+From+Mars%2C+2016-Pigment+print+on+matte+paper+mounted+on+panel-22+x+22+inches.jpg Carl Berg - Carl Berg - David Bowie, The Rise And Fall Of Ziggy Stardust And The Spiders From Mars 2016, Pigment print on matte paper mounted on panel-22 x 22 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715512571-KMIQ2MLERVBNJF0RU51E/Carl+Berg-Iggy+Pop%2C+Lust+for+Life%2C+2015%2C+For+Jeremy+Kidd-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - Iggy Pop, Lust for Life 2015, For Jeremy Kidd-Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715524606-C40Y2DQ16ETT4GCORHDP/Carl+Berg-+J.S.+Bach-Harpsichord+Concerto+2%2C+2016-Pigment+print+on+matte+paper+mounted+on+panel-42+x+42+inches.jpg Carl Berg - Carl Berg - J.S. Bach-Harpsichord Concerto 2 2016, Pigment print on matte paper mounted on panel-42 x 42 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715524320-QTUCCN31D87FJ7FYIW2Z/Carl+Berg-+The+Rolling+Stones%2C+12+x+5%2C+2016%2C+For+Gerald+Casale-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - The Rolling Stones 12 x 5 2016, For Gerald Casale-Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715527597-WJV4O34P1DENY9VJMTDO/Carl+Berg-9+Volt+Beast%2C+2016%2C+For+Carrie+Paterson-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg - 9 Volt Beast 2016, For Carrie Paterson-Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715525959-8YVZGZ77RJ2H4ZLFL1V5/Carl+Berg-+Bob+Dylan%2C+Bringing+All+Back+Home%2C+2016+For+Jae+Hwa+Yoo-Pigment+print+on+matte+paper+mounted+on+panel-12+x+12+inches.jpg Carl Berg - Carl Berg- Bob Dylan, Bringing All Back Home 2016, For Jae Hwa Yoo Pigment print on matte paper mounted on panel-12 x 12 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715526817-JXFL7HSM38AE1C2LUP8H/Carl+Berg-Installation+view+2-With+A+Little+Help+from+My+Friends-Torrance+Art+Museum-2016.jpg Carl Berg - Carl Berg - Installation view 2 - With A Little Help from My Friends -Torrance Art Museum-2016 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501715528833-KS7IALDX04P8U0B3OU63/Carl+Berg-Installation+view+1-With+A+Little+Help+from+My+Friends-Torrance+Art+Museum-2016.jpg Carl Berg - Carl Berg - Installation view 1 -With A Little Help from My Friends -Torrance Art Museum-2016 http://www.durdenandray.com/new-gallery-2 daily 0.75 2017-08-05 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895901479-1WA2HQKYOGRTZQYY09GT/Simultaneous-Install-38.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895901479-1WA2HQKYOGRTZQYY09GT/Simultaneous-Install-38.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895882415-9NYFRJYAZLJL8UTV7OFH/Simultaneous-Install-48.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895881729-1S68DVHCQB60AGXA1W5H/Simultaneous-Install-47.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895887540-4KZKLSHUPQX8VSISPX4E/Simultaneous-Install-46.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895891706-4R2DW6FPOG6EYJCDMN8F/Simultaneous-Install-42.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895898523-34ACN69DPEVGG2SN9QSK/Simultaneous-Install-40.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895910921-0YBJ77P53DEAF7TA2P5H/Simultaneous-Install-34.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895914105-TIZK9DQ7665VH67KFI7P/Simultaneous-Install-36.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895930292-KRM5F6OA91XKQNXVHZWU/Simultaneous-Install-31.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895942127-AUXQXFS8YOI0OE8BM2NU/Simultaneous-Install-25.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895955253-80YDGD1NP8GV7VM2PH5X/Simultaneous-Install-23.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895964303-NI66BRH8FO1O0ZL1DNQ7/Simultaneous-Install-22.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895968772-ZXHEN4WTGTXNWPU3SS7U/Simultaneous-Install-20.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501895986272-2JJDS7QO8JGIICWTRCO7/Simultaneous-Install-14.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896004263-1AFT5CL7Z6OTRQGBK5HV/Simultaneous-Install-11.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896021824-UYJ9ZT12KYDW9INACV34/Simultaneous-Install-6.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896033011-GK9RT0EBMX2EGEFRJ160/Simultaneous-Install-3.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896038556-25OY6RWYZCRTW6HN0YE6/Simultaneous-Install-5.jpg Simultaneous https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896043310-SET55S8VO4L9BCHAX73S/Simultaneous-Install-4.jpg Simultaneous http://www.durdenandray.com/gipe daily 0.75 2019-03-24 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1553467247845-JOQV26SE6FECMU35NTH7/1.Gipe_Mir_Damascus_oil_2019.jpg Lawrence Gipe - “Russian Drone Painting 1 (Mir Diamond Mine, Siberia)” / “Russian Drone Painting 2 (Siege of Damascus)” 2018-19, oil on canvas, 2@72” x 96” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1553467247845-JOQV26SE6FECMU35NTH7/1.Gipe_Mir_Damascus_oil_2019.jpg Lawrence Gipe - “Russian Drone Painting 1 (Mir Diamond Mine, Siberia)” / “Russian Drone Painting 2 (Siege of Damascus)” 2018-19, oil on canvas, 2@72” x 96” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1553467239811-K3GYZ6W1JQ8ESAR5H53F/2.Gipe_New_Old_Testament_charcoal_2018.jpg Lawrence Gipe - "New Old Testament Tales (Baltimore, 2015/SAC Bomber, 1955)" 2018, charcoal on backdrop paper, 96” x 238” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1553467249154-8L99MN1U6A9QDN673Q4R/3.Gipe_Ask_Me_My_Name_graphite_2019.jpg Lawrence Gipe - “Ask Me My Name 1” 2019, pencil on Arches, 30” x 22” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1553467270485-M6IK6ZXH7GJXTZ1MD3WR/4.Gipe_Installation_Another+Cold+Winter_2018.jpg Lawrence Gipe - Installation Shot, “Another Cold Winter” at Lora Schlesinger Gallery, 2018, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1553467250771-1ABMUF26YDYWN440K0TW/5.Gipe_Nocturne_graphite_2018.jpg Lawrence Gipe - “Nocturne No. 3” 2018, pencil on Arches, 12” x 7” http://www.durdenandray.com/alexw daily 0.75 2024-06-20 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910763194-72K4X9UUMKHLJ9W1ZGCC/Barely+held+and+all+within.2024.oil+on+canvas.+60+x96.jpg Alexandra Wiesenfeld - Barely held and all within, 2024, oil on canvas. 60" x 96 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910763194-72K4X9UUMKHLJ9W1ZGCC/Barely+held+and+all+within.2024.oil+on+canvas.+60+x96.jpg Alexandra Wiesenfeld - Barely held and all within, 2024, oil on canvas. 60" x 96 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910763140-DKN14MHRFIDDDT0814I9/how+to+listen+to+a+rock%2C60+x60.2024.oil+and+acrulic+on+yupo.jpg Alexandra Wiesenfeld - How to listen to a rock, 60"x60 2024 oil and acrylic on yupo https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910764586-RZC34X9Z4IDDGNNC7LBB/how+to+keep+it+all+in%3F60+x60.2024.+acrylic+and+oil+on+yupo.jpg Alexandra Wiesenfeld - How to keep it all in? 60"x60 2024, acrylic and oil on yupo https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910764830-LZGIEPUWUR2DRZYCC9UW/Why+can%27t+you+find+me.+60+x+60.+oil+on+yupo.24.jpg Alexandra Wiesenfeld - Why can't you find me. 60" x 60, oil on yupo. 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910769588-YBTP07IV5SWPPEP895IQ/around+and+around.2024.60+x60.+oil+on+canvas.jpeg Alexandra Wiesenfeld - Around and around, 2024 60" x60, oil on canvas https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910774973-TIIDDV6843XJVZQ2V5DK/in+the+vortex+we+come+closer.+mixed+media+on+wood%2C+2023.+48x60.jpg Alexandra Wiesenfeld - In the vortex we come closer, mixed media on wood, 2023, 48in x60 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1718910773092-OHHUY4KIL4ASEOGXICHC/Momentary+Touch.60+x60.acrylic+and+oil+on+yupo.2024.JPG Alexandra Wiesenfeld - Momentary Touch, 60" x60, acrylic and oil on yupo, 2024 http://www.durdenandray.com/jamaal-hasef daily 0.75 2020-11-16 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605550856919-7T5QJ12IONZL4TFZA9U4/ArtAbove.png HASEF https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605550856919-7T5QJ12IONZL4TFZA9U4/ArtAbove.png HASEF https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605550858014-9II9OOEMT6E7HLBP2567/ONYX+CAVE_2019_PHOTOGRAPHY.jpg HASEF https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605551087074-EBTPKKL4226OGHGAWQ46/marcel+spin2.png HASEF https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1605551095845-1UB4DB6W48NZWQ0NOQA4/Seduabooboo.png HASEF http://www.durdenandray.com/daniela-soberman daily 0.75 2022-06-28 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449265187-D013DRTQJP9WN1V1CH92/MemorialtotheFuture_Longshot.jpg Daniela Soberman - Memorial to the Future, Modular, 25ft x 30ft x 30ft 2022 Polystyrene + Lime Plaster [thumbnail and top photo] https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449265187-D013DRTQJP9WN1V1CH92/MemorialtotheFuture_Longshot.jpg Daniela Soberman - Memorial to the Future, Modular, 25ft x 30ft x 30ft 2022 Polystyrene + Lime Plaster [thumbnail and top photo] https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449248918-L06OHHDNZOGGSRC6HGL8/3+forms.jpg Daniela Soberman - 3 Forms, 8ft x 8ft x 8ft, 2022 Polystyrene + Lime Plaster https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449268186-17U5NR63ZF135VOSLL3I/Soberman_Untitled.jpg Daniela Soberman - Untitled. Modular, 12ft x 8ft x 8ft, 2022 Polystyrene + Lime Plaster https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449278091-C1IFXB565OXF7F84EGKC/Studies_In_Charcoal.jpg Daniela Soberman - Studies in Charcoal, Various, 2022 Polystyrene + Lime Plaster https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449251465-4OXM9OC5LHC5U0G28TPV/inconversation_2.jpg Daniela Soberman - In Conversation, Modular, 8ft x 4ft x 4ft, 2022 Polystyrene + Lime Plaster https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449270404-ZJSYW2TL7JK9NTRGZ9ZJ/ReducedIntersection.jpg Daniela Soberman - Reduced Intersection, Modular, 8ft x 8ft x8ft, 2021 Polystyrene + Lime Plaster https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1656449265570-1EQLOR1T1P8WTVWKTTNC/Bundles_group_1.jpg Daniela Soberman - Travelers Bundles, Various, 2022 Polystyrene, Curtains + Lime Plaster http://www.durdenandray.com/jamison-carter daily 0.75 2023-01-20 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257733498-GRLRTSZ9M6D7VAEYR8YN/01+Prison+Head+_2020.jpg Jamison Carter - Prison Head - 2019 - Marker transfer on urethane resin - 12 by 9.5 by 6.5 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257733498-GRLRTSZ9M6D7VAEYR8YN/01+Prison+Head+_2020.jpg Jamison Carter - Prison Head - 2019 - Marker transfer on urethane resin - 12 by 9.5 by 6.5 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257734116-PF0L4217XQH1WA1SMU33/02+Father+Rest_2020.jpg Jamison Carter - Father Rest - 2020 - Marker transfer on urethane resin - 9.5 by 51 by 105 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257734989-674CM3JW4RQX5HJRL5Y9/03+Mother+Husk_2020.jpg Jamison Carter - Mother Husk - 2020 - Detail - Marker transfer on urethane resin, glass, steel, paint - 81 by 25 by 23.5 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257736224-W685S9YW65JGQ7YWS7P0/04+Portal_2020.jpg Jamison Carter - Portal - 2020 - Marker transfer on urethane resin - 45.5 by 63 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257737399-O3F55DT3ZFQZSGKGS39F/05+Time_2020.jpg Jamison Carter - Time - 2020 - Marker transfer on urethane resin - 37.5 by 58 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257738470-KWQMZ5ZFWIT5GWMOJ07H/06+Alien+Sun_2020.jpg Jamison Carter - Alien Sun - 2020 - Marker transfer on urethane resin - 63 by 40.75 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257739147-CZWMRMRM31FK14XLG3EW/07+OoO_2018.jpg Jamison Carter - O.o.O. 2018 - wood, urethane resin, steel, glue, various hardware - 113 x 55 x 77 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257739601-WE0YLG2GN0385LBO2MDF/08+Brow+Brow_2018.jpg Jamison Carter - Brow Brow - 2018 urethane resin, concrete board, hydrocal, washers and screws - 36 x 65 x 45 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257741535-8FUXZVLGOLWRV045C8V4/09+Navelgazer_2018.jpg Jamison Carter - Navelgazer - 2017 wood, wood stain, hydrocal, urethane resin, concrete board, glue, various hardware- 65 1/2 x 64 x 76 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257742272-DFF3H4QQN8TWZBQX91OU/10+Sunspot_2018.jpg Jamison Carter - Sunspot - 2017 wood, wood stain, steel, glue, various hardware - 74 x 74 x 63 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257743299-UGQAY0GX59ESLOOP4P76/11+Rose_2018.jpg Jamison Carter - Rose - 2018 colored pencil on black Bristol - 27 5/16 x 21 5/16 framed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257745526-KJZ7XI89KTWQSGE34GRD/12+Of+The_2018.jpg Jamison Carter - Of The - 2018 colored pencil on black Bristol - 21 5/16 x 27 5/16 framed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257745529-N74XFG3XFBW32W8P53WB/13+Tarrat_2018.jpg Jamison Carter - Tarrat - 2018 concrete board, urethane resin, hydrocal, washers and screws- 17 1/2 x 15 1/2 x 17 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257746958-219ERPBOM5GMI5ZS4PEP/14+I+Can+See+You_2017.jpg Jamison Carter - I Can See You - 2017 urethane resin, black onyx sphere - 24 x 30 x 9 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257747880-WJY4WI2P1VQ5WHRQB9UQ/15+O+Superman_2015.jpg Jamison Carter - O Superman - 2015 Wood, paint and marker - 75 5/8 by 33 7/8 by 15 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257748682-1NF6YGN5FPV0EY8AA9ZC/16+Mono+Hum_2015.jpg Jamison Carter - Mono Hum - 2015 Hydrocal, wood, celluclay, steel, paint and marker - 62 1/2 by 13 by 14 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257749908-GV5DUVMHEB9Z5PEA5HEU/17+Sol_2015.jpg Jamison Carter - Sol - 2015 Wood, hydrocal, paint, glue and various hardware - 123 by 128 by 8 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674257750905-I16QDM8J3MBZVUIDDIWB/18+Waning_2015.jpg Jamison Carter - Waning - 2015 Wood, hydrocal, paint, glue and various hardware - 47 by 58 by 5 inches http://www.durdenandray.com/margaretgriffith daily 0.75 2023-02-01 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256493108-V9QOWXZ5P98ZE3UF261G/01+101_280_2022.jpg Margaret Griffith - 101/280, 2022 , handcut paper approx. 20' x 25' x 20', 2022, Photo credit Monica Orozco https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256493108-V9QOWXZ5P98ZE3UF261G/01+101_280_2022.jpg Margaret Griffith - 101/280, 2022 , handcut paper approx. 20' x 25' x 20', 2022, Photo credit Monica Orozco https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256493197-VGJG8BF9A8DLVG514URQ/02+101_280_2022%282%29.jpg Margaret Griffith - 101/280, 2022 (different angle), handcut paper, Photo credit Monica Orozco https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256494675-VR6VI0SV2ZXFH5F2CUZC/03+Takealookwhereonesees_2022.jpg Margaret Griffith - Take a look from where one sees, 2022, waterjet cut steel approx. 6' x 4' x 4', 2022, Photo Credit Monica Orozco https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256495095-MXFPLSK3AP4RAX0OMS7H/04+4533_installedandreconfigured2017%2C2019%2C2022.jpg Margaret Griffith - 4533, installed and reconfigured 2015, 2017, 2022, waterjet cut steel approx. 7’ h x 8’ w x 42” d, Photo credit Carl Berg https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256496244-WYAX1H649WL9FMD0Y9W1/05+Commonwealth_Installedandreconfigured_2015%2C2018%2C2022.jpg Margaret Griffith - Commonwealth, installed and reconfigured 2015, 2017, 2022, handcut paper, 8’ x8’x4’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256497165-PATTISFFRHQ3JA9E3Q4M/06+Commonwealth%28detail%29_2022.jpg Margaret Griffith - Commonwealth (detail), installed and reconfigured 2015, 2017, 2022, handcut paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674497537378-WFFROQQ2ESWYWU9JVACU/07+15th%2C17thandPennsylvania_installedandreconfigured21%2C2022.jpg Margaret Griffith - 15th,17th and Pennsylvania, installed and reconfigured 2015, 2017, 2022, acrylic on hand cut Tyvek, 20’ x 12’ x 2’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256497371-HEUQVK5E7BIFWXAE7BN0/08+15th%2C17thandPennsylvania%28detail%29_2021.jpg Margaret Griffith - 15th,17th and Pennsylvania, installed and reconfigured 2015, 2017, 2022, acrylic on handcut Tyvek, 20’ x 12’ x 2’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256498197-2K7QQ1QQC5HIYDZ6QR7L/09+Myopia_2021.jpg Margaret Griffith - Myopia, 2021, handpunched paper, 4’ x 4’ x 1’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256498320-PGNNEIELD4FO3OZQ0LAU/10+Myopia%28detail%29_2021.jpg Margaret Griffith - Myopia (detail), 2021, handpunched paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256499532-Y1USD5D57JBRY7CJ7L0W/11+DilateMG.jpg Margaret Griffith - Dilate, 2021, handpunched paper, 4’ x 4’ x 1’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256499749-JZIMYLLGJAZS07XRS7KT/12+Turn_2021.jpg Margaret Griffith - Turn, 2021, ink on handpunched paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256500493-7PRK7LKKAW7EIVPPHEVI/13+Diffractions_2019.jpg Margaret Griffith - Diffractions, 2019, handcut paper 94"h x 50"w x 10" d https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256500731-GJB1QDBWVI7DF66SG41N/14+Diffractions%28sideview%29_2019.jpg Margaret Griffith - Diffractions (side view), 2019, handcut paper https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256502527-1ZUS4TFUK18RNIGJR0MR/15+Refractions_2019.jpg Margaret Griffith - Refractions, 2019, handcut paper, 94"h x 50"w x 10" d https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256502526-W2G4JRW8XMH4BBL13LHC/16+Redline_2019.jpg Margaret Griffith - Red Line, 2019, ink on handcut paper, 12’ x 2’ x 2’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256503572-2YTUD0N2C1R2ZP9GUBGE/17+Catherine_2019.jpg Margaret Griffith - Catherine, 2019, acrylic on handcut Tyvek, 9’ x 15’ x 1’ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1674256503701-DIFCKW1TNJ0MERF02S4D/18+Tapas_2019.jpg Margaret Griffith - Tapas, 2019, ink on paper, 31” x 31” unframed http://www.durdenandray.com/fellows daily 0.75 2026-01-19 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1479778234523-5OCQRCQQNRDHQADDG050/Marcelletti1_armor.jpg Fellows - Armor 2016, Acrylic, tempera, collage, organza, and found objects https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1675208926197-JXYE2R58YZ5ZFC2P45FO/1.+Narcotic+Mint_2022.jpg Fellows - Narcotic Mint, 2022, mixed media, 12 x 5 x 5” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1716593571156-NLHRGHPKQ22YI0KVXVWY/1-homepage-+repository1.jpg Fellows https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1768858433418-AXYEIJ5FOGLKTLWTE88X/5_MERCIER_THE+FACADE+OF+PAINTING_2016-2019_60x150x39_front.jpg Fellows - ‘The Façade of Painting’, 2016-2019, 60”x150”x39”, oil, ink, latex, & enamel on wood panel construction. Retail ($32,000.00) http://www.durdenandray.com/debby-larry-kline daily 0.75 2023-03-05 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052955531-MPK2KSA6URY2XLMS9SZ4/1_Three_Phases_of_The_Moon_1.jpg Debby & Larry Kline - THREE PHASES OF THE MOON: A CAUTIONARY TALE, 2023 Each panel: 8 x 8 ft., Rabbits: each approximately 4 x 2 x 2 ft, Panels: Ink on paper Rabbits: Paint on wood and paint, joint compound and ink on architectural foam https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052955531-MPK2KSA6URY2XLMS9SZ4/1_Three_Phases_of_The_Moon_1.jpg Debby & Larry Kline - THREE PHASES OF THE MOON: A CAUTIONARY TALE, 2023 Each panel: 8 x 8 ft., Rabbits: each approximately 4 x 2 x 2 ft, Panels: Ink on paper Rabbits: Paint on wood and paint, joint compound and ink on architectural foam https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052955690-E1P9I5REIHIX6LUKIDSI/1_Three_Phases_of_The_Moon_2.jpg Debby & Larry Kline - THREE PHASES OF THE MOON: A CAUTIONARY TALE, 2023 Each panel: 8 x 8 ft., Rabbits: each approximately 4 x 2 x 2 ft, Panels: Ink on paper Rabbits: Paint on wood and paint, joint compound and ink on architectural foam https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052957181-V745TMD7K7OAJXSOS9X7/1_Three_Phases_of_The_Moon_3.jpg Debby & Larry Kline - THREE PHASES OF THE MOON: A CAUTIONARY TALE, 2023 Each panel: 8 x 8 ft., Rabbits: each approximately 4 x 2 x 2 ft, Panels: Ink on paper Rabbits: Paint on wood and paint, joint compound and ink on architectural foam https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052957677-1ZHXC5W9LV849YWOSAON/1d_Three_Phases_of_the_Moon_Sculptures_in_Process.jpg Debby & Larry Kline - THREE PHASES OF THE MOON: A CAUTIONARY TALE, 2023 Each panel: 8 x 8 ft., Rabbits: each approximately 4 x 2 x 2 ft, Panels: Ink on paper Rabbits: Paint on wood and paint, joint compound and ink on architectural foam. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678053055787-16X59VPFSXBUW93DI66B/2_A_Brief_History_Of_The_World_In_Extruded_Plastic_2022.jpg Debby & Larry Kline - A BRIEF HISTORY OF THE WORLD IN EXTRUDED PLASTIC, 2022 Extruded plastic and wire on felt. Approx, 6 x 3.5 ft. x 12 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052960221-U9LTYE8QQ6F8L5KUBFX4/3_Seeking_Truth.jpg Debby & Larry Kline - SEEKING TRUTH, 2021 Hand-carved granite, metal, misting system, acrylic domes, fans, wood, paint, speakers, timer, electronics, and hardware. Dimensions approx.. 7 x 15 x 8 ft. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052961600-ASRIX5FQEAKECRSE0KJ5/4_Toxic_Cocktails.jpg Debby & Larry Kline - TOXIC COCKTAILS, 2021 Ceramic, monofilament sutures on felt Approx, 6 x 3.5 ft. x 3 in https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052962317-M1NTAMAB2TO573DVTXP8/5_Patrolling_The_Perimeters.jpg Debby & Larry Kline - PATROLLING THE PERIMETERS, 2020 12 x 13 x 13 ft. Digital Video, robotic vacuums, sugar, Meringue powder https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052962738-XVTI04SFEKKB0QZN3LMW/6_Zacky_The_Cat_Fights_Fascism.jpg Debby & Larry Kline - ZACKY THE CAT FIGHTS FASCISM, 2020 We have created a short video to encourage voting. To save our Democracy, we must all do our best to counteract voter suppression and Fascism. If our cat can do it, so can you! *Click on QR Code for video. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052963604-U0KWT3TV9UL2XANT1BDC/7_The_Evil_of_Banality.jpg Debby & Larry Kline - THE EVIL OF BANALITY (collaboration with Eleanor Antin), 2019 DVD, Edition unknown https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052964187-RKEBH171XRDASMWBZXBX/8_Hollywood_Lights.jpg Debby & Larry Kline - HOLLYWOOD LIGHTS, 2019 Burned out fluorescent light bulbs, architectural foam, wood, LED lights 96 x 96 x 30 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052964785-QWJWJF8CS00O2II1EIW3/9a_TinyRevolutions.jpg Debby & Larry Kline - TINY REVOLUTIONS, 2019 to present (ongoing project) Graphite on paper 9 ½ x 8 in. framed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052965804-D9GXF7FRGPBDSMTH75TC/9b_Tiny_Revolutions_Clothing.jpg Debby & Larry Kline - TINY REVOLUTIONS, 2019 to present (ongoing project) Graphite on paper 9 ½ x 8 in. framed https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052966920-87W30OGC145ZA92TPJZH/10_IntoTheBlue.jpg Debby & Larry Kline - INTO THE BLUE, 2019 Hand-carved acrylic, and blue tape Acrylic: 82 x 36 x 4 in., with tape columns: 82 x 74 x 4 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052967854-57WBGQ9IR5E7G4D70FRQ/11_Mining_A_Museum.jpg Debby & Larry Kline - MINING A MUSEUM: FINDING HIERARCHIES (DATA LOUNGE), 2017 Multimedia including Arduino, human sensors, computer and electronics, digital video Approx. 20 x 14 x 14 ft. (lounge only) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052968455-V4KZFKP1I98PCKBKP5IC/12_Alchemist_and_His_Junks.jpg Debby & Larry Kline - THE ALCHEMIST AND HIS JUNKS, 2015 The Alchemist Aluminum, coated lead, recycled cans and wire 142 x 56 x 28 ft. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052969680-71I2CG55FXIHRNW3X10B/13_My_Dinner_with_Klines_Virgin_Of_Guadalupe_Chipotle.jpg Debby & Larry Kline - MY DINNER WITH THE KLINES, Virgin of Guadelupe, Chipotle, 2014 - present Book, DVD and photographic prints. Book: Ink on paper Prints and digital video: Book:14 x 14 x ¾ in, Prints:27 x 21 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052970397-GJAO4PB5L0TAFZVXQ343/14a_Candy_Store.jpg Debby & Larry Kline - THE CANDY STORE, 2014-present Mixed media including ceramic with pharmaceuticals such as, Vicodin, Amoxicillin and Vioxx baked into the glazes. Tobacco, foam, paint, cigar boxes and various merch. Dimensions variable https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052971503-GXV65KJCJDEKQOCV26J0/14b_Candy_Store_Carousel_Ferris_Wheel.jpg Debby & Larry Kline - THE CANDY STORE, 2014-present (Carousel and Ferris Wheel) Mixed media including ceramic with pharmaceuticals such as, Vicodin, Amoxicillin and Vioxx baked into the glazes. Tobacco, foam, paint, cigar boxes and various merch. Dimensions variable https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052972060-D5T5ZAQS62CIBBK0598R/14c_Candy_Store_Bear_And_Canopic_Jars.jpg Debby & Larry Kline - THE CANDY STORE, 2014-present (Bear and Canonic Jars) Mixed media including ceramic with pharmaceuticals such as, Vicodin, Amoxicillin and Vioxx baked into the glazes. Tobacco, foam, paint, cigar boxes and various merch. Dimensions variable https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052974535-MPYGTY5KDC0MUB6MK4NC/15a_BE_NICE.jpg Debby & Larry Kline - BE NICE, 2019 Hand carved granite, security camera and monitor Stone tablets: 36 x 20 in. each https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052974703-LZ0A4CL4Y8ZGMZSW42DP/15b_BE_NICE_projection.jpg Debby & Larry Kline - BE NICE, 2019 Projection - Hand carved granite, security camera and monitor Stone tablets: 36 x 20 in. each https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052977462-5AYJQ618EL3AOMB7ESX3/16_Earth_Igloo_For_Jerusalem.jpg Debby & Larry Kline - EARTH IGLOO FOR JERUSALEM, 2009 Molded adobe bricks made from Dead Sea mud, cement and steel 6 ft. 6 in. diameter and height https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052977761-6MII3WH14FVQXABJP4KU/17a__Age_Of_Enlightenment.jpg Debby & Larry Kline - THE AGE OF ENLIGHTENMENT, 2009 Each column: approx. 8 ft. in height, Overall dimensions variable. Ceramic, steel, plaster and carpet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052979792-DA2SE9WGCFBBGGO0X3OT/17b__Age_Of_Enlightenment.jpg Debby & Larry Kline - THE AGE OF ENLIGHTENMENT, 2009 Each column: approx. 8 ft. in height, Overall dimensions variable. Ceramic, steel, plaster and carpet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052979867-09AG7MKV2W843WXPWT6H/17c__Age_Of_Enlightenment_Crusading_Angels_Prayers_For_Peace.jpg Debby & Larry Kline - THE AGE OF ENLIGHTENMENT, 2009 (Crusading Angels Prayers for Peace) Each column: approx. 8 ft. in height, Overall dimensions variable. Ceramic, steel, plaster and carpet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052980934-WUQJM0MJXOCDME4MGSPK/17d_Age_Of_Enlightenment_Medusa.jpg Debby & Larry Kline - THE AGE OF ENLIGHTENMENT, 2009 (Medusa) Each column: approx. 8 ft. in height, Overall dimensions variable. Ceramic, steel, plaster and carpet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052981684-DAKWFY09BJJJUQSJ5WLA/18a_Forty_Acres.jpg Debby & Larry Kline - FORTY ACRES, 2006 Tank: 45 x 105 x 44 in. Overall: forty acres Electric mobility scooter, mahogany, whitewash, water-based colorant and documentary video. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052982573-8ORRD6ZVW8TG5JU0PMKX/18b_Forty_Acres.jpg Debby & Larry Kline - FORTY ACRES, 2006 Tank: 45 x 105 x 44 in. Overall: forty acres Electric mobility scooter, mahogany, whitewash, water-based colorant and documentary video. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052983424-FGGNC63OT6TC801F9KBW/18c_Forty_Acres_Installation.jpg Debby & Larry Kline - FORTY ACRES, 2006 (Installation) Tank: 45 x 105 x 44 in. Overall: forty acres Electric mobility scooter, mahogany, whitewash, water-based colorant and documentary video. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052984306-NMARH02P1C5RK0JYUZAB/19_Electric_Fields_Of_California_.jpg Debby & Larry Kline - THE ELECTRIC FIELDS OF CALIFORNIA Fluorescent bulbs, steel rods, plastic sleeves, monofilament, power towers, documentary photographs and video Dimensions variable https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052984739-18AK8MMNQ3W3SZX6UMI7/20_Game_At_Hand.jpg Debby & Larry Kline - THE GAME AT HAND, 2002-2005 Hand-made ceramic chess set, ceramic tiles, wood, paint, documentary video. 14 x 46-1/2 x 46-1/2 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052986888-G7EN4OGGLYNEPYVP6WP2/21_PEACES_installation.jpg Debby & Larry Kline - PEACES Granite, video 5 x 6 ft https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052987028-HDZSNMDK21VDIHAHAL0Q/22_Prayer_Rug_Be_Not_Afraid_small.jpg Debby & Larry Kline - PRAYER RUG: BE NOT AFRAID, 2015 Ink on Rives BFK paper and Video 48 x 96 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052988562-4UVVA7W7A0PZIE1QO4VQ/23_ProjectYourself.jpg Debby & Larry Kline - PROJECT YOURSELF (personal projection device), 2015 Aluminum, steel, Styrofoam, cloth, LED flashlight 15 x 10 ½ x 29 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052989679-0UZYN5SJ9Z9JP7HUL6EF/24a_PostApocalypticCoffeeHouse.jpg Debby & Larry Kline - THE POST-APOCALYPTIC COFFEE HOUSE, 2014 Aluminum, steel, wood, foam, burlap coffee bags, coffee pot and misc. 135 x 118 x 137 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052990472-JZWAGHTCFLRLBHPE3XSN/24b_PostApocalypticCoffeeHouseInterior.jpg Debby & Larry Kline - THE POST-APOCALYPTIC COFFEE HOUSE, 2014 (interior) Aluminum, steel, wood, foam, burlap coffee bags, coffee pot and misc. 135 x 118 x 137 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052991163-02WLAOUVSTJFFP983730/25_ThinkTank_small.jpg Debby & Larry Kline - THINK TANK, 2014 Media: Ink on foam core, mixed media Dimensions: tank approx: 43 x 48 x 108 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052992792-VDJC393YCX2BV1V8SBA0/26_TheWarAintOverTillThePaperworksDone.jpg Debby & Larry Kline - THE WAR AIN’T OVER TILL THE PAPERWORK’S DONE, 2009 Approx. 10 x 14 x 4 ft., Report: 11.5 x 8 x .75 in. Handmade paper tanks, wire, paint https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052993372-I6TROUHUJWVLAFYV4428/27_Elemental_Suite_Water_Air_Earth_Fire.jpg Debby & Larry Kline - ELEMENTAL SUITE: FIRE, WATER, EARTH, AIR, 2018-2019 Ink on Rives BFK paper 42 ½” x 33” (Each drawing) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052994419-KGBQLJPK67Y3QZ95JUM1/28a_DemocraticChallenge_overview.jpg Debby & Larry Kline - A DEMOCRATIC CHALLENGE TO THE REPUBLIC OR HOW I LEARNED TO STOP WORRYING AND LOVE THE VOTE, 2001 Inkjet on archival paper, Lacquer box (contents): Hand-made book documenting the auction process, “You win with Gore” bubble gum cigar, various buttons and press lanyard from Democratic National Convention, three original chads from 2001 election and gold bag with chad removal device. 26 x 48 in., Box: 7 x 7 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052995115-7HOOPAEM8TF0TYLZGFT6/28b_DemocraticChallenge_Box.jpg Debby & Larry Kline - A DEMOCRATIC CHALLENGE TO THE REPUBLIC OR HOW I LEARNED TO STOP WORRYING AND LOVE THE VOTE, 2001 Inkjet on archival paper, Lacquer box (contents): Hand-made book documenting the auction process, “You win with Gore” bubble gum cigar, various buttons and press lanyard from Democratic National Convention, three original chads from 2001 election and gold bag with chad removal device. 26 x 48 in., Box: 7 x 7 in. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1678052995692-NW806LB7DW76HC7TBYN5/28c_DemocraticChallenge_votecontents2.jpg Debby & Larry Kline - A DEMOCRATIC CHALLENGE TO THE REPUBLIC OR HOW I LEARNED TO STOP WORRYING AND LOVE THE VOTE, 2001 Inkjet on archival paper, Lacquer box (contents): Hand-made book documenting the auction process, “You win with Gore” bubble gum cigar, various buttons and press lanyard from Democratic National Convention, three original chads from 2001 election and gold bag with chad removal device. 26 x 48 in., Box: 7 x 7 in. http://www.durdenandray.com/regina-herod daily 0.75 2024-07-12 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826083155-FN8U47PS1M4MYD28ZA2V/1.The.Burden.Of.Divine.Revelation.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826083155-FN8U47PS1M4MYD28ZA2V/1.The.Burden.Of.Divine.Revelation.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826104640-42M34IF5K99S5ZOKKQ0G/2.They..Want.Everything.And.Nothing.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826114632-3CXGQ72F1VG6XFCU6JTO/3.We.Did.Not.Come.From.The.Rootless.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826121152-N56SX37892PEBOL7XALQ/4.When.The.Light.Is.Blue.With.Echoes.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826129948-GYX21EYGZOYK9LBRATD6/5.Untitled.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826136490-YDRSPW8KH4D6K97J0CUI/6.On.Earth.Weightlessness.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826143626-XGCSK91FE9OLBDCE5OOB/7.We.Are.The.Wild.Cards.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826148656-R4VYV0AT64EZCZXL7L3F/8.They+Dont+Feel+Pain+Like+We+Do.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826154624-SQ94IPRGKJQT1FONX4Z1/9.Rituals.In.The.Cosmos.jpg Regina Herod https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1720826160051-9AL63CVO1V6RHKFXBMT4/10.Antebellum.Was.The.Original.Reality.Show.jpg Regina Herod http://www.durdenandray.com/press-1 daily 0.75 2018-11-27 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543192772110-ZQ2BEHTN6G3XJ9DTPGG7/Screen+Shot+2018-11-25+at+4.39.18+PM.png Press - Riot Material reviews Synthetic Shorelines If life is an ocean then art is a wave. The wave carrying this exhibition brings artists from Iceland and Los Angeles together in a dazzling exhibition that fuses elements of technology with images of sea and self. Carrying this all a bit further, the body is made up of 60% water. An ocean is often referred to as a body of water. An artist’s work may be referred to as a body of work. Curated by Freja Eilif, gallerist at Ekkisens Art Space in Reykjavik, Iceland, the body of work contained in this exhibition offers insights described by the curator as exploring “relationship to self and coastal existence.” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543192653136-Z5LODONLIX5AA5MEW5LO/Screen+Shot+2018-11-25+at+4.37.20+PM.png Press - Diversions reviews “Specter of Documentation” Curated by Jenny Hager, Jennifer Celio, and Valerie Wilcox, Specter of Documentation – closing November 3rd at Durden and Ray – is the perfect show for today’s news cycle, and tomorrow’s memories. Edgy and fascinating, the show features artists Sydney Croskery, Dani Dodge, Marielle Farnan, Ed Gomez, Claudia Parducci, Sabine Pearlman, Liza Ryan, Curtis Stage, Joe Wolek, Steven Wolkoff, and Tim Youd. In a wide range of mediums, the artists take on the idea of documentation, of gathering and recording, of saving and analyzing. In combination with this, the show deals with an unnamed phantom, a specter that haunts, or perhaps shifts a ghostly light onto the inner soul behind the prosaic… https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543192519373-SRV0GK3U781YDF0YTYH7/Screen+Shot+2018-11-25+at+4.34.45+PM.png Press - ART AND CAKE reviews “A Matter of Public Record” Our current presidential administration has managed to do something that hasn’t happened in decades; make political art more than just relevant – now it’s hip and trendy as well. We are a country divided not only by policy, but by a single personality. Walls are being built, literally and spiritually, perpetuating a sense of mistrust. Artists may not be able to change that sense, but they can certainly call it to task. The subtitle for this timely group show is “Art in the Age of Mass Surveillance,”a phrase that aptly describes the work that co-curators Brian Thomas Jones and Grant Vetter have assembled… by Patrick Quinn https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543192356155-FYZ5YUVQRW0N4N1E6DK5/Screen+Shot+2018-11-25+at+4.32.20+PM.png Press - Durden And Ray in Culturenow in Greece! The exhibition "A stack of broken pieces where the sun hits" at the Aegean Center for Fine Arts on Paros is a dialogue between Greek and American artists and expresses their desire to find a common place of coexistence between the two different kinds of culture. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543192194525-J05676ZDQSG87KX3QRN0/Screen+Shot+2018-11-25+at+4.28.49+PM.png Press - Collectivity Shines at Durden and Ray Closing this weekend, Collectivity at Durden and Ray gives viewers a blueprint for the modern world. A joint-exhibition between two art collectives – Hyperlink in Colorado Springs, and Durden and Ray here in Los Angeles – hence the title – the show was collaboratively curated by UCCS Galleries of Contemporary Art Director Daisy McGowan and Durden and Ray artists Lana Duong and David Spanbock. Representing the works of 12 artists from each collective, the show offered a fresh look at image making, and what these images mean to us. Genie Davis - Diversions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543285717120-QPWZSBWKUZ9XTZG1ABRK/Screen+Shot+2018-11-26+at+6.27.34+PM.png Press - Durden And Ray in Artillery It was a hot, steamy evening at PØST gallery in the Bendix Building last night, but that didn’t stop an excited and engaged crowd from enjoying the wide array of print-based art in “Spell Check,” curated by Dani Dodge. Using lines and shapes of letters to make visual images, artists got viewers engaged figuring out not only what was said but why… by Genie Davis https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1529965059427-62U8YIHB34HP2D09NXZ6/Screen+Shot+2018-06-25+at+3.16.59+PM.png Press - ART AND CAKE By Patrick Quinn "The exhibit currently showing at the Durden and Ray Gallery is, in many ways, no different than most group shows. Work created by a dozen artists in a variety of mediums is displayed in a large white room. For a group show to be successful, the individual pieces should complement each other, or perhaps create an emotional juxtaposition. In this case, curators Alison Woods and Dimitra Skandali have more ambitious goals." https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1529962779630-Q1W78L03MZK7G4F2J8DM/Screen+Shot+2018-06-25+at+2.38.41+PM.png Press - Featured in Diversions "There’s both poetry and passion in the exhibition now at Durden and Ray through June 29th. 2018" "Alison Woods and Dimitra Skandali have assembled a beautiful collection of exibiting artists: Natasa Biza, Kio Griffith, Nancy Ivanhoe, Dimitris Katsoudas, Despina Nissiriou, Aliki Pappa, Ty Pownalll, Nikos Sepetzoglou, Fran Siegel, Dimitra Skandali, Valerie Wilcox, and Alison Woods. You’ll want to visit this show here – it flows as beautifully as waves against the shoreline – before it travels abroad. s curator Woods reports, “Thanks to the generosity of The Aegean Center for the Fine Arts, and John and Jane Pack, Works from In the Stillness Between Two Waves of the Sea will travel to the Aegean Center for the Arts in Paros, Greece, giving artists an opportunity to participate in the creation of site-specific works in both countries while offering a glimpse of the concerns that inspire them in locales thousands miles from each other.”" https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1529963018126-ZU2736CJYQFX8VEV6R0U/Screen+Shot+2018-06-25+at+2.43.05+PM.png Press - Durden And Ray in Colorado “What we’ve found is that artists, working very individually, are connecting to these themes that are pretty universal, and that’s why I think art has the ability to speak to all of us,” says McGowan. “[This show is] about connection, it’s about communication and cross-pollination and where that’s happening, even when we might not be aware that it exists.” https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1520527280666-4Z9LWB0PSQDIQQN6Q5NQ/Screen+Shot+2018-03-08+at+8.40.42+AM.png Press - Featured in Art Week Durden and Ray (Los Angeles) and HilbertRaum (Berlin) present "Between Post and Pre," a multidisciplinary exhibition that points to the complexities of contemporary living and art making, as well as to a general sense of the world being in a state of flux, on the cusp of major changes which are about to happen or have already begun. Like a bad joke on post-modernism’s aim to question and deconstruct perceived reality, you can now enter a post-factual alternate reality where facts are being replaced by spin and interpretation. But of course this is also open to interpretation… Curators: Daniel Wiesenfeld and Mathias Deutsch https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1520527504641-ETPHI63N8KON8UQ4QQLJ/Screen+Shot+2018-03-08+at+8.44.19+AM.png Press - Book Club featured in Art And Cake Book Club: Speedboat Makes Art Waves through February 24 Durden and Ray, Los Angeles By Genie Davis "It’s simply a terrific idea: shape an art exhibition around a book that’s art-inspiring. At Durden and Ray through February 24th, curator Steven Wolkoff presents his second book club project, this one inspired by Renata Adler’s Speedboat, an interior, elliptical 1976 novel that was groundbreaking in form, feminism, and boldness." https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1517936799946-NII90H9ZJBHX853P2V32/Screen+Shot+2018-02-06+at+9.06.00+AM.png Press - Durden and Ray in Artillery Ezrha Jean Black wrote a great article on our exhibition Book Club: Speedboat https://artillerymag.com/book-club-speedboat-durden-ray/ BOOK CLUB: SPEEDBOAT Curated by Steven Wolkoff Group show featuring Dave Bondi, Gavin Bunner, Ania Catherine, Jennifer Celio, Dani Dodge, Tom Dunn, Kio Griffith, Jenny Hager, Ben Jackel, Robin Jackson, Laura Krifka, David Leapman, Liza Ryan, Traci Sakosits & Matthew Kazarian, Michael Webster (composer), Steven Wolkoff, Jayna Zweiman Run of show: Feb. 3-Feb. 24, 2018 Hours: Tuesday-Saturday 10 a.m.-6 p.m. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1517431756927-RYVP82IIHFNK2G638YHW/Screen+Shot+2018-01-31+at+12.48.20+PM.png Press - Durden and Ray in Art and Cake We are excited that Patrick Quinn featured Disappear Here in Art and Cake Link : https://artandcakela.com/2018/01/19/disappear-here-at-durden-and-ray/ Disappear Here: Current Photography in Los Angeles Opening reception 4-7 p.m. Saturday, Jan. 6, 2017 Disappear Here at Durden and Ray features seven artists who utilize photography as their primary artistic medium. While the artists’ work varies in terms of process and photographic technique, there are commonalities woven into the conceptual fabric of each image. Investigations of the familiar in both the cluttered city around us, and the intimacy of the human figure, are also negotiations of a fragmented world where an interplay of noticing, searching, disappearing and locating occurs in the image frame. These artists each employ an intense act of looking at their subjects in a formalist manner to dive into subtle nuance that may shed new light on the seemingly ordinary or overlooked. The works in this exhibition offer evocative and sometimes surreal reflections of our reality, giving viewers the potential to get lost in the physical presence of the photographic instance. Curator: Curtis Stage Artists: Nicole Belle Anita Bunn Brian Thomas Jones Heather Rasmussen Curtis Stage Sinziana Velicescu Joe Wolek https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1512147305624-1IRVUINN2F3RJONA5ZJZ/unnamed.jpg Press - Durden and Ray in the LA Times We are thrilled that Carolina A. Miranda has featured Static at Durden and Ray in the Los Angeles Times. Link: http://www.latimes.com/…/la-et-cam-datebook-patrick-martine… Static curators: Dani Dodge art and Alanna Marcelletti Artists and Journalists: Lili Bernard, Jennifer Celio, Molly Crabapple, Dani Dodge Jose Galvez, Emily Goulding, Kio Griffith, Alanna Marcelletti, Anne Elizabeth Moore, Danial Nord, Sean Noyce, Max Presneill, Walter Robinson, Steven Wolkoff and Samira Yamin Opening reception: 4 to 7 p.m. Saturday, Dec. 2, 2017 Run of show: Dec. 2 to Dec. 30, 2017 Hours: Tuesday-Saturday 10 a.m.-6 p.m. Location: Durden and Ray, 1923 S. Santa Fe Ave., Los Angeles, CA 90021 Panel Discussion: “Fake News, Real News and Trust in Journalism” 4-4:30 p.m. Saturday Dec. 2, 2017. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501718655592-OVKR8VO5V4YRK4Q5H9QX/image-asset.png Press https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498845987948-A7GY18FQB3C3GH1XEGC1/image-asset.png Press Check out our review in Art and Cake! https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498846106073-WGYJ3TEU9ZWOAGOKKW0R/image-asset.png Press https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1490799285818-KTU6CZI9QKPBPSUBQIQ6/image-asset.png Press https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1488334104814-6O3PHV5NX4XXIJ6B00JG/image-asset.png Press Check out our article in HYPERALLERGIC Magazine https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1488056226554-192Y40FXPR2AN5QPNG8W/Screen+Shot+2017-02-25+at+12.56.26+PM.png Press https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486150147459-46SH2D0VUQCI2LN6QS4Q/image-asset.png Press https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486843700698-PEB6FBT6CGF0ZZB8Z398/image-asset.png Press Read the recent article in Art and Cake about the Collectivists http://www.durdenandray.com/news daily 0.75 2017-02-03 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486151071850-ZQSOCBDW932GTD7NVUL8/unnamed-3.jpg News https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486151072027-LX9VEVRZKGX96ZV5ABMP/unnamed-2.jpg News https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486151072190-DI1ZLQJ9GEX67RPN9Z1S/unnamed-1.jpg News https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486151072292-B8VF4BFIJPH97S90WTUV/unnamed.jpg News http://www.durdenandray.com/info daily 0.75 2025-11-13 http://www.durdenandray.com/exhibitions daily 0.75 2022-01-03 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/55d610c7-b1fe-40b3-a682-d497c1c6fdc8/270213166_10159969909119474_2917018856540856689_n.jpg EXHIBITIONS 2020 & 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/5712b1d6-978d-4c44-b52d-c964ecf47f00/250727408_10159865433109474_7030039300594983761_n.jpg EXHIBITIONS 2020 & 2021 - Blooming in the Whirlwind Download Image List HERE Opening Nov. 13, 2021, Blooming in the Whirlwind at Durden and Ray takes a creative journey through the pandemic. A collaboration of the Level Ground and Durden and Ray collectives, the project began early in the pandemic with Level Ground inviting poets to write poems about the moment. Level Ground then paired those poets with filmmakers. Now, Durden and Ray has paired installation artists with the films to create an exhibition that takes us from early in the pandemic to our pandemic/post-pandemic world through three forms of art. At the show, visitors can pick up booklets that contain the poems, watch the videos on a monitor, and explore the art installations. Show run: Nov. 13 to Dec. 5, 2021 Opening reception: 6-10 p.m. Nov. 13, 2021 Open hours: 12 to 5 p.m. Saturdays and Sundays Location: Durden and Ray, 206 Maple Ave #832, Los Angeles, CA 90015 Poets: Christina Brown, Daniel Binkoski, DeiSelah, Jireh Deng, Karly Kuntz, Madeleine St. John, Noor Jamal, Simone Tetrault, and Tamisha A Tyler Filmmakers: Andrés Vazquez, Anthony D. Frederick, Andrew Neel & Alex C. Smith, Ilgın G. Korugan, Labkhand Olfatmanesh, Leila Jarman, Meredith Adelaide, Rich Johnson, and Taree Vargas Installation artists: Arezoo Bharthania, Ismael de Anda III, Dani Dodge, Kiyomi Fukui, Sean Noyce, Tina Linville, Reed Van Brunschot, Flora Kao, and Ricardo Harris-Fuentes Level Ground curators: Andy Motz, Rebekah Neel, Samantha Curley, and Simone Tetrault Durden and Ray curators: Arezoo Bharthania, Ismael de Anda III, Sean Noyce “Blooming in the Whirlwind” takes its name from a line found in the poet Gwendolyn Brooks’s 1968 classic, “The Second Sermon on the Warpland.” In that year that also contained upheavel, Brooks encouraged readers to “conduct your blooming in the noise and whip of the whirlwind.” This exhibition explores the COVID-19 pandemic in a unique and moving way through three different forms of art created in three different points of time. And through this process it proves, there can be blooming in a whirlwind. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1633624830026-XGLAZH6WIE6YWWV3D83L/244584493_10159807512624474_7144698955125411710_n.jpg EXHIBITIONS 2020 & 2021 - Make it stand out Estevan Oriol https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1631308341262-J4GQGNFXY47EZOTJOUM9/image.jpeg EXHIBITIONS 2020 & 2021 - “Sunset Hour Artist Talk” The Big Embrace Wednesday, September 15th, 6:30 pm Artists: Flora Kao, Rebecca Niederlander, Amanda Yamashita Moderators: Ty Pownall and Valerie Wilcox Curated by Valerie Wilcox You are invited to come see this engaging exhibit at this magical hour when the sun sets and the installations glow! You will have the chance to experience the exhibit in person and hear the artists tell you more about their inspirations, process and practice. Durden and Ray 1206 Maple Ave. #832 Los Angeles, 90015 Parking on the streets is free and available after 6:00 pm (parking structure in the Bendix building closes at 6:30) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1630701068234-4EMCZQE2PI7EQXHZR2QI/240763109_10159740973804474_17838345765272288_n.jpg EXHIBITIONS 2020 & 2021 - THE BIG EMBRACE A Fantastical Journey Through Site-Specific Installations Please Join Us THIS SATURDAY SEPT 4 6-10 PM COVID CAUTIOUS IN PERSON RECEPTION- MASKS REQUIRED Curated by Valerie Wilcox Co-curators: Joe Davidson, Ty Pownall Artists: Flora Kao, Rebecca Niederlander, Amanda Yamashita Durden and Ray presents an exhibition of site-specific installations by three Los Angeles based artists that heighten our realization of physicality when surrounded by an engrossing, fantastical environment. Open: Saturday, Sept. 18th, 12-5 Sunday, Sept. 26th, 12-5 Saturday, Oct. 2 12-5 1206 Maple Ave. #832 Los Angeles, CA 90015 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1625159736269-P594GNYXLAZ94SOR2FAE/NextGenCard-2.png EXHIBITIONS 2020 & 2021 - NextGen LA July 10 - August , 2021 Reception July 31st, 6-9pm Artists: Justin Ayala, Clarisse Abelarde, Maryam Aziz, Anna Bayla, , Gwenyth Bulawsky, Melissa Depaz, Bridget de Lee, Elijah Gaines, Edson Gersain Martinez, Christal Perez, Drew Pilot, Danny Ramirez, Juan Carlos Velasquez Curated by Alexandra Wiesenfeld, Hagop Najarian, and Curtis Stage Durden & Ray is proud to present NextGen LA- a group exhibition showcasing the work of 13 emerging artists who are deeply rooted in the fabric of their respective communities. All find themselves at the heart of our current dialog around politics of culture, identity, gender, and racist institutions. Working in a variety of media, these artists investigate the slippery boundary between societal expectations and personal truths.The personal is political, as the self butts up against societal pressures and contradictions. All take on the challenge with a joyous embrace of the physicality of their respective media. Their works celebrate the making: the tactility of materials and process visible in their works engages the viewer on a personal and emotional level. The show is a hopeful reminder that todays’ artists are deeply committed to evolving attitudes and political world views. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1623863731746-3R72MXJL3U0M5GRNHK8P/3C57A0B3-F251-4C98-B4D9-B24ADF5903A6.jpeg EXHIBITIONS 2020 & 2021 - Make it stand out Artist Hedy Torres, 32, holds her painting “Number One in L.A.,” which was not in her Arts District studio that was destroyed by fire this week. (Mel Melcon / Los Angeles Times) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1619584305855-43E9TKGW4ILOLU3SP5MD/CautiousOptimism-Card-2.png EXHIBITIONS 2020 & 2021 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1603746395724-5C2XX1UYM5RFJHKR6ZUZ/bywayoflaughter.jpg EXHIBITIONS 2020 & 2021 - By Way of Laughter and Trembling Come see the show in person at our gallery: SATURDAY AT 12 PM PDT – 5 PM PDT SATURDAY, NOVEMBER 7, 2020 AT 12 PM PST – 5 PM PST SATURDAY, NOVEMBER 14, 2020 AT 12 PM PST – 5 PM PST Masks are required and a maximum of 4 visitors in the gallery at any one time. Thank you Saul Bellow once said that “laughter and trembling are so curiously mingled that it is not easy to determine the relations of the two.” Durden and Ray artist David Leapman curated the show, choosing artists for the exhibition whose work is defined by that same kind of fearful exuberance. “It’s in the tension within, and between these not-quite opposites that true experimentation, and ultimately wisdom, arises,” Leapman said. The artists in the group are from both Europe and America, and each highlights the ongoing play of compression and release in their work, a perpetual back and forth without the ultimate salvation of denouement. Each work displays the artists’ passion alongside uncertainty. Each artist grapples with these themes within the formal language of painting through variations of color, line, form, and texture with energy. So while the exhibit will feel like the curious mingling of laughter and trembling, each work within the show will have an internal logic all its own. Participating artists: Karl Bielik (UK), Clem Crosby (UK), EC (UK), Jenny Hager (USA), Vincent Hawkins (UK), Kysa Johnson (USA), David Leapman (USA), Edwina Leapman (UK), Heather Gwen Martin (USA), Selma Parlour (UK), Max Presneill (USA), James Rielly (FR), Julian Wakelin (UK), and Valerie Wilcox (USA) Image: James Rielly Let me fill your cup 2020 watercolor on handmade Indian paper 10 1⁄4 x 7 3⁄4 inches Masks are required and a maximum of 4 visitors in the gallery at any one time. Thank you https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1584143120242-QKEDPW4L0VET9EQFMACH/My+Post.png EXHIBITIONS 2020 & 2021 - Another Dimension Although our opening has been canceled, the exhibition will be open regular gallery hours through April 5, 2020 Hours: Saturdays, noon-5 p.m. and by appointment Curated by Jorin Bossen Artists: Daniel Adkins, Nadege Monchera-Baer, Jorin Bossen, Gul Cagin, Michelle Carla Handel, Renee Henderson, Jennifer Lugris, Liz Nurenberg, Kottie Paloma, and Molly Segal Durden and Ray presents Another Dimension , an exhibition that explores representations of the human body in paint and sculpture. This roster of Southern California-based artists contains works that relate to personal, social and emotional issues that display a varied and ever-evolving world of contemporary figurative art. Through the play between abstraction and representation, literal and poetic, depth and flatness, works from Another Dimension push the boundaries of figuration to the precipice of total abstraction. Location: Durden and Ray, 1206 Maple Ave., #832 Los Angeles, CA 90015 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1580856040318-YM22CUTFKB6T4LNY7K0N/vista.jpg EXHIBITIONS 2020 & 2021 - THE VISTA Abstract Painting - attending to issues of interior space, time, and memory THE VISTA AT DURDEN AND RAY Opening reception: 7-10 p.m., Feb. 8, 2020 Organized by Max Presneill and Wade Schuster Artists: Nick Aguayo, Tim Biskup Art (official), William Bradley, Daniela Campins Cambra, Tomory Dodge, Martin Durazo, Yvette Gellis, Rema Ghuloum, John Goetz, Jenny Hager, Alex Kroll, David Leapman, Michael Mancari, Max Presneill, Wade Schuster, Marie Thibeault, Chris Trueman, Chasen Wolcott, Steven Wolkoff, and Alison Woods Looking across Los Angeles, one can see the direct connection between the work of many of the city’s abstract painters and the vista that is the City of Angels. Living and working here influences everything in an artist’s work: conceptual underpinnings, color, and scale are all connected to L.A. The paintings presented in The Vista reflect a duality in scale, reflecting the vista that surrounds them in Southern California — vast, yet intimate. We know the size of the city but we recognize it as small hamlets. Artists in The Vista produce both large and small works that mimic this contrast: large scale works that trace the street plan for understanding, and small works that reach out to touch the street corners and alleyways we know as home. When Schuster and Presneill were introduced to each other’s work, they found a mutual interest with memory, city life, the diffusion of experience and the gritty reality of personal interactions. Those shared themes and approaches unite other powerful abstract L.A.-based painters — a central tenet to this exhibition. On view: Feb. 8 – March 1, 2020 Hours: Saturdays, noon-5 p.m. and by appointment Location: Durden and Ray, 1206 Maple Ave., #832 Los Angeles, CA 90015 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1577730623481-9JJA8DPAHJNGWTQ40I89/79817660_10158060181454474_5704711489672183808_o.jpg EXHIBITIONS 2020 & 2021 - Intersections Curators: Arezoo Bharthania, Gul Cagin, Alanna Marcelletti Artists: Arezoo Bharthania, Gul Cagin, Lana Duong, Larry Gipe, Jenny Hager, Alanna Marcelletti, David Spanbock, Curtis Stage Opening Reception: Saturday, January 4th, 2020 7pm-10pm Durden and Ray 1206 Maple Ave. #832, Los Angeles, CA Hours: Saturdays, noon-5 p.m. and by appointment http://www.durdenandray.com/new-page-1 daily 0.75 2019-03-14 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598571325-2IJTMUWC7QTXZ0W1F4OC/MUTO2.png External Exhibitions - Dreams Upon Waking MUTO - Budapest Hungary Curator: Steven WOLKOFF Exhibiting artists: BARTA Bence, BALÁZS Nikolett, Dani DODGE, Jenny HAGER, David LEAPMAN, NIMOVA Projeckt, Sean NOYCE, Ty POWNALL, Max PRESNEILL, Curtis STAGE, TEPLÁN Nóra, Steven WOLKOFF, Alison WOODS Feb 21 to March 4, 2019 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598857260-HN9SUH4L30KJDBTLRLDX/52842377_776631859372268_7489278840770920448_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598857463-1I3MTHHN82MQ7RPUMYVT/52740112_776631666038954_2259012098862350336_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598857559-SCQCWXCTNQNUVTQMT0A5/52668748_776631616038959_1705989567208751104_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598857770-5DC7KRBH2O6C39JHV60Y/52469161_776631409372313_4986904003607527424_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598857927-GFGY4Z5IEG49QWWDYBIK/52905268_776631386038982_2215130581207875584_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598858093-BGSBUGCN3CM19PTUTHVF/52432257_776631329372321_5783174963007586304_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598858259-V973RA04ZNKJYJD7TTLF/52599021_776631312705656_2353250652068511744_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598858385-UJ7LKKLZNXC6ERP41RMV/52608971_776631346038986_7443097196330745856_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598858549-H4KJ338V0Z1597VFR40G/52498817_776631422705645_7417547771621670912_n.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1552598361274-8XRUB23N4NM5RSAD4OR9/51940841_10157246078949474_3221203013616009216_n.jpg External Exhibitions - Spring Beak Art Show The Stalls at Skylight Row DTLA Friday Feb. 5th 2019 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543193560735-WM8ZWEMTUGL63LTZAET0/DurdenAndRay-Rome.jpg External Exhibitions - Durden and Ray Artists featured in “Los Angeles is, once again.” in Rome Italy. Los Angeles Is, Once Again at Gallery of Art Temple University Rome Curated by Camilla Boemio Artists: Dani Dodge, Ed Gomez, Sean Noyce, Max Presneill, Ty Pownall, Curtis Stage, Alison Woods, Gul Cagin, Roni Feldman, and Joe Davidson Opening: October 30, 2018 at 7:00 p.m.; performance at 7:30 p.m. Exhibition runs through November 22. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543194309027-92ZB1MQ5WONWRO7ZYJBD/unnamed-1.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543194309065-EJWL7IVVWBHSTR8XX4JM/unnamed-2.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543194309622-YGA3VG962MGHJSR1VDU6/unnamed-3.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1543194309732-FOPSAOEB109JMQLVPENN/unnamed-4.jpg External Exhibitions 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https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1536798463705-DFBTUZLGQOY23Q1JRCOB/IMG_0675.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1536798468081-DH92E10UTZGR8KFIYWRU/IMG_0677.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1533324295104-WW2R8B0DFHFBKPQSH9UH/golden.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1525546332427-QONLJV03XZZWDWGYKUKP/31933493_10215704547588370_3797152205249708032_o.jpg External Exhibitions EMULATIONS is a multimedia group exhibition of Southern California-based artists whose work re-examines our relationship to the multidimensional space of the “hyperreal.” Curators: Brian Thomas Jones and Ed Gomez Artists: Dani Dodge, Ed Gomez, Ichiro Irie, Ben Jackel, Kiel Johnson, Brian Thomas Jones, and Daena Title https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1525546981715-OY8ZVL3Z88GIG49WM1AT/Book+Club.jpg External Exhibitions Reception: Saturday, April 28, 6-8pm Dates: April 28 to May 12, 2018 Hours: Mon to Fri 10am- 5pm and Saturday 10am-1pm Address: 5505 Wilshire Blvd. Los Angeles, CA 90036 Curators: Gul Cagin, Roni Feldman and Valerie Wilcox Artists: Carlos Beltran, Carl Berg, Jorin Bossen, Gul Cagin, Jennifer Celio,Sijia Chen, Joe Davidson, Dani Dodge, Lana Duong, Tom Dunn, Roni Feldman, Ben Jackel, Brian Thomas Jones, Jenny Hager, David Leapman,Sean Noyce, Max Presneill, Ty Pownall, David Spanbock, Curtis Stage,Valerie Wilcox, Steven Wolkoff and Alison Woods https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1525547338587-LEX90K85DMXFT7AAVSVB/Untitled.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1517432057630-MDRHCSCI6ARZ4LHA3JDL/26231985_10155143135137747_7389628374073395817_o.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1517431428192-BBLV4493ZX93O9RYT2WM/invert+poster.jpg External Exhibitions https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1504828559203-ZYSY0350QAZNZSR2CGTQ/Adobe+Spark+%288%29.jpg External Exhibitions http://www.durdenandray.com/gallery daily 0.75 2018-12-30 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1538697886606-WKURE6ZP0CVVS113MNM9/bendix-building-vintage-stock-photo-courtesy-_roadside-architecture.jpg Gallery https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1546204247520-UQ3RIQSC3N8EURHGDRAO/D%26R+FLOOR+PLAN_Bendix_832.png Gallery http://www.durdenandray.com/projects daily 0.75 2017-06-30 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498845204392-O1NM0Z1LT5E7D2JQF9GA/170129_dnr_far_bzar-1.jpg Projects 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https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498844639735-CLSOE5NBD7KISXPGXE9X/170624_dnr_beset-62.jpg Projects https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498844927609-GJ6R9XRUZHLGTC44Z97F/170624_dnr_beset-36.jpg Projects https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498844927607-451PIGUZHNGD7CV159C1/170624_dnr_beset-41.jpg Projects https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1498844931065-XHOWZPORN4DAQJ28PMBX/170624_dnr_beset-48.jpg Projects http://www.durdenandray.com/past-members daily 0.75 2025-12-11 http://www.durdenandray.com/past-exhibitions daily 0.75 2019-12-30 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1577730966477-YL6UWHVQ3U8FITPC1BCQ/Screen+Shot+2019-12-30+at+10.35.08+AM.png PAST EXHIBITIONS - 360 Mind Games Durden and Ray and La Estación Arte Contemporáneo of Chihuahua, Mexico, present 360 Mind Games, a conceptual exploration of the freedoms, limitations — and compositions of the circle. 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https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896038556-25OY6RWYZCRTW6HN0YE6/Simultaneous-Install-5.jpg PAST EXHIBITIONS https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1501896043310-SET55S8VO4L9BCHAX73S/Simultaneous-Install-4.jpg PAST EXHIBITIONS https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1493758913906-KLXCHCGR2KT2RNZMQBSE/16992230_10155220358454474_6142122051265189598_o.jpg PAST EXHIBITIONS - Book Club: Going Native Artists/Creatives in the show: Ania Catherine - choreographer, Ben Jackel – visual artist, Constance Mallinson – visual artist, Dani Dodge – visual artist, Dave Bondi - toy designer, David Leapman – visual artist, Kate Kelton – actress/artist, Gavin Bunner – visual artist, Jayna Zweiman - architect and co-founder of the Pussyhat Project, Jenny Hager – visual artist, Jon Flack – visual artist, Kio Griffith – visual artist, Liza Ryan – visual artist, Michael Webster - composer, Robin Jackson - 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https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1486148804448-C6A4396JTISS5XHZ3CTF/170201_dnr_collectivists-60.jpg PAST EXHIBITIONS http://www.durdenandray.com/the-exhibition-project daily 0.75 2020-05-12 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588182914836-NYS9EE74VI95FKWBK6RN/0.jpg The Exhibition Project http://www.durdenandray.com/participating-artists daily 0.75 2020-05-22 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588195810849-5M3Q6B7HO155N5EFWYIK/0-1.jpg Participating Artists OPENING: MAY 16, 2020 VARIOUS LOCATIONS AROUND LOS ANGELES COUNTY https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588192945801-RLWX47M3WJJ3K11CX6XP/Noyce_Sean_TheGarden2+-+Sean.jpg Participating Artists Sean Noyce The Garden 2020, Acrylic and serigraph on polyester, 24 x 36 inches www.seannoyce.com In my new media series, void Sigil( ), I have forged a relationship with the magical artifacts of antiquity and the coding language used to write apps and web technology. The title refers to common syntax used in programming (void) and the symbolic representation of a witches’ desired outcome (sigil). Subjects in my paintings are rendered by a computer using code that is written like a digital spell book, leaving an iterative artifact from that program. Repetition of language and image further reinforce the paintings’ magical properties, which is central to the process of casting a spell. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589733137971-MJMFTEO0UHF4D8BK8SVO/Screen+Shot+2020-05-17+at+9.31.23+AM.png Participating Artists Curtis Stage This Night Has Opened My Eyes 2020, Dimensions variable, Video/Sound on monitor www.curtisstage.com Instagram - @curtisstage SPECIAL HOURS: Video every Sunday for the duration of the exhibition from 7pm to 9pm This Night Has Opened My Eyes is a series of animated photo video sequences on the collision of growth and decay. Curtis is a Durden and Ray artist and his most recent artwork is comprised of photographs and films that were shot in Los Angeles and the surrounding suburban cities of Southern California. Most of these spaces and objects are the mundane of the everyday urban environment. Seemingly around every corner, there is often a collision of aesthetic choices that were never “collaborative” in that time usually separated the development. This usually creates the very unplanned feel of the LA area where an organic dance of growth and decay are accepted. If we slow down and look deeper there is unique evidence of “the story” in each place. We have been there and left our mark. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588192525048-8GXYCROHDG9WOQLRSJPR/Nguyen+Khang+Self+and+Other+%2850x35%2C+2019%29+-+Khang+Nguyen.jpeg Participating Artists Khang Nguyen Intra-Being: Dialectic of Self and Other 2019, 50 x 35 x 2 inches, Oil on canvas www.intuitiveformation.com @khang_nguyenstudio This painting is about the intra-relationships of organisms and their environment. There is no being as such. On the level of manifestation, the formation of beings comes about by virtue of their intra-relationships, implying that no phenomenon is separate and self-identical, yet each remains distinct. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588195222336-PIV8T1NO129RBKE71PT0/clark_dave_73+-+Dave+Clark.jpg Participating Artists David Clark Seventy Three 2019, 84 x 4 x 4 inches (3 pieces each), Mixed media www.daverclarkdesigns.com @daverclark55 Dave constructs mixed media “sculptural things” that might tell a story, cause one to think of a story, serve some practical purpose, or maybe none of these. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589652615407-7K7TAR5CSMT1RRHHSDQO/Dani+Dodge.jpg Participating Artists Dani Dodge LA torn apart 2020, 36 x 216 inches, mixed media installation that includes painting www.danidodge.com @dani_dodge Dani Dodge uses unexpected sculptural materials to alter spaces. Her experience as an embedded journalist during the 2003 invasion of Iraq changed her forever. Since then, she has created art and installations that transform and challenge expectations. Within these works are often elements of magical realism. From brightening a black and white snowy forest in Ireland with luminescent tree stumps to turning a Los Angeles gallery into a gantlet of rotating car parts made from baby blankets, her works play with surrealist ideas using innovative forms. The works merge the rational and the dream state. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589326574098-76LL9UHL4Y3V0F6L8I4J/Stephanie_Han_installed.jpg Participating Artists Stephanie Han The Font 2020, 23" x 24" x 3", acrylic on canvas www.steph-han.com @steph_han_art 4th St is the main commercial hub in my neighborhood in Long Beach, a small but mighty collection of independent shops, bars, and restaurants. Of these, the bookstore Page Against the Machine really stands out for being one of the very few independent bookstores in Long Beach, and the only one on 4th St. It's a place I wanted to highlight in my neighborhood because of its uniqueness and value. My painting of the owl, a symbol of wisdom, with a font of what could be seeds of knowledge springing up behind it, seemed like an appropriate imagery for this place. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588291808230-MZ49IJRTFLT0DYN5P9TU/Chen_Chenhung_TheyWillNotFindMe+-+Chenhung+Chen.jpg Participating Artists Chenhung Chen They Will Not Find Me 2020, 16"x36"x60", Coated wire & found objects www.chenhungchen.com @chenhungchenart I use wire and electrical conduits as symbolic representations for the life force (“Chi”) that flows through all of us. Their fluid movement throughout my work draws a parallel with the experience of energy/Chi within myself. In my three-dimensional work, the crocheted wires indicate delicate and subtle qualities while the electrical conduits appear to be bold and powerful. This contrast parallels with the distinction of Yin and Yang, Female and Male. I go with my understanding of life and pull all these elements together to make my statement. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589326397956-1VEW2V7Y5IASBIYRG4NS/Iannaccone_Carmine_Secret+Agent+-+Carmine+Iannaccone.jpeg Participating Artists Carmine Iannaccone Secret Agent 2020, 57 x 70 inches, Acrylic on panel www.carmineiannaccone.blog www.carmineiannaccone.com “Secret Agent” was composed from sketches I made as a visiting artist at a therapeutic facility for kids with learning and behavioral disorders. Initially, I was interested in the setting of the facility, which was unique, and the special kinds of interaction that transpired between the young clients and their therapists. As I got deeper into the project, though, I found myself drawn more to the inner world of these special people and the puzzle of how their experience, as well as their environment, could be visualized. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136585072-8XPDZ203VZDJGUMZWWXL/Gellis_Yvette_5684.JPG Participating Artists Yvette Gellis Sacred Spaces 2020, 120" x 120" x 36" (approximately), Polyurethane foam, wood, canvas, acrylic, oil www.yvettegellis.com (Works are attached to the front of the administration LIME Green building on 18th street. The work is a collaboration piece with Luciana Abait. Luciana has two printed images and Yvette (I) have assembled a sculptural work protruding out of the stretcher bars attached to the building.) Yvette Gellis combines the flatness of abstraction with perspectival figuration in a deliberate effort to confound a sense of space. The site-specificity of her installations, whether indoors or outdoors, challenges traditional ways of viewing painting or experiencing the landscape. Forgoing the traditional boundaries of the medium, Gellis references the effects of the historically-defined sublime to provoke the unsettling threats and events of an ecological crisis. Gellis creates metaphors for imbalance and imminent devastation, thrusting the viewer into an imperiled environment. The inability to distance oneself from catastrophe is at once destabilizing and in alignment with ideas of the Feminine Sublime. Written by Constance Mallinson"Sacred Spaces" was developed in collaboration and based on the sublime beauty of Luciana Abaits images. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588375120315-085P0AKHPUJGRNZ945CY/09+_The+Lookout_+20x16+-+Bryan+Ida.jpg Participating Artists Bryan Ida The Lookout 2020, 20 x 16 x 2 inches, acrylic on panel www.bryanida.com @bryanida In this series I examine mankind’s endless demand for energy and expansion in the name of human advancement. The cost of this addiction to power in animal species and environment are deep and irreversible. I present images of trees and nature placed one on top of the other bending and merging together. The juxtaposition of the two worlds reveal the struggle we face today with the future of our planet dependent on our ability to balance the increasing demand for resources and the needs of the natural world https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588375352398-4VGUX79AO3P7CTWDAMZ6/ArenaGirl%26BunnyInstalled+-+Susan+Arena.jpg Participating Artists Susan Arena Home Quilts, 2008, 40 x 44 inches to 72 x 52 inches, Acrylic, collage, collage on tarps www.susanarena.com @sugiarena These quilt paintings are part of a series called “House Work.” They take on a new life and meaning in our brave new Covid19 world. I am in the process of mounting them to the front of my house, reinforcing a sense of the community of West Adams and the house as a repository for dreams, memories, troubles and triumphs. Quilts represent the hand of the maker, traditionally a woman or group of women. I want these paintings to connect me with my neighbors and give a small gift to them in the way my garden gives them some respite. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651917063-SKHBN3B75DVJ2VDPYDUZ/Petrovic_Snezana_Saraswati_5.jpg Participating Artists Snezana Saraswati Petrovic Bionic Garden 2020, variable size objects covering 20 x 30 x 8 feet, zip-ties, biodegradable filament, AR cards www.snezanapetrovic.net @saraswatioblak My installations are constructed narratives as a response to actual site, turning them into imaginary gardens, fictional museums or futuristic living rooms. In the “Bionic Garden”, the native plants are juxtaposed to foreign objects and altered into post-apocalyptic, plastic-fantastic Sci-Fi cluster. The natural habitat is invaded by zip tie blooms, plastic waves, fake grass, and 3D printed corals. The spectators are invited to investigate site-specific space and narratives via AR “fruits” hanging from the trees while discovering polarities: destruction-restoration, death- life, and fragile-strong. My art questions our role in unintended ecological disaster while having a glimpse into possible dystopian future. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651894199-02QSOE90S63VPZPSIO9E/Johnson_Kiel.jpg Participating Artists Kiel Johnson Public Work #1 (Piece has been taken down) 2020, Dimensions variable, mixture of stuff i found while on walk www.kieljohnson.com @kieljohnson (corner of valley and Boreland south west corner) Through layered narratives and story telling, my work speaks to my travels and adventures of everyday life. I think of myself as an explorer, setting out each day on an unchartered path of mediation manifested in drawing and sculpture. My work is a springboard for metaphorical investigations of the world I inhabit. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589326290126-0L7XY5QNKXBYU6K8GXWP/Lusby_Cody_A+Place+for+Play+Detail+7+-+Cody+Lusby.jpeg Participating Artists Cody Lusby A place for play 2020, 72 x 720 inches, paper, acrylic and oil on wood www.codylusby.com @codylusbyart (The artwork is located down the alley along the fence on the right hand side) The increasing density of L.A. County's population has deprived its youngest residents of sufficient, accessible public space to play in. This is especially true in Long Beach, in which a large swath has very limited public parkland. In less dense areas, children often play in the immediate streets near their homes, but the intensity of traffic forces them to a playground of last resort, the alleys and a handful of parking lots. As a resident living adjacent to one of these spaces I feel a steward to keeping the alley safe and clean for our neighborhood youth. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136384131-WS63ZTOTIZBYY384ATOC/Scott_Adam_image0.jpeg Participating Artists Adam Francis Scott & Julie Whaley Corita, Constance, Richard, and Sharon (A Rose Is A Rose Is A Rose Is A Rose) 2020, two panels each 82 x 45 inches, acrylic on clear vinyl www.adamscottstudio.com @adamscottstudio www.baskleather.com @baskleather A site-specific work that re-imagines and re-positions an original Corita Kent silkscreen (A Rose Is A Rose 1968) from the personal collection of the art historian Professor Constance Perkins. The re-imagined work is installed on the outside of her former home at 1540 Poppy Peak Dr. in Pasadena. The residence was built for Professor Constance Perkins by the architect Richard Neutra in 1955. The residence is now owned by the writer and historian Professor Sharon V. Salinger. The artists Adam Francis Scott and Julie Whaley are renting it from Professor Salinger while she is in Paris. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588454962369-8HDXNL87LNEPGL6L8TZG/Harmony+in+my+head+48+x+36_+oil_+canvas+2019+-+Hagop+Najarian.jpg Participating Artists Hagop Najarian Harmony in my Head 2019, 36 x 48 inches, Oil on canvas www.hagopnajarianart.com @hagopnajarian Atonal Chromatics is a series of paintings that investigate the compositional and structural elements of Atonal Harmonics in music and translates the effects to the process of drawing and painting. The paintings are a synthesis of musical genres coexisting on the same surface. They are a response of listening to a variety of musical approaches and creating visual equivalents. The drawings and paintings explore the interactions of sound and color. I am searching for ways to communicate visually what I experience when hearing and playing music. By using the visual elements of composition, line, shape, speed, texture, light and color, I exchange comparisons to the musical structures of rhythm, volume, mass, atonality and harmonics. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588524649910-ZOK3Y1KOTAUQH45912R4/Fukui_Kiyomi_3.png Participating Artists Kiyomi Fukui Apologetic Envelope Originally 2015, revisiting 2020, 2.75 x 5 inches, gampi paper screen printed with colored rice starch, graphite and mustard seeds www.kiyomifukui.com @kiyomimiz (This is the intersection of Cherry Ave and 4th St in Long Beach. My envelopes are installed on phone polls on NE, SE and SW of the intersection.) In 2015, I made Apologetic Envelope, which later turned into my other project, Apologetic Garden. Participants were asked to write a letter of apology, insert in the provided envelope along with a few seeds and bury it in a garden bed. The idea was to let a private thought transform into a living plant as a way of reconciliation. This time, my hope was to reveal my apologies in the public, treating the viewers’ eyes as the garden bed, a substrate of transformation. The apologies are only visible upon close examination, in hopes of creating a certain level of tension. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325998807-MRATCL8J9X5WHPVIDD4O/Minet_Cynthia_UpperCut.JPG Participating Artists Cynthia Minet Upper Cut 2020, 8 x 17 x 20 inches, wood, plastic, metal, paper www.cynthiaminet.com @cynthiaminetart My work is often site-specific, made in response to the exhibition venue, and I usually work with recycled materials and light to draw attention to environmental issues. This disused methane vent, on North Broadway outside of Chinatown, inspires me to make a piece that plays with scale. It points to life in a petrochemical-dependent world, as well as Los Angeles' affordable housing crisis. Imagine yourself at the height of 1.5 inches, and explore my dwelling. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588716902022-2INZA85KA0FGXWG1AGR1/Allison_Sophia_02_Ghosting%28You+Are+My+Sunshine%29+-+Sophia+Allison.jpg Participating Artists Sophia Allison Ghosting (You Are My Sunshine) 2020, Approx. 46 x 48 inches, Cut paper window installation and banjo performance www.sophiaallison.com @sophia.allison During the past 6 weeks, I have sat in our bedroom window, practicing banjo. Our window faces out onto a busy sidewalk and heavily trafficked boulevard. "You Are My Sunshine," is a song I play daily; it seems especially appropriate as it contains a duality of emotion – happiness (love, being loved and fond memories) and sadness (reflecting on the loss of someone loved.) Occasionally, people notice me in my window; they can't hear me above the din of the outside environment; for them, it's a silent performance. The bars on the window highlight separation and containment of me in my space (not unlike a bird cage.) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717118030-5DOIEXTFC6BRBXOQI5P3/Weber_Ann_Grandaddies.Louise+-+Ann+Weber.jpeg Participating Artists Ann Weber YOLO 2014, 102 x 96 x 96 inches, found cardboard, staples, polyurethane www.annwebersculpture.com @ann_weber_sculpture Ann Weber relocated to Los Angeles after 30 years in the San Francisco Bay Area. She earned a BA in Art History from Purdue University and an MFA in Sculpture from the California College of Arts and Crafts where she studied with renowned ceramic sculptor Viola Frey. She was awarded a Pollock Krasner Grant in 2018. Residencies, including American Academy in Rome; Oberpfalzer Kunslerhaus in Schwandorf, Germany; International School of Beijing and the De Young Museum in San Francisco provide her with opportunities to create sculpture in extraordinary settings and interact with a diverse audience. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717402399-8KUW0QAATSVYV7IR2JJO/Mears_Amanda_A_Perpetual_Possibility+-+amanda+mears.jpg Participating Artists Amanda Mears A Perpetual Possibility 2020, 48 x 60 inches, Photo transfer, charcoal and spray paint on canvas www.amandamears.com @amandamears.studio My paintings are about layers and layering: paint layers, geological layers, layers of meaning. They explore the idea of landscape as something ephemeral, fragile, mediated, specific and intimate. They are rooted in my practice of drawing from life and photographing textures and shadow patterns. The paintings weave together elements of these drawings and photographs. Some details are amplified, others are subtracted, until a sense of place emerges. Distinct moments and viewpoints are conflated into one delicately balanced construct: like a dream space whose elements are held in balance only in the mind of the dreamer. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589652500433-AP712Z5AV53LP5DCNW0G/SCHENK_Sonja_DSC03254sm.jpg Participating Artists Sonja Schenk And Then The Yellow 2020, 54 x 68 x 24 inches, live plants, gypsum, plastic, acrylic paint, light(BEST VIEWED FROM DUSK TO SUNSET) www.sonjaschenk.com @sonjakatschenk I am a multi-disciplinary artist from Los Angeles. I began with video installation work and have since turned to other types of installation, painting, and sculpture. My work explores the intersection of humankind and the natural world through traditional, technological, and transformative processes. I exhibit both locally and internationally and have created several large site-specific installations. Influenced by early mentors Allan Kaprow, Dee Dee Halleck, and Manny Farber, my work relies on a strong grounding in conceptual thought that is then translated to various media. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717961491-SHGQ9U8ISWJATPDLVUS9/weaver_curtis_tongue-butts-3-low+-+Curtis+Weaver.jpg Participating Artists Curtis Weaver Chicken or the Egg? 2020, dimensions variable, tree with figures cast in silicone and urethane www.curtisweaverart.com @sea_weaveland Driven by an infatuation with the work of acclaimed evolutionary biologists, my artwork explores the functionality of nature’s building blocks and their varying levels of complexity (cells, tissues, organs, systems, organisms etc). Interpreting Earth's organisms as evolved survival machines for individual genes, I reimagine familiar building blocks into new survival machines and invite viewers to ponder the environments and circumstances necessary to evolve such specimens. The installations, while meant to be quirky and humorous (often depicting mixed-up methods of ingestion, excretion and reproduction) are also meant to elicit dissonant emotions and draw parallels to the selfish nature of human beings. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589323930075-JMMTE8DUS8W002150DJF/Wolkoff_Steven_ArtWag_map_WAHlogo72dpi.jpg Participating Artists Steven Wolkoff ArtWag: The Art Walk for Dogs Who Can't See Art Good And Wanna Smell Good Stuff Instead 2020, 800 meters / 1/2 mile, A scented walk experience for dogs www.stevenwolkoff.com @stevenwolkoff SPECIAL INSTRUCTIONS: Your dog can find and enjoy pleasant smells while the two of you walk on 17th Street between Bagel Nosh Deli (1629 Wilshire Blvd, Santa Monica, CA 90403) and the Montana Ave Branch Library (1704 Montana Ave, Santa Monica, CA 90403). Please remember to maintain social distance. ArtWag: The Art Walk for Dogs Who Can't See Art Good And Wanna Smell Good Stuff Instead is an olfactory art experience for dogs. Special scents that have been shown to reduce stress in dogs will provide our canine companions with new opportunities for stimulation on this 800 meter walk between two neighborhood landmarks in Santa Monica. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588718354401-YNE2FO8Y990PQAUTXM9I/Distancing_Scharf01+-+Megan+Mueller.jpg Participating Artists Samuel Scharf Distancing 2020, 43 x 30 inches, Paint on wood www.samuelscharf.com @samuel.scharf I make art for the inspired situation. "Distance" talks to our current situation of social distancing along with the distance between two images. In this case, the palm tree that "Distance" references is about 2 miles away to the South, only visible from our balcony. What you are seeing from the street is my representation of the mirror image of that distant palm off in the invisible horizon behind you. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136062474-KYLWEE4QW2DWOR0GH9N3/Niederlander_Rebecca+Central+S5+-+Rebecca+Niederlander.jpg Participating Artists Rebecca Niederlander Central Sensitization 2020, 15' x 20' x 15', Wood, metal, twine www.becster.org @rebeccaniederlander Central sensitization is the condition of the nervous system associated with the development and maintenance of chronic pain. When central sensitization occurs, the nervous system goes through a process called wind-up and gets regulated in a persistent state of high reactivity. I see what the world is experiencing right now as such a thing. An individual experiencing this must learn to to work with the brain to talk to the pain receptor cells to find ways to calm them down. May art be that calming down for the world. In my work complicated elements are brought together precariously; connected together, stressed by gravity and tension. They are completely responsible for each other. The more precarious they are, the more their own mortality and their response to the stressors of existence mimics our own fleeting moment. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588718918464-YS698XZBK1DHKCQ0WGBJ/Be+Here+Now_1+-+V+Wilcox.jpg Participating Artists Valerie Wilcox Be Here Now 2020, 96 x 52 x 6 inches, acrylic, metal hardware, nylon cord, salvaged wood, tennis ball www.valeriewilcox.com @vcwilcox Using salvaged pieces found throughout the neighborhoods near her, Wilcox creates a reimagined, abstracted understanding of our constructed environment and how our brain works to piece together diverse elements. She uses common materials to create connections between our everyday lives and new ideas about how we construct our physical surroundings. Wilcox has been included in many local and international exhibitions including the Torrance Art Museum, San Jose Institute of Contemporary Art, Irvine Fine Arts Center, Mount Saint Mary’s University, Palo Alto Art Center, QiPO Art Fair in Mexico City, Kölner Liste Art Fair in Cologne; Galleries in Wuppertal and Berlin, Germany; Brisbane, Australia and Stockholm, Sweden. Wilcox has been published in the NY Times T Style Magazine, The Huffington Post, Coolibri Magazine in Germany, Veranda Magazine, Saatchi Art, The Beach Reporter, Art Nerd in San Francisco, DiversionsLA and Art and Cake. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588719935399-AX55INNG7U77VG7MPN3E/image-asset.jpeg Participating Artists John Waguespack Reincarnation 2020, 8 x 8 feet, Video (SPECIAL HOURS: Video will be shown between 8 and 9 pm nightly) www.jwagart.com @waguespack_art I am an artist working in multiple mediums across multimedia focusing on bridging the gap and finding connections between fine art and technology. I view everything pre internet as the CMYK Universe and everything post as the RGB Universe. The CMYK universe was finite, tactile and in many ways primitive. The origins of painting, context, color and space serve as the foundations for our transition to this hyper charged RGB universe. Content and information are the new mediums. I am focused on exploring how the foundation of the CMYK universe will influence and drive the direction and work artists are exploring now. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588720411862-6IW6ZLFHO0V2S7K6413M/Griffith_Kio_taraimawashi_passed_around+-+Kio+Griffith.jpg Participating Artists Kio Griffith tarai-mawashi (passed around) 2020, Dimensions variable, Printed or drawn text on paper and occasionally wood www.kiogriffith.com @kiogriffith @vinylgorilla Relishing the materiality of found and appropriated objects, images, and sound infused with the cross-cultural history in which Kio Griffith perpetually dwells, he often mines his own richly complex family history for personal experiences which create insights into a broader geopolitical context even as they touch on modern-day issues of immigration and hyphenate identities. Griffith channels psychogeographical experiments to investigate personal referential space, challenges of hierarchy, territory, and illusions. Cultural identity weaves through spatial-time zones and the affirmation of identity itself through written and visual language, alternatively overwriting the history of the other; the duality intersects on an invisible X-path. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589324773630-1LUCG2V8LKQM6KQK913O/WoodsAlison_FlowerPowerGate.jpg Participating Artists Alison Woods FlowerPowerGate 2020, acrylic paint on chicken wire, 67x74x24 Approximately www.alisonwoods.com @alisonwoodz FlowerPowerGate references a movement from the late 1960s and early 1970s of passive resistance and a non-violence ideology and the scandals of the era. Stix n’ Stonz derives its title from the childhood rhyme. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651458166-3XPJY7F4F9WAE1ZH22HQ/Appreciate2+-+Michael+Nannery.jpg Participating Artists Michael Nannery I appreciate and respect you 2020, 9 x12 inches, Screenprint on watercolor www.michaelnannery.com (Prints are posted on telephone poles at the intersection of Ocean and Cherry) I came to know the phrase "I appreciate and respect you" from an interdisciplinary project at CSULB between the Linguistics department and the Puvungna Arts Empathy Production Project. As I would see the words on a regular basis, I began to feel it is a necessary mantra for us all. As a printmaker, I choose to propagate this sentiment. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588721171967-XRKI0WCJLB5D0DLVKWHZ/IMG_8932+-+helen+chung.jpg Participating Artists Helen Chung Huggers' Party 2020, 36 x 48 inches, charcoal on paper www.helenchungstudio.com @heleninorbit @helen_chung_studio The drawing loosely addresses the desire to connect physically during this social distancing - not being able to touch or hug each other, while interpreting whimsically, as it is not a permanent state of being. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588722564923-FCEOBYUY6EAZFI7QBDYC/Olfatmanesh_Labkhand_cycle_01+-+Labbie+Manesh.jpg Participating Artists Labkhand Olfatmanesh Cycle (Baby Maybe) 2020, 20 x 25 feet, Installation, Performance, Photography www.babymaybe.co @labbiemanesh Women still answer for choices we make with our bodies! So in honor all women whose voices are silenced I will explore Los Angeles and photograph several of my clear bags filled with water and document them as street installations. Bringing each bag to a unique site will evoke a feeling of privacy and grief in a public space. The journey will end at an outdoor space where I will place the words collected from my journey into a growing organism of reflection. I will donate to the National organization for Women daily, to reaffirm my purpose. Join me! https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589135697523-87LBE9HP0OEK2JCICLR5/Rollins_Michael_Sunrise1.jpg Participating Artists Michael Rollins Sunrise on a side street 2020 Projection approx. 20 x 20 feet, Hybrid animation projection SPECIAL HOURS: The work will be projected onto the Wilhardt and Naud building from Sunset to 10pm every night. www.michaelrollinsart.com @michaelrollins I've created an abstract environment in which its spaces are always changing and expanding. Each individual work exists for people to explore. And each work provides more views to other places in the environment. There are recurring elements that move from piece to piece, and provide an abstract narrative. Things between works are revealed, extracted, and exchanged. I'm interested in buildups and breakdowns, interaction between disparate elements, and the chaotic disruption that is present in these narratives. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589324139467-WFW09MR2URVOT4MOI8JC/Front+View+Mirror-+install+view+3.jpg Participating Artists Roni Feldman Front View Mirror 2020, 24 x 42 inches, Acrylic on canvas www.RoniFeldmanFineArt.com @rfeldmanartist My latest paintings are made entirely with white paint, but they come alive with light as it refracts over the varying matte and iridescent surfaces. As one moves in front of them, or sunlight changes the lighting in the room, the paintings vacillate between abstraction and representation, revealing scenes of powerful natural transformation: great waves, storms, clouds, eroded canyons, and volcanic flows. The scenes are grand, even sublime, but the luminescence, soft edged paint, and transient iridescence has a peaceful quality as well. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136731260-PBAF06GIZ8AVCJEHE7PH/Carl+Baratta_After+The+Obstructor_We+are+Here.jpg Participating Artists Carl Baratta After The Obstructor 2020, 20 x 26 inches,Sumi ink on yupo watercolor paper and wheat paste www.carlbaratta.com @carlbaratta I am constantly investigating different ways of compressing multiple moments into a single scene, a common conceit of miniature painting, Sienese imagery, Norse mythology, and other narrative sources. It is my intention to create drama within the construction of spatial shifts, clashing color palettes within their figure/ ground relationships. Ultimately, I wish to express what I love about looking at my favorite images from what inspires me, and create something new for the viewer. I am very proud to be co-director of the artist run, non-profit space, Tiger Strikes Asteroid Los Angeles (TSA LA) and a member of Gallery ALSO. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589137536687-8QS760178U361Q8AA0V2/Usvitsky_Katya_Bloom+-+Katya+Usvitsky.jpg Participating Artists Katya Usvitsky Bloom 2020, Dimensions variable, thread, nylon & fiberfill www.katyausvitsky.com @katya.at.the.studio My artwork is heavily process oriented, similar to working with clay. I hand felt fiber before inserting it into nylon stockings, tying off each new node with thread. It's an additive process that subverts a synthetic, man-made material like nylon back into organic matter. The piece becomes an object that looks otherworldly, yet familiar–something that feels as if it could have grown and replicated on its own. A soft cocoon, a warm seed, cells, eggs, bacteria, cancerous growths, flowers or fungi. The conversation is about body, about femininity, and the tension between heart and head, biology and technology. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325271469-N4I5FL61W6VKE1DLZKUD/Poppet+%28for+warding+off+fevers%29_2.jpg Participating Artists Katie Stubblefield Poppet (for warding off fevers) 2020, 24 x 24 x 52 inches, Mixed-lobster trap, buttons, coat hangers, zip ties, metal rings www.katiestubblefield.org @katiestubblefield Katie Stubblefield’s wood cut prints, oil paintings, sculptures, and sight-specific installed projects explore order, chaos, and entropy. Stubblefield’s imagery is informed by site visits, forensic photography, first-hand accounts and evidence of changed/damaged/evolving environments caused by super-sized storm patterns and climate change. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589649887791-JHWEH8ZUCWLINK4QXE5I/Celio_Jennifer_Sad+bangers+detail+1.jpg+-+Jennifer+Celio.jpg Participating Artists Jennifer Celio Sad bangers 2020, 15 x 15 x 5 inches, Speaker component, artificial flower, soil www.JenniferCelio.com @jencelio In assemblage sculptures and sculptural installations, I utilize materials that create a tension between natural and artificial, organic and constructed, nature and human civilization. While they are created from trash, scraps, and personal effects to minimize the use of new materials, I’m intrigued by how the history of these objects contributes meaning. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651062751-UMI25IFP2ZI5A6OLZ4OZ/Taylor_Camilla.jpg Participating Artists Camilla Taylor Gathering 2020, 8 inches tall by variable, Ceramic and underglaze www.camilla-taylor.com @camillataylor The tiny figures are dwarfed by the garden they inhabit. Small things, easily overlooked, like those forgotten. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651249207-N3XOEVYVK4MBNGCL1NKE/Hickok_Pete.jpg Participating Artists Pete Hickock Trap 2020, 18 x 14 x 21 inches, Mixed Media www.petehickok.com @petehickok Pete Hickok is an artist working primarily in Sculpture, Video, and Performance. His work uses a kitsch sensibility and pleasure of materials to muddle the boundaries of control and chaos. He has shown extensively throughout the west coast, including San Francisco where he received his MFA from the San Francisco Art Institute in 2012. He currently lives and works in Los Angeles, California. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651341974-EXK8V8KJPH22SLR7N79V/Lah_Olga_Whangguk_2+-+Olga+Lah.jpg Participating Artists Olga Lah 왕국 | Whangguk 2020, marking flags, dimensions variable www.olgalah.com I am interested in creating site-specific installations that raise a heightened awareness to a space. I seek to create a sensory experience that engages on multiple levels through color, form and size. My work is constructed from the accumulation and repetition of commonplace materials. I invite a behavioral reorientation to the material and to the context that my work inhabits. Ultimately, I explore the notion of the everyday and consequence of experience. Underlying in the experience is an idea of transcendence that invites a truer response of ambiguity over a precarious nature of what is considered as absolute. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651689455-220Y1NG2RLFVNLE8MGL6/Mu%CC%88ller_Thomas_1.jpg Participating Artists Thomas Müller This is a magical space too. 2020, 24 x 24 x 6 inches, unfired porcelain www.thomaspmueller.com @thomaspmueller Language is a tool that is used to give abstractions meaning. Despite its ephemeral nature, language defines virtually every experience of the human condition. Language is used to create boundaries. Because we believe in those boundaries, they become real. This piece defines a magical space. Like language, the piece is ephemeral and will break down in time. As the piece erodes and collapses, ultimately it will leave a ring of porcelain dust where the text once stood. As it slowly collapses it moves from the literal to the abstract, the space it defines will remain the same. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651764969-FTY9KUQBZBG61ZBQ8J4Z/Farnan_Marielle.jpeg Participating Artists Marielle Farnan Untitled 2020, 24 x 70 inches, glass and vinyl @mariellefarnan Banal is often defined as lacking originality, freshness, or novelty. But is there also comfort and beauty in the everyday rituals and objects that we surround ourselves with? I seek connection in the universal language of the commonplace and meaning in the infinite banalities of life. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1590189584753-OUA4FHH5HMVI2M3HECAK/unnamed.jpg Participating Artists Brenna Ivanhoe, Nancy Ivanhoe behind under around 2020, Dimensions variable, Mixed media www.ivanhoebrenna.com @brennaivanhoe www.nancyivanhoe.com @nlivanhoe We are flexible and bend towards the flowers, which bend towards the sun. We listen and react — at the whim of their wildness, at the mercy of their brief presence. We highlight their fleeting presence, standing back as much as possible to be the best support we can - distant, quiet, yet celebratory. An earnest listener, quiet observer, submitting ourselves to their story. Back behind them, under them, next to them, never in front of them. For their moment is too brief to compete with. Too complete in its sporadic ease. We can only attempt to be their extension, support, backdrop. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589652841129-GDAPYIROQBAPVM3HMAXR/Bendett_Maura_1.jpeg Participating Artists Maura Bendett Untitled 2020, 24 x 22 inches Sculpey, map pins, wire, bio resin, and vines www.maurabendett.com @maura_bendett My art is about how nothing we think that matters actually does. I use acrylic paint, paper, wire, and mixed media. When making my work I think about the origin and complexity of life forms. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1590189788176-VZQMAYO7RJOYD7WDZXWL/martens_anne_repeat_disrupt_1.jpg Participating Artists Anne Martens Repeat/Disrupt 2020, 15 x 60 inches (each), printed and painted paper, cardboard, wire Repeat/Disrupt consists of colorful, patterned discs strung together with wire and designed to be suspended from earthquake bolts on the side of a brick building. They sway and twirl in the breeze. There are several inspirations for this work. One is that I’ve always been intrigued by objects that are thrown over, and dangle from, power lines. Mainly for their kinetic qualities, but also maybe because I am intrigued by the various, often conflicting, urban legends associated with them. I also wanted to create something for my neighborhood; not dark like those urban legends, but meant to be visually cheerful. My work typically involves making photo-based designs related to conceptual themes that are both political and visual, that take the form of patterns on paper, fabric, and found objects. I make or adapt those materials for site specific installations. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588190773320-9AY1PGPLFNN0DC2TGBUM/30892399-63A8-490E-B722-AA1A7D912DD1+-+Andrew+Cortes.jpeg Participating Artists Andrew Philip Cortes Para el Barrio (For the Neighborhood) 2020, 63 x 13 x 13 inches, Defunct Pay phone, glass, mirror, paint, live plant, and mixed media www.Andrewcortes.com @apc_ortes Intended to accent naturally occurring forces at play (sunlight, water, wind, sound, gravity etc). The installation work of the artist is meant to live, breathe, and decay into the terrain it was built from or into. Yet it’s deepest intention is always to serve another. Whether that be a bird quietly perching or a small community using a bus stop daily. Built for those to see with it, as they wish or need. An ambient echo of the human experience that acts as a mystical through-line for the other disciplines practiced by the artist. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588192144047-G81YGBEVNWVFLUFKNDOV/Fujimoto_Steven_Scratch+Built+%28pre-imstallation%29+-+S.+Rey.jpeg Participating Artists Steven Rey Fujimoto Scratch Built 2017/ 2020, 13 x 64 x 108 inches, Mixed media: Bamboo sticks, thread, plywood, hardwood, cord, ABS, foam, ground straps, copper tubing, yarn, silicone hose, burnt redwood, epoxy www.greeniearts.com Tacit and organic; my artwork explores the metaphoric ties that bind the human experience with the natural world. Veiled glimpses of pop culture intersect randomly with nostalgia; the technical and political realms collide in agitated bliss, and my artwork assumes new but hopelessly ephemeral meaning even while integrated into masculine, three-dimensional form. Born and raised in Southern California, I strive to draw from both hemispheres to create works that inform, entertain, educate, and amuse. My on-going body of work utilizes a range of organic and inorganic materials that are often found as discards. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589326502921-QBJPRYLQYTEA5O68FZ9I/Noot_Dakota_Beach+Bum+%28Final%29+-+Dakota+Noot+%281%29.jpg Participating Artists Dakota Noot Beach Bum 2020, 144 x 144 x 2 in., Colored pencil and crayon drawings on paper and foamcore www.dakotanoot.com @dakotanoot Located in alley. Parking is available at Starbucks/KFC a block away (On the corner of Fremont and Huntington) I am a farm animal. I do not identify with gay labels such as bears or otters, which signify hair and body type. Instead, I use the farm animals that my family has raised or eaten to represent myself through drawing, painting, and installation. I am a chicken, cow, horse, and a goat. The ability to be eaten, consumed, and owned is far more important to my identity than my masculinity. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136640837-XXHFE92PO9Q1U76BU45E/stephanie-sherwood-confine-in-situ-2020-couch-fridge-2-web.jpg Participating Artists Stephanie Sherwood Confine In Situ (Couch + Fridge) 2020, Dimensions variable, enamel on found discarded furniture stephaniesherwoodart.com @stephanie_sherwood_art The elevation of abject forms fascinates me—raw meat splayed out on a cutting board or stuffed into a tupperware container; fleshy shapes bound within a rigid cage; haphazard fabric, plastic and paper cast aside in a shopping cart. The stark contrast of chaos within structure strikes a sort of unexpected beauty. My explorations begin with strong lines and progress with thick paint. Recently, the expression of these fleshy obsessions have manifested into urban art interventions on discarded furniture in Los Angeles; only lasting as long as the object sits in the alley or on the curb. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588190739049-LAXZB9BNXDQJZXV26YOH/2+Greenfield%2C+Mark+Steven%2C+Homage+to+Mestra+Didi+-+Mark+Steven+Greenfield.jpeg Participating Artists Mark Steven Greenfield Homage to Mestra Didi, 2014, 63" X 18" X 18", Plastic Containers, Zip ties www.markstevengreenfield.com @dawggie51 Mestra Didi was an artist/priest who created works related to Candomble, the African religion practiced in Salvador, Bahia, Brazil. He is noted for producing "Ibiri", sculptures used in religious ceremonies. My piece is an interpretation of these, intended to spread blessings to all whom come into its presence. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588195373837-HPRET1JIG47U49J9VG1G/Friedman_Josh_Cluster.JPG Participating Artists Josh Friedman Cluster 2020, 3 x 4 inches, leaves, incense, fire www.joshfriedmanart.com @joshfriedmanart Residual accumulations of my small, repeated gestures that once gave thoughts formed and recorded my journey of becoming cancer free, now give the fleeting commodity of time palpability. Making the fragile, more fragile. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588195663244-06068LMM30V92WCRNXCY/Mark_Joel_160826_003+-+Joel+Mark.jpg Participating Artists Joel H. Mark 160826_003 2016, Image Size: 6.24 x 9.0 inches, Paper Size: 8.5 x 11 inches, pigment print www.joelmark.com @joelh.mark I’m drawn to urban architectural landscapes, detritus, the everyday ordinary that most people ignore. I use the photographic print to share my fascination with all of this. Chance plays a large part in my practice. Subjects find me, and they are photographed as found. I’m not a documentarian. In post-production, I interpret the image, removing elements that are not necessary, manipulating color, doing whatever I must to draw a viewer into the photograph. This image is from the series New Urban Landscapes. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589326625110-4DZ6VF1SEDHGQCVGCXDB/Color+Talk_2020_+45+x+45+x+1_4+inches_acrylic+on+board.++Dawn+Arrowsmithjpg.jpg Participating Artists Dawn Arrowsmith Color Talk 2020, acrylic on board, 45 x 45 x 1/4 inches dawnarrowsmith.com What does Orange say to Blue, Blue say to Yellow, Yellow say to Purple, Purple say to Orange? https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588292197461-MKO2RHRMSUV7T5ZWCVZE/Abait_Luciana_Peaks+-+Luciana+Abait.jpg Participating Artists Luciana Abait Peaks 2020, 50" x 70" each (diptych), mixed media work printed on outdoor vinyl www.lucianaabait.com @Luciana Abait The two pieces are installed in the front of the LIME GREEN BUILDING The works show peaceful soft hued California mountains. They are simple, direct and uncomplicated, becoming contemplative artworks. Viewers can appreciate the sacredness and perfection of our environment while reflecting on its fragility due to global warming. In the middle of our current world crisis and its aftermath, these mountain peaks also symbolize freedom, resilience and the power of our human condition to rise above hurdles and stand proud on the summit while feeling the soft California breeze in the air that makes us feel we are free and alive https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651970683-I7JC2PH8TZO8RR7MM7GB/Qiu_Mei_Xian_1.jpg Participating Artists Mei Xian Qiu This is Your Time to Change the World 2020, 3' x 7' feet, vinyl, dirt, mirrors, stones www.meixianqiu.com @mei_xian_qiu (The piece is located on the south side of street next to Cacti) This piece is the first cornerstone piece of a new body or work that describes Calls to Action, which engages the viewer to make positive change in a world in need of healing. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588292734521-1MCH98FR82KDITMB8SIB/20200430_131409+-+Colin+Roberts.jpg Participating Artists Colin Roberts Bubblewrap Giraffe 2013\, 42 x 38 x 26 inches, Mixed media www.colinrobertsart.com Colin Roberts graduated BFA Otis School of Art and Design in 2001. His work is a language of sculpture, drawing, painting and installation that explore themes around the fragile human condition. The pieces evoke uncanny imagery from both past and present, and are obscured in strange and fantastical ways using surrealism and abject tactics. Kaleidoscopic Glass Pillows, Flesh Books and Bubblewrap Cubes are some of the surreal creations that make up the work. The work is a careful balance of humor, science and the grotesque, calculated to lead the viewer to question their personal thoughts on various subjects. Through this, the works have the ability to cross significant cultural, social and psychic boundaries. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136541177-A6RC232GSK7179SH4C46/de+Anda+III_Ismael_The+Sun+Came+Out+Last+Night+and+Sang+to+Me_social+media_04.jpg Participating Artists Ismael de Anda III The Sun Came Out Last Night and Sang to Me 2017, 2 photos each 48 x 96 inches, total installation approx. 48 x 192 inches, Printed Digital Photo Collage www.ismaeldeanda3.com @ismaeldeandaiii Growing up on the U.S./ Mexico frontier, The Sun Came Out Last Night and Sang to Me, represents simultaneously being close to and at a distance from a beloved community. These photos are tableaux of fantastical, otherworldly, flying hybrid sculptural contraptions pieced together from family photos of machinery from my Grandparent’s West Texas farm where I grew up as reflected and re-imagined from my new life and home here in Los Angeles. My photo installation is displayed at my neighborhood gym Snap Fitness in San Marino, courtesy of and in collaboration with my good friend and gym owner Allen Cutler. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588375506484-XNR3BLXACOBS0Q7REBI7/Mueller_Megan_More+Beginnings%2C+Less+Ends+-+Megan+Mueller.jpg Participating Artists Megan Mueller More beginnings, less ends 2020, 30 x 23 inches, Watercolor on paper www.meganmueller.com @megamueller I made this piece over the last 27 days, applying one layer of pigment a day. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589650162906-49CGZWA7N0MUOPHLJ2JI/Sydney+Croskery_1.jpg Participating Artists Sydney Croskery 4 Candles 2020, 72 x 48 inches, Oil paint on vinyl www.SydneyCroskery.com @sydneycroskery (South side of street at large vacant lot between Wellington and Virginia, in the West Adams neighborhood of Los Angeles, 90016) I’ve been thinking a lot about objects, and the power and meanings with which we imbue them. The significance of objects can fluctuate depending on our emotional state, reflecting our feelings back to us like a mirror. When we are mournful, they show us a somber respect; when we are hopeful, they flicker with possibility; when we are scared, they appear dangerous; and when we are in search of a miracle, they reveal magic. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588376073414-K5LD2CJY7JU5DP1CH5PY/Bersaglieri+Tall+Fescue+Watercolor+on+Paper+22+x+30+2018+-+Andrea+Bersaglieri.jpg Participating Artists Andrea Bersaglieri Tall Fescue 2018, 22 x 30 inches, watercolor on paper www.andreabersaglieri.com @and_bers (The piece is between the Olive Tree and the Crepe Myrtle near the street) The formal, conceptual, technical and emotional relationship urbanites have with nature is fraught with contradictions. It is in our nature to find plants beautiful but our evolution is literally squeezing them out of our environment. Will nature's tenaciousness prevail? Which plants will thrive around us as the environment struggles? Will the plants that we now consider weeds become our new cultivars? How does the dirt beneath us feed into and contain these dichotomies? In this Anthropocene era what is the role of “novel ecosystems” and how does that affect our idea of conservation? Is this our “substitute nature”? https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325212352-XIG2TY6VQJRM898AILNB/Zellen_Jodi_3.JPG Participating Artists Jody Zellen Grid City 2000, 8 x 8 feet, Digital banners on vinyl www.jodyzellen.com @jzother In my multi-faceted practice, I aim to create visually engaging projects that draw from and reference both the media and a physical environment, like the city, while simultaneously presenting them anew. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136457929-LSGQYDK5MYL05M23E6J0/Hager_Jenny_20200506_143848.jpg Participating Artists Jenny Hager This is My House 2020, 72 x 62 inches, acrylic, marker on canvas www.jennyhager.com @Hager8645 Interest to me is the investigation of an ambiguous, constructed, and animated space that utilizes open, abstracted imagery in order to bypass or delay immediate recognition. Central to this is the creation of painting as palimpsest through process and reinterpretation in the service of exploring the tension between the explicable and in-explicable, whether it be celestial, spiritual, the natural world, or other. By injecting subtexts through formal elements such as pressure, asymmetrical balance, and the juxtaposition of painting languages, I hope to disrupt the viewer from a set perspective and set them adrift on the double edged sword of wonder. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588455108982-YC6USF2E40ZWOJ5S4IX9/Trueman_Chris_GBW+-+Chris+Trueman.jpg Participating Artists Chris Trueman DPW 2018, 68 x 60 inches, acrylic and acrylic spray paint on yupo www.christrueman.com @truemanchris In Trueman’s most recent body of work, Shared Space, he continues his exploration into the idea that art will largely be seen through mediating devices; that the vast majority of people who will see these pieces will never share the same physical space with them. And as a result, much of the imagery they are seeing is fictional or at minimum manipulated, staged and falsified much like the avatars viewing them. The foundations of this body of work are an inflection point to abstract painting in its late modern stages. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589650697992-UVQ5XYNXAQZVKBDCDNIW/Kristine+Schomaker.jpg Participating Artists Kristine Schomaker My Imaginary Wall 2020, 96 x 25 inches, Round Dot Stickers, Glass door www.kristinechomaker.net . kristineschomaker I am a plus size woman with an eating disorder. My work is personal, intense, emotional, violent and familiar. A dedicated conceptualist and surrealist autobiographer, I address the de(con)struction of self in relation to society’s perception/projection/reflection of beauty. My multidisciplinary work focuses on the complexities of gender identity, body image, and the societal privileging of women's physical beauty over character and intellect. Inspired by artists such as Gonzalez-Torres, Meret Oppenheim, Baroness Elsa von Freytag-Loringhoven, Joseph Albers and Hans Hofmann, I use everyday objects, mixed media, paint, photography, performance, written word, social media, video, photography and conceptual social practice projects to investigate, document and challenge personal and universal ideas of self and society. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588524900727-0ZD5CAROQ8QM5Y416A7B/Metropolis+II+%28c%29+2020+Jennifer+Gunlock+web+-+Jennifer+Gunlock.jpg Participating Artists Jennifer Gunlock Metropolis II 2020, 44 x 44 inches, Mixed media collage and drawing on cardboard www.jennifergunlock.com @jennifergunlock Jennifer Gunlock's work explores the relationships between the objects of nature and those imposed upon them by human activity. By layering photographs taken on her travels, decorative papers and drawing, she constructs tree-based forms which are awkwardly fused with architectural motifs. Each composition reflects a long passage of time in which buildings and trees stretch and crumble, each pushing against the other. The work is a commentary on humanity’s direct impact on the environment, as well as Earth’s interminable shapeshifting over the long history of its existence. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717028863-ZJTEB47QTQ60BO4CX6TP/everyday+image+-+Liza+Ryan.jpg Participating Artists Liza Ryan outside everyday image 2020, Dimensions variable, pigment prints www.lizaryan.com @lizahryan Every day for a week beginning on Wednesday, May 13, a different image is stapled to the message board outside of our neighborhood market. These images may provide neighbors with a momentary opportunity to escape and even travel beyond the confines of quarantine. Mar Vista neighbors can send a text to the number provided on the tear slip below the image to receive a print on their doorstep. Each print is only available the day it is up on the board. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717222415-9FQQMSJNUHLH12DAOPDE/Foreman_Cia_Test+Strips+Conditions+of+Light+1+-+Cia+Foreman.JPG Participating Artists Cia Foreman Test Strips for Conditions of Light 2018, 43 x 8 inches, Archival pigment print on Hahnemuhle Rag www.ciaforeman.com @ciaforeman Catching the light as it permeates or skews an image shifts what we see, interrupting and transforming the experience of our perceptions, expectations, and the stability of what we conceive of as reality. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325167503-GBAZV38RA50CGLP34TRI/Abeles_Kim.jpeg Participating Artists Kim Abeles Natural Setting 2020, 12 x 56 x 16 inches, Abeles photograph created in fabric and constructed for bus bench www.kimabeles.com www.frugalworld.org @kimabeles My work explores biography, geography, feminism, the environment, and speaks to society, science literacy, and civic engagement. National Endowment for the Arts funded two recent projects: as artist-in-residence at the Institute of Forest Genetics I focused on Resilience; and, Valises for Camp Ground: Arts, Corrections, and Fire Management in the Santa Monica Mountains were made in collaboration with Camp 13, a group of female prison inmates stationed in the Santa Monica Mountains who fight wildfires. I see the inter-relationship between art and community as seamless portrayals of nature and society, serving to re-engage people with the physical world. If one does not love the world, that same person will not imagine a need to protect it. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589652546217-1E2RBK1PHLZ33VH09YP1/McCann_Ryan_1.jpeg Participating Artists Ryan McCann Almost Green 2020, 144 x 360 inches, Acrylic on concrete www.RyanMcCannArt.com @RyanMcCannArt This work is from my series titled, “You don’t exist”. The works are created over time when a wall is tagged with graffiti and then painted over by the city. It is someone declaring their presence and then the city declaring that they don’t exist. What remains is the most honest visual in the city. A living journal of push and pull, the need to express ones existence versus the need to quiet the noise coming from below. The battle is real and its evidence is beautiful. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717603608-M4XQU4P993LOQLG6FKL7/woods_paul_boraxman2++-+Paul+Woods.jpg Participating Artists Paul Osiecki Woods Mr. Borax 2020, 88 x 65 inches, acrylic on cardboard www.paulwoods.com @paulowoods Graphic Designer, Illustrator, Artist. My art plays with the iconography and typography we see in the world around us in consumer packaging, TV, political news, advertising, internet, multimedia and reinterprets and plays with those graphic forms and shapes. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588717801360-8MWXPOQHNUMR8ODT1W3R/new-window+-+Brian+C.+Moss.jpg Participating Artists Brian C. Moss Shared / Divided (July 25, 2014, NY Times) 2020, 75 x 120 inches, graphite on vellum www.briancmoss.com When viewing my work, the buildings behind you are comprised of condominiums (referenced in this URL <http://patch.com/california/santamonica/350-million-village-will-resurrect-neighborhood-vibe#.U9b6yKi9sXg>). My drawings are situated in a building for low to moderate income individuals built by the same developer, partly in exchange for tax breaks. Our rents are determined by HUD. While we “share” the alley, we have separate gated entrances within a shared garage. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588718057695-Q3JNAMJQ386R0UV66BKO/image-asset.jpeg Participating Artists Dimitra Skandali "mumbling..." 2019-2020 with the assistance of Ali Woods, 53 x 36 inches (approx), wire, sea grasses, hologram paper www.dimitraskandali.com @dimskandali weird worlds-weird words – ... mumbling during turmoils of our times. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588718435026-NQ8H6A0M6V8NZV7J4NJV/Davidson_Joe_From_A_Distance+-+Joe+Davidson.jpg Participating Artists Joe Davidson From a Distance (Signposts) 2020, two elements @ 60 x 18 x 18 inches, Tinted plaster on construction timbers www.joedavidson.net @jfcdavidson In the end, gravity always wins. It is the blunt, immutable force that has a constant effect, keeping us on the ground and ultimately pulling us into it. Sculpture by its very nature is in conversation with this pull, at times enjoying and acknowledging it, and at times trying to hide and defy it. My work recognizes the force of gravity, sometimes tacitly and sometimes overtly. It is a practice of mixing the delicate with the ordinary. I have been mining the contrasts of sculpture, relishing the materiality while also attempting to address the ephemeral. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588718601359-M2QZIWOC967ONO95PCZK/20161026__L6A7077+-+Stephanie+Sabo.jpg Participating Artists Stephanie Sabo Will Return 2020, Dimensions variable, Mixed media SPECIAL HOURS: Light projection viewable nightly from 8-10pm roski.usc.edu/community/faculty/stephanie-sabo Installation courtesy of Pop Hop Books & Print http://www.thepophop.com/ Will Return is a poetic reflection on the character of time as experienced during social distancing. Based loosely on the mass-produced “Will Return” sign placed in windows by many small business owners when they need to step away for a few moments, the work acknowledges how the unpredictability of the spread of the virus, and the resulting uncertain timeline to get ‘back to normal’ (economically, socially and otherwise), is exacerbating underlying social vulnerabilities, political partisanship, and wealth inequalities that predated the crisis. The deeply human longing for “return,” expressed through the Christian and Islamic traditions awaiting Jesus/the Mahdi, and through other ancient beliefs in reincarnation or eternal recurrence, can simultaneously soothe our anxieties and become a foothold for powerful manipulations that invoke nostalgia. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588719337965-Q5JETR584B2PZSRUVQYE/SHUT+UP+installed_window.jpeg Participating Artists David Buckingham SHUT UP 2015, 44 x 27 x 2 inches, Found steel, original colors www.buckinghamstudio.com @buckinghamstudiodtla What I’m doing is converting the window in my Santa Fe building to a mini-gallery space. The window has been covered for the 20 years I've been in the building, and whole neighborhood has suddenly got a name (the “Southern Arts District”) and it’s time to come out of the shadows. For as long as we can hold on against the relentless gentrification. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589650784445-MONCBVZL8STOUQ2WGB7Q/Romine_Jaklin_Flowers1.jpg Participating Artists Jaklin Romine Why Bring Me Flowers When I'm Dead? When You Had Time To Do It When I Was Alive. 2019, 180 X 120 X 24 inches Fabric dipped in resin, digital sublimation on chiffon www.jaklinromine.com @jakioeoeo Digital sublimation of flowers, creating fabric sculptures out of lace, iridescent organza, and chartreuse, that are mounted behind or lay beneath a protruding fabric print, creating an abstraction of flora that allows for the breaking of reality and the dream-like. Which allows the art to float between installation and sculpture. Pushing photographic imagery into the third dimension https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1588720601353-58FQ094MNVL0MD25KR3W/ArezooBharthania-1+-+arezoo+bharthania.jpg Participating Artists Arezoo Bharthania Little Cactus Garden 2020, 40 x 82 x 20 Inches, Acrylic, collage, transfered image, tracing paper, yarns www.arezoobharthania.com My work reflects the experience of creating a home while existing in a state of in-between. It is a narrative formed through layers and gestures that blend my childhood and early adulthood in Iran with my current life in Los Angeles. The space I occupy is navigated through the bodily experience of womanhood and a balance of dichotomies: public and private, psychological and physical environments, here and there. The homes that I have inhabited across geographies represent a multilayered construction of identity influenced by interdependent forces that define roles, govern behaviors, and order power relationships. The Iranian identity I carry in the United States relies heavily on my history as an immigrant https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325089915-WDYIXTT93OZOE0XMW5HW/PregerElizabeth-TheRevolutionWillNotBeMonoLingual_01.jpg Participating Artists Elizabeth Preger THE REVOLUTION WILL NOT BE MONO-LINGUAL 2020, 10 x 8 inches, Laserjet print www.elizabethpreger.com @elizabethpreger Done in collaboration with Lusi Ajonjoli, 'THE REVOLUTION WILL NOT BE MONO-LINGUAL' is found on utility poles on a residential block in McArthur Park. Central questions to my practice are “Who is speaking?” “Who is listening?” and “Why?” Language, understanding and translation are inexorably a part of this questioning. This piece is a protest poster demanding more of myself and others. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589135979635-M3LYUPVVV9NQB70MH060/Handel_MichelleCarla_Ghosted01+-+MC+de+L%27Han.jpg Participating Artists Michelle Carla Handel Ghosted 2020, 12 x 11 x 6 inches, Digital prints, board www.michellecarlahandel.com @michellecarlahandel I work from a curiosity about the parts of existence we experience but don't fully understand. I combine materials like plaster, rubber, wax, clay, photography, textiles and other media to create illusionary, surprise-and-disguise material effects. Works are often a mixture of hard and soft, a combination of rigid parts and upholstered fabric elements. I copy, duplicate, and integrate 'do-over' parts to create layered content which confuses distinctions between what is real and what is simulated. Where I incorporate photography, there may be the added effect of moving back and forth between different levels of space, playing with current notions of meta and the self-referential. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589650829373-79NZI16WCF2MXYUSJF7W/Paul_Duane_Sacred-Cow1X.jpg Participating Artists Duane Paul this is not a golden sacred cow 2020, 36 x 24 x 24 inches (approx), Canvas, industrial foam, enamel paint, hydrocal cement, wire, construction cord www.duanepaul.com @duanepaul My work is concentrated on the fractured, fragmented memories of childhood, strung together and conflated by my adult reflection on the past. These expressions are largely derived from being an Afro-Caribbean immigrant, and a gay man living within the Black American experience. My process and practice is “play" - that is based in the making of narrative, yet abstract objects I create by physically manipulating elements shaping a unique visual language of memory and material. I build layers and layers of material and meaning into mostly sculptural records documenting the exploration of concerns. The joy of “play” aids in my investigation and use of material when in the studio and that sense of play is embedded in the objects and images I produce. Somewhat like Legos, my practice is to hand craft and create modular objects used as building blocks for my constructed sculptural conversations. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589136979478-XT08MB93XUKRYJURT6QB/gwschenkInstal2020.jpg Participating Artists Greg W. Schenk untitled 2009, 120 x 120 x 120 inches, Mixed media www.facebook.com/greg.schenk.33 @schenkgreg Fundamentally concerned with the noetical and phenomenological implementation of art with technology. Employing COTS, design specific media and alternative contexts to create shit you've never seen before. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589137096656-HNTPMYKEVPLX879XVZYY/ArsMoriendi_005+-+Dave+Bondi.jpg Participating Artists Dave Bondi Ars Moriendi 2012 - 2014, 6 x 6 inches each piece, 20 pieces, Cardboard, polyurethane resin, black widow spider www.davebondi.com @davebondiart In September of 2011 I moved to Highland Park just a few months before Mike died. I remember when we bought our house thinking how strange it would be to run into him at the local Von's or Trader Joe's. Mike had a huge influence on my artistic development and I was extremely sad when I heard he was gone. What was even more startling was the mention in the media of tributes being brought to his studio on Figueroa and Annan Way. Our house is on Annan, less than a block away. I knew it was a mere coincidence, but haunting nonetheless. I decided to create my own tribute to Mike called "Ars Moriendi" and made approximately 30 pieces over the next two years. A discussion of my rationale for creating the series can be read in this issue of Fabrik magazine: https://issuu.com/fabrik/docs/fabrik25/38 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589137356114-RPHXS8OM0YWPQNMHYDMH/02+-+Abel+Alejandre.jpg Participating Artists Abel Alejandre Street Fighter 2018, 11 x 17 inches, Print www.abelalejandre.com @abelalejandre I look for problems and I leave them unsolved https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589324871615-IF2KSVQCM12L2BWIKL4W/FoundDogGavinBunner+-+Mister+Geevin.jpg Participating Artists Gavin Bunner Found Dog 2020, 8 × 11 × 1 inches, Ink on paper www.Gavinbunner.com @gavinbunner Where Americana, Pop Art, and Where's Waldo all meet https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325462620-R0UHTDIDOCTZR6SRHOJ4/installation+-+Tracey+Weiss.jpg Participating Artists Tracey Weiss Essentials 2020, 36 x 36 x 24 inches, TP rolls and twine www.traceyweissart.com @traceyweissart Our society is consumed right now with needs vs wants. What are our "essentials"? Who are the "essentials"? While some are fighting and hoarding, others are slowing down and reflecting. Funny enough, all through our first month (or more) the essential on everyone’s mind was toilet paper. A simple everyday item that we couldn't fine, never thought of much before, and became obsessed with all at once. Using a material that brought us so much joy when we finally found it in the stores, I've created an installation that will hopefully bring a little joy, wonder, and maybe laughs. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589325545186-CDWXQ87Q4MW1I63K2OFQ/image-asset.jpeg Participating Artists Juri Koll Chumash Katk Z 1-3 2020, Triptych 9 x 12 inches each, Oil, ink and watercolor on board www.veniceica.org @veniceica Using a Chumash petroglyph drawing of horse and rider as a motif and color and organic geometry as my language, I work towards a feeling of motion, of searching for a resting place, of traveling with a story to tell, of transporting meaning, in the sky and on the earth https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589649706338-TJPBUP42ZL67J76IJWTK/IMG_1176.JPG Participating Artists Constance Mallinson What Now? 2020, 60 x 60 inches (approx), photo collage on plastic objects www.constancemallinson.com @makepaintinggreatagain This installation consists of discarded plastic objects affixed with photos of endangered species and environments. The signage will say that the plastics were retrieved from this neighborhood and altered with the pictures to remind passersby of the impact of one time use plastics in our globalized world. The pieces are free for the taking. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589650955815-7ABNK21L9J0IZBVOEBIL/Frieden_Sarajo.JPG Participating Artists Sarajo Frieden Untitled (1147) 2019, 87.5 x 44 inches, Acrylic on muslin www.sarajofrieden.net @sarajofrieden My work is a conversation, an exploration of color, shape, line, and form. I experiment with different mediums and employ a variety of methodologies--collage, cut ups, juxtaposition--as a way of incorporating chance and cultivating surprise. I’m a hunter and gatherer of images, mining the organic and man-made, the history of abstraction, textiles, non-Western cultures, and digital imaging, to bring together a multiplicity of discordant sources. I attempt to locate new ways of knitting together disparate references while questioning how perceptions are created. A fluid relationship with the idea of what beauty can be--stumbling or walking backward into an awkward beauty--is what interests me. This way of working is useful in opening doors, dislocating preconceived outcomes, and enabling shifts of perception and the limitless possibilities they suggest. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651143204-9N3WXHQCTL8TQQ5PEYRY/Ward_Ryan_1.jpg Participating Artists Ryan Russell Ward Untitled 2020, 14 x 62 inches / 16 x 39 inches, Installation www.instagram.com/ryanrussellward These buried/planted Pews are reclaimed from Immanuel Baptist Church (1922) off 3rd and Obispo in Long Beach, CA which was renovated in 2015 to a Senior Living Home, represent not only life and death but the hope and love in these trying times. Please be encouraged to leave a note or prayer for loved ones. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651519639-ZPFV15X3ECK17VMN94CI/goodmanstacey_02.jpg Participating Artists Makenzie Goodman & Adam Stacey A Shrine to the Old West 2020, 48 x 24 x 24 inches (variable-installation), ceramics, photography, wood, etc. www.makenzielgoodman.com www.cargocollective.com/adamstacey The story of the rugged American West, expansive and free, where individualism, masculinity and bravery reign supreme, has been branded onto our collective imagination, a movie projected onto the backs of our eyelids that we’ve all seen. In those Westerns, the hero, almost always a white man, renounces the safety and structure of civilization for the wilderness. This is the fantasy we’ve been told over and again. This piece presents the myths and icons of the West as a fallen shrine amongst litter in a doorway of an L.A. warehouse. Our true West is dirtier, its meaning is more difficult to discern. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589651621695-U1EGD1K0YJY996CBB9CZ/SOCIALOBJECTSRASK01+-+Jenny+Rask.jpeg Participating Artists Jenny Rask The Social Life of Objects 2020, Dimensions variable, QR code, Instagram, photography, and writing www.jennyrask.com @jjennyraskk USE GOOGLE MAP FOR OTHER LOCATIONS https://www.google.com/maps/@0,-0.0021887,17z/data=!3m1!4b1!4m3!11m2!2sUpWcCEFFRnyPX6EPtKxMhw!3e3) Breaking one of many worry loops I experience daily isn’t easy, especially those fueled by frequent discoveries of neglected objects during routine walks. Concerns for them crop up unexpectedly while I am elsewhere. How are they doing? What is their life like? Will they change? What will they acquire? What will they do next? Who loves them? What will become of them? Where will they go? Will they be there tomorrow? The recent trend in social media for objects has really paid off and minimized any unease caused by worry. Following and receiving status updates feels inclusive and is reassuring. Social media has really improved relationships between objects and humans and objects alike. The Social Life of Objects study will focus in on several subjects found in East Hollywood within the radius of a block. Follow the coordinates to the each object's location, scan their QR code, connect and follow. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589652225974-IQ0DKL48L0XW3PN3VRYW/Dunn_Jeanne_2.jpg Participating Artists Jeanne Dunn Mid-Century Jazz 2020, 13.5 x 17 inches, Recycled photos, album covers, collage on paper www.jeannedunn.net @jeannedunnart Recently I was invited to glean what I liked from a friend's 78 rpm album covers. It was a trove of vintage design done in exciting bold contrasts. The covers begged to be taken apart and reassembled as a unique testimony to the spontaneity of jazz. Hours later I'd created this collage: "Mid-Century Jazz." https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589652765749-SEKRRW6PF2WS0FZZ0R8T/image-asset.jpeg Participating Artists Susan Feldman Quaranteeny Avenue 2020, 3 x 48 x 5 inches, mixed media www.susanfeldmanart.com @susanfeldmanart My neighborhood dispensary has held a special place in my heart for awhile, and now, during this stay at home order, it's been extra beneficial. I've been working in the studio on a project called "MOC" (My Own City) for the past year, and while that is a work in progress, I welcomed the opportunity to create a "Mini" MOC Avenue for this exhibition. Euphoric seemed like the perfect place to set the scene for my version of our quarantine hubs. Seems like a win/win. Don't forget to stop in and say hey to my sisters there. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589653153572-159EOZUSSEXFCZHH0MTR/flora+kao+sentinel+-+Flora+Kao.jpeg Participating Artists Flora Kao Sentinel 2020, 5 x 10 x 2 feet, Bougainvillea and twine floratkao.blogspot.com Sentinel features two bougainvillea plants mummified in hot pink twine. The two plants are connected by a crocheted skein of twine twisting around the canal safety barrier. Blindfolded and tethered to the bougainvillea, the artist circled and wrapped each thorny plant in a ball of Asian packaging twine. The installation explores the connections between people and plant, touch and sight, artist and audience. Originally from South America, the bougainvillea is a ubiquitous signifier of tropical color. In East Asian legend, a red string of destiny connects those who are bound to meet in significant ways. Connecting two figures on either side of a barrier, Sentinel visualizes the connections that intertwine, entrap, and bind us together. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589653301426-70ZO9CF6H30B4OFR4FDK/Smith_Marla_1.jpg Participating Artists Marla Smith untitled 2020, 8 x 10 inches Ink on paper http://www.durdenandray.com/project-press daily 0.75 2020-05-22 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589653876545-QZLEJ9N3OJ3B120TUIFZ/0-1.jpg Project Press - “the art punctuates a choose-your-own adventure out in the world that misses you as much as you miss it.” Durden & Ray is ready with We Are Here/Here We Are — a Google Maps-based self-guided tour of outdoor/street view site-specific sculptures opening at about 100 locations across the county, from DTLA to Long Beach, the Valley to Venice. “As its organizers note, “As the streets remain empty, the restaurants and coffee shops remain closed, and the houses of social engagement remain shuttered, we are rediscovering “real life” through our homes, our neighborhoods and ourselves.” Shana Nys Dambrot - LA Weekly https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1590167153477-EF2HSOKVIKEL26PQAJ5V/LATimes-WeAreHere.png Project Press - LA Times Featured Review by Christopher Knight “Ninety-seven works have been installed all over Los Angeles County in places viewable from the street or sidewalk. Unlike other such art exhibitions — a small but growing phenomenon, since most museums and galleries closed and the migration of art to online digital platforms has proved less than satisfying — this one is not concentrated in a particular part of the city. Instead, it embraces L.A. sprawl. Sites include a bus bench, a home’s front yard, the roll-up door on a unit in an industrial park, a gym’s front window, a home’s overgrown backyard, the entry to an abandoned parking garage and scores more.” “Artists are everywhere in the L.A. sprawl, living and working among us. Good to know, especially in tough times.” https://www.latimes.com/entertainment-arts/story/2020-05-22/durden-ray-we-are-here-art-show-public?fbclid=IwAR3PrkkPNWYKoyT3uqscIA8BFai2Op8Ox9Y4We5zfqoCeCvM7G6PD4WHp0o https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1589654352088-891EXKHRWZ10CK2YMQCM/Screen+Shot+2020-05-16+at+11.23.41+AM.png Project Press http://www.durdenandray.com/personal-contacts-1 daily 0.75 2020-08-04 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595532083346-LLGTGI7BKY6WLKZUNH0Q/Triumph+or+Diaster.jpeg Personal Contacts 1 Mark Acetelli Fate or Destiny, 2019, oil on canvas 59 x 70 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595532201831-MOO5J0IERHJ5AU9GZ33Q/image-asset.jpeg Personal Contacts 1 Brian Thomas Jones Atmosphere #3 (diptych) 2019, Oil on canvas, 58.5” x 77” overall (58.5” x 36” each panel) https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595532542985-QGOHIGOM27QWCIU7LCQN/IMG_6018+300.jpg Personal Contacts 1 Shiva Aliabadi Innermost I, 22in x 30in, mixed media on paper, 2020 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595532618098-C1R8SBOBNODMBSF59HRK/image-asset.jpeg Personal Contacts 1 Gul Cagin Stretched Body, 2020, Acrylic painting 60 x 48 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595533080624-AD0SQCIBDGW5SR966GSS/Max-Presneill_MiT%23111%2C+2020%2C+oil%2C+acrylic%2C+enamel%2C+motor+oil%2C+patch%2C+badge%2C+metal+ornament+skull+on+canvas%2C+22+x+20+inches.jpg Personal Contacts 1 Max-Presneill_ MiT#111, 2020, oil, acrylic, enamel, motor oil, patch, badge, metal ornament skull on canvas, 22 x 20 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595533166288-5M7E64TE8DAP0J68GV54/Chaz%C2%A0Guest%2C+%2522Nat+Turner%2522%2C+2018%2C+Oil+and+ink+on+100%25+cotton+flag%2C+52+x+32+inches.jpg Personal Contacts 1 Chaz Guest "Nat Turner", 2018, Oil and ink on 100% cotton flag, 52 x 32 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595533505372-8QYLBHXBNM0SMLBR3LRT/03_Passe%CC%81+Blanc.jpg Personal Contacts 1 Kimberly Morris Passé Blanc, 2019, digital photo 40 x 20 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595533589079-FM7843LDG3N39SA6F5YF/image-asset.jpeg Personal Contacts 1 Sean Noyce "Persephone (Samhain)" Acrylic, serigraph, and custom code on polyester and mylar, 60 x 40 inches, 2019 http://www.durdenandray.com/the-exhibition-project-1 daily 0.75 2020-07-23 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1595531226325-RDJ9M7JHVHT0MEPADDQY/personalContacts.png The Exhibition Project - Personal Contacts A six-part series of exhibitions that explores novel approaches to community curation Beginning with the success of We Are Here / Here We Are, an outdoor exhibition last spring that featured 100 artists from all parts of Los Angeles County, Durden and Ray continues to explore novel ways to promote the work of artists during the COVID-19 pandemic, including a 3D interactive panorama of Personal Contacts; a series of live video interviews with the artists; and an exhibition that can been seen by appointment at their downtown Los Angeles gallery in the Bendix Building. http://www.durdenandray.com/personal-contacts-2 daily 0.75 2020-08-20 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597454889104-MO6I3HGK19U2BHAXKOE4/A.+Lorenzo+Baker_Jewelette_+2020_cut+flowers%2C+cellophane%2C+rubber+bands_16+x+25+inches.jpg Personal Contacts 2 Lorenzo Baker, Jewelette, 2020, cut flowers, cellophane, rubber bands, 16 x 25 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597454927711-3XQ6AKVITQWRZURTVT9H/B.+Ismael+de+Anda+III_LA+Bloom+%28Los+Angeles+Blossom%29_2020_digital+print_48x96in.jpg Personal Contacts 2 Ismael de Anda III, LA Bloom (Los Angeles Blossom), 2020, digital print, 48 x 96 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455006031-1HWB3JM7VIT7NSYN2L7E/image-asset.jpeg Personal Contacts 2 Regina Herod, Cyclical Blues, 2019, wood, steel, wax, mica, 20 x 24 x 20 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455040614-KETI6TX36N4X61TPS314/image-asset.jpeg Personal Contacts 2 Alexandra Wiesenfeld, Sprout Head, 2020, oil on canvas, 45 x 54 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455076102-8B9K73MJ1KND9Z2QGQFJ/image-asset.jpeg Personal Contacts 2 Claire Jackel, USS Franklin, 2008, acrylic on canvas, 36 x 58 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455106838-BLW8UBCY766SQ2K174X0/F.+Ben+Jackel_Beverly+Hills+%286+headed+standpipe%29_2014_stoneware+and+beeswax_32+x+24+x+17+inches.jpg Personal Contacts 2 Ben Jackel, Beverly Hills (6 headed standpipe), 2014, stoneware and beeswax, 32 x 24 x 17 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455144842-RVZEJDT4L4JTCAMPR324/image-asset.jpeg Personal Contacts 2 Nick Lowe, Untitled, 2020, Prismacolor on Canson Mi-Teintes Paper, 12 x 16 inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455500136-XBZINIEQ5T8JZBVGI4OY/M.extra+image_Nick+Lowe_installation+view_Untitled_2020%2C+Prismacolor+on+Canson+Mi-Teintes+Paper_12+x+16+inches.jpg Personal Contacts 2 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455191400-5PPP07RI3Z3UARW9SCLL/K.David+Leapman_Shooting+L.The+Wit_2020_acrylic+and+dayglo+on+canvas_42x47.5in.jpg Personal Contacts 2 David Leapman, Shooting The Wit, 2020, acrylic and dayglo on canvas, 42 x 47 ½ inches https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1597455538703-5O4GNXOE3X9L518JJYKX/image-asset.jpeg Personal Contacts 2 David Leapman, They Can Suck Melancholy, 2020, dayglo and acrylic on canvas, 42 x 47.5 inches http://www.durdenandray.com/personal-contacts-3 daily 0.75 2020-09-09 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598550050051-T3030TJN2T30YANACM9N/MariaAgureeva_Untitled1.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598550656887-D8YKM1QV4F2HFTA5JAL6/AlisonWoods_ScienceJunk.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598550854337-WWY15ZK20BPQPX9I96GK/JuliaSilhouette_Large.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598550894515-QGUWBHKNMPOPU4RC8XG5/Home.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598551041226-NJ8C4A5UFID861OO6T5P/Fields_WishFullfillment_3x4.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598551075344-M8AB9BUNC4O4QCSH0SXD/JoeDavidson_2_3x4.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598551188649-RWWFN1DU563CETIDMJ93/MichaelProvart_OnceOverTwice_.jpg Personal Contacts 3 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1598551237994-JLUZTDP52UHUVAANB1FA/Valerie+Wilcox_Powers+of+Recall.jpg Personal Contacts 3 http://www.durdenandray.com/personal-contacts-4 daily 0.75 2020-09-21 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1599759636942-WMI8RDHV8MCNMOJOJ5MU/Gretchen+Batcheller_Hero+Of+The+Week.jpg Personal Contacts 4 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1599759673172-2TUUJFOS2UQEBVB6CGQN/JorinBossen_ButNotForMe.jpg Personal Contacts 4 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1599925469303-LFGIIVB4V928FND4768C/200908_dnr_personal_contacts_4-21.jpg Personal Contacts 4 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1599925495666-V6BYREVVH1GQTU6ALH2M/200908_dnr_personal_contacts_4-23.jpg Personal Contacts 4 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1599925524209-S8KN0JHO25N9Q83VG4FP/200908_dnr_personal_contacts_4-16.jpg Personal Contacts 4 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1599925548238-QXUFUA03U1EAZAJPXEZD/image-asset.jpeg Personal Contacts 4 http://www.durdenandray.com/personal-contacts-5 daily 0.75 2020-10-07 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600718786461-7450W47960ED5SDKD2W9/image-asset.png Personal Contacts 5 ROCHELLE BOTELLO Whenever Forever (2020) – 36x36x36 – Cardboard, wood, tape. https://rochellebotello.com/ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600718848397-TTZ5Z4GI82AZZBYF5VGE/Screen+Shot+2020-09-21+at+1.05.53+PM.png Personal Contacts 5 CARLOS BELTRAN ARECHIGA Untitled (2020) – 68x84– acrylic, enamel on canvas http://carlosbeltranart.com/2019-present https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600718993306-BORMS1UFEDFHGHIDTY7V/Carter_62-December-22-%28Solstice%29_2017_48x34_HR.jpg Personal Contacts 5 Michael Carter Solstice) 2017 48x34, Acrylic on Canvas https://www.michaelcarter.studio/#1 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719120136-1FF4ARSC1NJP4O9GEMYW/RoniFeldman_Clouds3_2020_Acrylic+on+Canvas_36x48in.jpg Personal Contacts 5 Roni Feldman Clouds #3, 2020, acrylic on canvas, 36 x 48” http://www.ronifeldmanfineart.com/ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719242171-ZK4081UPFHYYT54SSRJO/YumikoGlover_TransienceVII.jpg Personal Contacts 5 Yumiko Glover Transience VII, 2020, acrylic on panels, 30” x 60” https://www.yumikoglover.com https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719440204-JK90ECA7KUF3R7D5E9BF/TomDunn_Shoewreck+Shore+Diptych.jpg Personal Contacts 5 Tom Dunn Shoewreck Shore Diptych, 2020 Oil on Canvas https://www.tomdunnart.com/ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719597543-T74XNZ4XWLL7NVXUDIPF/Transitional+Lansdacpes+%2310_Rachelle_Mendez.jpg Personal Contacts 5 Rachelle Mendez Transitional Lansdacpes #10, California Lightjet Kodak Endura C-Print, 20.0" x 24.0" Signed, 2017 https://www.photoinspo.com/ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719696075-JDBSRLN1P6L2ISUM71TP/4+-+Curtis+Stage+-+No+Other+Way.jpg Personal Contacts 5 Curtis Stage – “No Other Way” Color Photograph, Archival LUCIA PRO Inkjet Print, 9”x12”, 2020 curtisstage.com / Instagram: @curtisstage https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719808159-6E6IS7NT6BC0UTXHYMWK/Poppy_DR%5B7942%5D+LIZA.jpeg Personal Contacts 5 Liza Ryan Poppy, 2020, pigment print, acrylic, and pencil, 16 x 17” https://www.kaynegriffincorcoran.com/artists/liza-ryan https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600719876967-1NS2VXGXZNCZBPF34UUZ/Monsters+and+Assholes%2C+42+x+30+inches%2C+acrylic+on+canvas%2C+2020+jhager.jpg Personal Contacts 5 Jenny Hager Monsters and Assholes, 2020, acrylic on canvas, 42 x 30” https://www.jennyhager.com/ https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1600720005114-ZS2GVQFV3SO6TRVTCQKO/IMG-2050.JPG Personal Contacts 5 Jonah Elijah Untitled, 2020, Oil paint and oil pastels on canvas, 24 x 36” https://jonahjay.art/work/ http://www.durdenandray.com/exhibitions-2022 daily 0.75 2022-11-11 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/e2b56b18-0262-4131-bbcf-ac56c98ef48c/314737869_551040693498981_674046777595534897_n.jpg EXHIBITIONS 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/6a630ef5-2dbb-4683-bfe4-35d2a2cfd229/305029914_532062802063437_331692275491515867_n.jpg EXHIBITIONS 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/51119405-8914-47df-b740-bd267c2f08fe/304839612_10160396757384474_7808195915210780599_n.jpg EXHIBITIONS 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/f69cbfb7-8a33-437d-a6ab-e8bc978e25f9/IG_Grassroots+in+the+Spectacle+%28M%29.jpg EXHIBITIONS 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/e7192e4d-d346-49fb-8c5a-3281fc60549e/Widerhall_Reverberations-AD.jpg EXHIBITIONS 2022 - WIDERHALL/REVERBERATIONS Durden and Ray is pleased to present our next iteration of the ongoing relationship with our sister city Berlin in the “B/LA Connect” exhibition exchanges with Axel Obiger Gallery. This exhibition, “Widerhall/Reverberations” considers the physical and metaphysical repercussions across time and place. Dualities of organic and inorganic structures echo in the works that live side by side in the show as well as within each artist’s work. The artists from both cities highlight the conditions of the individual, social, architectural and environmental events and processes that affect their cities and then articulate these events as visual explorations in their own shifting senses of memory, time, and space. The viewer is invited to experience a resonance between the works that belies any perceived distance – a relationship where each side stimulates the other. Where formal structures meld into abstraction and objective facts turn into poetry. Artists Axel Obiger (Germany): Alke Brinkmann und Wolfgang Matzat, Harriet Groß, Thilo Droste, Juliane Duda, Gabriele Künne, Matthias Moravek, Enrico Niemann, Maja Rohwetter Durden & Ray (USA): Arezoo Barthania, Carlos Beltran Arechiga, Gul Cagin, Jenny Hager, Curtis Stage, Alexandra Wiesenfeld, Valerie Wilcox Opening reception: 7-10 p.m. July 9, 2022 Closes: July 23, 2022 Open hours: Saturdays, 12-5 p.m., and by appointment Location: Durden and Ray, 1206 Maple Ave., #832 Los Angeles, CA 90015 Axel Obiger: Founded in 2009 as a project space for contemporary art in Berlin, Axel Obiger focuses on dialogues between its artists and invited guests. With their extensive program the Axel Obiger artists have created an international venue for intensive artistic debates. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/0e9733d5-9747-40b9-b014-7487d21e1be8/EITR.png EXHIBITIONS 2022 - The Elephant in the Room London Painting Now Durden and Ray is pleased to present an international exchange exhibition of 7 London painters in TURPS Studio Program. May 28 to June 18, 2022 Reception on Saturday May 28, 7pm to 10pm Special Panel Discussion at 6pm - Chaired by Leslie Dick Tom Farthing Gina Birch Michael Coppelov Charles Inge T.D. Macgregor Eigel Nordstrom John Wyatt Clarke Durden and Ray 1206 Maple Ave. #832 Los Angeles, CA, 90015 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/5fd955f7-b031-44c0-a8ef-5b4df927faab/CrossingPoint2.png EXHIBITIONS 2022 - Crossing Point Curated by The Garage (Bristol, UK) Artists: Joe Davidson, Tom Dunn, Alice Freeman, Rema Ghuloum, Jack Paffett, Max Presneill & Joe Warrior-Walker April 23 - May 14, 2022 Reception April 23, 6pm to 10pm 1206 Maple Ave. #832 Los Angeles, CA, 90015 This exhibition brings together a group of U.K and L.A based artists, with an aim to explore a fluid, non-linear set of interactions through a process of abstraction. These modes of representation intersect across a varied language of mark making and organic, intuitive approaches. The show addresses themes of laterally linked moments, events and decisions that are folded into open-ended narratives. Flat planes of color shift into ambiguous internal spaces, whilst figures sometimes emerge from a suggestion of rural and urban environments. Due to the pandemic and its resultant delays this project has been through several iterations. The title ‘Crossing Point’ developed in response to random events and changing plans, which ultimately lead to a group show that has been shaped by chance meetings and unforeseen circumstances. The artists have been able to build on an existing familiarity with each other's practice, which has helped to further understand the crossover of ideas and experiences that inform their work. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/d66ff925-db99-4674-96e5-9272e3e5f127/275286015_10160094796859474_2514416278450206196_n.jpg EXHIBITIONS 2022 - Chrome City March 19 to April 9, 2022 Chrome City - Australian art in Los Angeles Artists: Ron Adams, Polly Borland, Chris Dolman, Belem Lett, Adam Norton, Philjames, Genevieve Felix Reynolds The main idea of this show is to speculate if Sydney, Australia, a sprawling conurbation of coastal and landlocked suburbs, has anything artistically in common with the metropolis of Los Angeles. I am also speculating that there is such a thing as Australian cool, which might reflect or correspond with a perception held that LA art is definitely cool. LA’s emergence as an important art city has been an ongoing matter for debate but has recently become cemented by the by appearance in LA of some major new art museums and international galleries. Both Sydney and Los Angeles are coastal cities that share the same sea albeit separated by 7,500 miles. They are both important economic giants and huge cultural melting pots in their respective countries. Most important, both cities bask in huge amounts of sunlight during the year so that their skyscrapers sparkle in the light and seem to ignore the daily hustle in the streets below. I first visited LA in 2007 and have been back half a dozen times since and I can say, whether the art is significant or not, that looking at art in LA is always cool. Maybe it’s the borrowed glamour of Hollywood etched into the streets travelling between galleries, but it is a cool place to look at art. I can compare it to a gallery trip around Chelsea, NYC, in a winter blizzard seeing important stuff but ankle deep in frozen slush! What do I mean by cool? All the Australian artists in the show do not have any frantic allegiance to historical art movements or profess great significant tropes. They might reference historical modes of art making, but generally use them without heat and with plenty of skill, and always well within themselves. As if they still have plenty in the tank. But I won’t labour the point. I just think they are all very good artists who are worthy of showing in the great shiny city of Los Angeles. Adam Norton Enquiries: Dani Dodge at Durden & Ray dani.dodge@gmail.com Adam Norton , exhibiting artist and co-ordinator ammnorton@hotmail.com Samantha Ferris at Galerie pompom samantha@galeriepompom.com Durden & Ray Bendix Building, 1206 Maple Ave #832 Los Angeles, CA Opening hours: Saturday 12-5 or by appointment DandRart@gmail.com https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/b02c093a-5f1e-43e8-a48e-6f21aa916756/TIEZE.png EXHIBITIONS 2022 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.durdenandray.com/exhibitions-2023 daily 0.75 2024-03-11 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/df7faabe-f367-453e-beb1-068bf050766e/D%26RFundraiser23.jpg Exhibitions 2023 - FunDRaiser 1+2 December 16, 7-10 pm This year's fundraiser with include artwork from Durden and Ray members, and each member has invited two guest artists to dontae work. All the artwork is only $200. This is a great way to add to your art collections at a great price. A Big thank you to all of the artists listed below that are contributing to this year's fundraiser. Durden and Ray appreciates your generosity. Tomory Dodge, Marie Thibeault, Chris Kuhn, Nick Aguay, Iva Gueorguieva, Nicole Belle, Katie Herzog, Dani Dodge, Sean Noyce, Katya Usvitsky, Carl Baratta, Kristine Schomaker, Steven Wolkoff, Tom Dunn, Arezoo Bharthania, Kiyomi Fokoi, Flora Kao, David Leapman, Marsia Alexander-Clarke, Nick Lowe, Joe Davidson, Nike Schröder, Ty Pownall, John Emison, Steph Sherwood, Eric Beal, Carsten Bund, Valerie Wilcox, Victoria May, Ann Weber, Jenny Hager, Susan Arena, Curtis Stage, Dion Johnson Adam Scott, Liz Walsh, Ismael de Anda III, Nadim Kurani, Hagop Najarian, John Sollom, Surge Witron,Jorin Bossen, Kim Alexander, Max Presneill, Alexandra Wiesenfeld https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/89041af8-de55-46a4-b60a-0a4bcb0dfa98/387060836_742505884352460_4169664607413934545_n.jpg Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/bd078ed6-f619-4925-aa78-298ab8d9cc27/D%26RCrossing-Woven.png Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/2c3362ba-94fd-4734-b6e6-47595a459186/363336125_709972447605804_3752919034734144235_n.jpg Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/7e2f7244-1cea-4aea-965e-0359221d8e43/356823318_690196732916709_2947667333908024958_n.jpg Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/4697ad7f-ed78-459f-9618-c0b74b32898d/351322858_1687076515063513_8638288503540013954_n.png Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/42b0061d-021d-478c-abb1-ff1cfa35c8b2/343516655_990139749028095_7720790212078839288_n.jpg Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/75dc19c7-59d9-47df-870b-567a8719ee64/Favor+for+Curtis.png Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/f26c44e9-42d8-475f-8a73-6e6194c3533b/DURDENANDRAY_SOCIALMEDIA_+INVITE_TIEZE.png Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/632257d7-86c8-48ad-83aa-fb559f945383/D%26R.jpg Exhibitions 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.durdenandray.com/qipo23 daily 0.75 2023-01-23 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/46d79d80-30bd-46c4-928b-d22a32d75115/Screenshot+2023-01-22+at+12.35.04+PM.png QiPO 2023 - Durden and Ray is proud to participate in this years QiPO Fair Artists Represented: https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/75d18f16-f7ae-48eb-8422-210a34b8d00e/CarlosBeltran.jpg QiPO 2023 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1754cbcc-9241-4189-9f5e-d56fa4203a8e/Hagop.jpg QiPO 2023 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/0fd432da-3c68-4005-adb2-0c1d14884ede/Jenny.jpg QiPO 2023 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/c870eac2-b826-42b4-b576-2ae2530b756a/Alex.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/4a5c3467-5ffc-4db8-a0a6-ddfdf2b0ebb5/Curtis.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/4cc0bc8c-d96f-4425-ac93-289e9075f7c9/Carolyn.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/eefed604-58e0-4866-9478-d5fa46170560/Val.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/6270af1a-c040-4fcf-a965-03b759979d4c/Brian.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/31d408d5-af61-45a3-9904-de9f6d9e7203/Gul.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/cc3c7a56-4cfa-4a55-89e3-8d5f60d6fc18/Joe.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/db60192e-e0f6-4678-b53d-28c41c3b3ad2/Max.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/86e78372-99be-414d-aeb9-2cbb23c575e7/Ismael.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/9e731a12-0d10-463d-8e13-7447bb34b5b0/Steven.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/3a8814dd-2b5f-423e-a011-c1ecd7f545dd/Stephanie.jpg QiPO 2023 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.durdenandray.com/colab daily 0.75 2023-03-01 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/e313794d-e034-40ae-8b63-0a7b7932f286/Screenshot+2023-02-28+at+9.02.29+PM.png CoLab - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/0f4aefb5-cb17-4adb-8c42-598f3f48c615/Screenshot+2023-02-28+at+9.03.51+PM.png CoLab - Ben Jackel / Durden and Ray Sallot with Bevor 2016 stoneware and beeswax 21 x 30 x 18 inches l sculpted my first large-scale clay helmet in 2009. I was inspired by what many consider the finest helmet ever made, Burgonet by Filippo Negroli in 1543, on view at the Metropolitan Museum in NYC. It was more than just the incredible form that inspired me — it was the contradiction between its sublime beauty and its horrible purpose in the context of battle, war and death. It is an object that speaks to the human condition, and one that has been with us since the birth of civilization, up to the present day. I chose to enlarge the helmets to double-life scale in order to multiply their perceived power. This increase in size allows the helmet to stare you down and dominate its space. They become figurative without a figure being there; the armor becomes the skin. When I further explored this series, I realized that besides these works being about power, they are also about vulnerability. By wearing any helmet, one acknowledges that we are in fact very fragile and exposed to the violent world around us. That these helmets are created in stoneware underlies this as well. Many of my helmet sculptures are drawn from examples from the 14th and 15th centuries, the height of armor production in Europe. I recently looked back further to create a pair of Roman gladiator helmets that have truly unique and almost modern forms. While thinking about that time, before me in the studio was my research into the helmets and military technology that our contemporary warriors, our soldiers, wear on the battlefield today. It is important to make the connections between these helmets, and the long story of men fighting each other. This is our condition; this is what we do, and since we will always be fighting, we will also always work to create protection for our vulnerable heads. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/e13252f5-e314-42ae-9945-a0944095817f/Screenshot+2023-02-28+at+9.09.14+PM.png CoLab - Carlos Beltran Arechiga / Durden and Ray Here, Again 2022 mixed media on construction tarp 97.5 x 120 inches Here, Again memorializes the intimacy between the creative process and the body’s expression and movement. It makes a direct connection between the built, bodily, and systemic structures to question the policies that determine access, equity, and equal rights during a time when women have lost their reproductive rights. The tarp used for this painting was used during the remodel of my house and studio during the shelter-in-place order in the spring of 2020. The tarp shows the construction tares, and scars, and I think of it as the membrane that captured memory much the same way our skin does with age as implied beauty.. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/84d1f326-9548-4c7c-a10b-67d6f136eaa1/Screenshot+2023-02-28+at+9.14.11+PM.png CoLab - Eva Zaragozá Marquina / Fosforita Madrid 25 Hysterical Color Studies 2015 - 2022 mixed media on MDF Wood 83 x 83 inches, (13 x 13 inches each) The Hysterical Color Studies reveal the act of painting, as the beats evoke the fluid body. These pictures are the result of pictorial actions thattrain my attention on how my body works in painting. If we look at them all together, they allow us to distinguish symbols, elements, figures or shapes that are repeated and give us clues about my pictorial and vital restlessness. The Hysterical Color Studies are framed in white, as if a straitjacket controlled each one. They are pieces of flesh from my flesh, artistic relicsthat I expose as the samples are presented in biology. They are unique and immobile pictorial cosmos that I present in a grid. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/65eb5a12-da2a-4a21-9c4f-c4daf07e5ec5/Screenshot+2023-02-28+at+9.16.28+PM.png CoLab - Gul Cagin / Durden and Ray Body Fills a Void, Leaves a Void 2019 Acrylic oncanvas 48 x 36 inches The word “carnal” usually conjures up sex related thoughts and images; however, in arts, literature, and philosophy it is used interchangeably with the concepts of “concrete body”, “body”, “meat”, “skin”, “flesh “ and so forth! In general, when a living being undergoes a sensation, this sensation gets inscribed in organic material of the body.However, what is inscribed on the body is not always perceptible. Organic as well as inorganic materials andevents may affect the flesh of the body interiorly. Between the receiving and emitting senses, the figure in my painting re-configured as echoes of flesh in color, lines, gestures vibration, waves, and rhythm! They go hand in hand with the levels of sensations to describe the clashes as well as fluidity of the sensations of the living body.Various forms come to an existence in between affects and sensations in my works. Ambiguous figures occupy the surface of canvases in dynamic movements of the colors/ lines and the gestural marks to highlight the relationship between what is perceptible and what is imperceptible. They attempt to enfold infinite interplay between visible and invisible forces by disturbing the realistic depiction of clearly defined body contours. When it is looked at closely,one can identify vague figures with stretched paint applications where they dissolve into unsettling appearances.Here is the skin pulled apart in painterly fashion; the limp like forms is stretched and exposed going beyond the contours of the figure. These stretches of flesh in dissipating figures invoke, in a way, a sensation of pain, violenceand vulnerability. Rather than conceiving the body as a fixed entity, it is conceived as a fluid entity: the distinction between the figure and ground is no longer clear. The visual sign of the figure and its referent, the object/body,separation is not distinct. They bleed each other’s spaces, in another words, the body’s living experiences evades textual, verbal description. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/2f3e9e98-3149-4aad-923c-1e7da7ba1ce8/Screenshot+2023-02-28+at+9.18.32+PM.png CoLab - Irene Zottola / Fosforito Madrid Nobody is visible on earth 2021 cyanotype on Japanese paper, nails, magnets 20 pieces of 8.27 x 11.67 inches Nobody is visible on earth is a visual proposal that favors an encounter between presence and absence. The matter that makes up each image is the result of an oxidation process through cyanotypes on Japanese paper later intervened. These anonymous and fragmented bodies move, but we hardly see them. They are sustained without touching,without meeting, referring to the fragility of the human being, of the flesh that composes it and decomposes it, until it disappears on the earth to which we all belong. Titled with the verse of the Argentine poet Alejandra Pizarnik, Nobody is visible on earth, this work raises a dialogue between technique and support, loss and resistance, memory and trace. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/6d65a452-625e-4b53-b652-768cda7be774/Screenshot+2023-02-28+at+9.20.10+PM.png CoLab - Javier Jimeno / Fosforito Madrid The Contract 2022 Digital photography without retouching 78 x 53 inches This work is part of the series "Baroque Light". “The contract” shows a stark background of what marriage means. An exuberant woman, with breasts that, as a sexual claim, call for motherhood. Tied and unable to move, eyes, ears and mouth covered, cutting off itscommunication with the outside. And above, the ring that holds the woman as an object of exchange in a marriage contract. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/e0aa2389-d564-40d1-a21e-7d1f54e064f9/Screenshot+2023-02-28+at+9.21.53+PM.png CoLab - Lan Duong / Durden and Ray Untitled 2023 Plaster, chicken wire, wood, vinyl, acrylic paint, plastic 34 x 33 x 24 inches My sculptures are meant to be a representation of a deformed body that would be interactive if you could interact with them. They are the perfect size to stick your arms or body through, but unreachable as they are hung too high, or, as an artwork, are not meant to be touched. They have plush elements that refer to flesh/ skin/body and a plaster structure that could be a vertebrae or eye sockets. There is a carnal aspect to them in that they are notfully formed into any recognizable body part, so they look deformed. The skin is a saturated vinyl that brings the piece a dimension of fantasy. They do not know where they belong or know the nature of their existence. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/f3d436bb-a5b7-4aaf-81c2-d440fcec3346/Screenshot+2023-02-28+at+9.23.23+PM.png CoLab - le frère / Fosforito Madrid Guernica 2022 ballpoint pen on sailcloth 726 inch x 457 inches It is a mural-pen drawing on canvas that tries to reinterpret Picasso's painting to adapt it to the language, with afigurative, to the current social context. Feminism, homophobia, historical memory, cultural diversity, gender violence, etc. are present through the portrait of their protagonists (García Lorca, Syrians refugees, etc) traced through successive ink lines of 47 pens that for a year were creating the skin of this work. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/c61def45-50f0-406c-8382-eed22b9ba8d4/Screenshot+2023-02-28+at+9.24.49+PM.png CoLab - Ty Pownall / Durden and Ray Head/Planet 2023 Mixed media in acrylic case 72 x 24 x 24 inches Description: Equal parts animal, architecture, and planetary body. Connection to Show: This work combines feathers and fur with plastics and metal. I’ve worked on pieces like this off and on for years,always thinking about them as both specimens and topographical models, held in their glass vitrine display cages.A possible landscape or hybrid life form - they seem cautionary to me. http://www.durdenandray.com/qipo-2024 daily 0.75 2024-02-05 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/4ed31342-7df6-47fe-90a8-e157d0e92cb2/QiPO+FAIR+2024+CDMX+horizontal+v2logo.jpeg QiPO 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/cba1dd3f-9594-4479-8713-b0dd31d75317/Curtis+Stage+-+Future+Perfect+Now.jpg QiPO 2024 - Curtis Stage “Future Perfect Now” 2023 Photograph (Archival Giclée Print on Archival Artist Paper) Unmounted 15" x 15" $1500 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/ad1d691a-2d52-4295-977a-fcde42f6d81c/Curtis+Stage+Bending+Time.jpg QiPO 2024 - Curtis Stage “Bending Time” 2023 Photograph (Archival Giclée Print on Archival Artist Paper) Unmounted 15" x 15" $1500 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/432fadd5-46e5-4c68-975a-f58412a38cf1/Screenshot+2024-01-06+at+1.53.51%E2%80%AFPM.png QiPO 2024 - Carlos Beltran Arechiga “Mindscape XVIII” 2023 Oil on Canvas 19”x14” Price Upon Request https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/55df416e-5ba1-48ff-ba09-62f28c07d674/Screenshot+2024-01-06+at+1.54.13%E2%80%AFPM.png QiPO 2024 - Carlos Beltran Arechiga “Anonchecer” 2023 Oil on Canvas 48”x41” Price Upon Request https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175393349-HZVNWT6PG9XVN1DUL2A8/unnamed-1.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175393371-PLYQIK2UEIJL2OX9BOHO/unnamed-2.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175394066-XQKVUEY2VE9S3SML0B37/unnamed-3.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175394091-LH0O5I473LAZX3L24NNE/unnamed-4.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175394807-LI9A1LB60U8MNURO6FY8/unnamed-5.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175394886-SE5ZBX1X8BFF1WPUERKT/unnamed-6.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175395569-VF8U8Z3371N76NOKV92R/unnamed-7.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175395602-6BFT5LFXJ8GRIEPXT5T3/unnamed-8.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1707175396273-1F18HWAR737SVRO2BEU5/unnamed.jpg QiPO 2024 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/d76b6a33-3af3-4b5d-ae01-32ef265fc2d8/Max.jpeg QiPO 2024 - Max Presneill Individually titled All 2023 12” x 12” Actual works subject to change…. $500 each https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1dff7aa1-f8b7-4517-a55f-104370e81dd0/David+Leapman_Appearing+at+the+Correct+Places_2023_cristalina%2C+dayglo+and+acrylic+on+canvas_30x25cm%2C+12x10in_%242500.jpeg QiPO 2024 - David Leapman “Appearing at the Correct Places” 2023 Cristalina, dayglo and acrylic on canvas 30 x 25cm,12 x 10 in $2500 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/26f3a398-5926-41de-aa3a-f88b20178202/Hager_Acid%2C+48+x+38+inches%2C+acrylic+on+canvas%2C+2022+Hager.jpg QiPO 2024 - Jenny Hager “Acid” 2023 Acrylic on canvas 48” x 38” $2600 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/f10f330d-caed-4e90-9f40-3c19f96ff8c7/Chuco-El_ink+on+metallic+paper_24x18in._de+Anda.jpg QiPO 2024 - Ismael de Anda III “Chuco El” 2024 Vinyl on metallic paper 24” x 18” $1300 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/e597d5f8-6b3f-4a33-b2ec-6299f72cc7ec/0.jpg QiPO 2024 - Alexandra Wiesenfeld “Triple Layer King” 2024 Acrylic and oil stick on yupo 63”x60” $3200 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/25def432-b4dd-451c-8622-b10333ae2235/Lavpies+%232+Acrylic+Canvas+30x30+2023.jpeg QiPO 2024 - Hagop Najarian “WhateveHomage to Lavapiés #2” 2023 Acrylic/ canvas 30 x 30” $2500 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/be8f5746-f0f7-4a4c-8fb6-1a1314511973/Summer+Breeze+16+x+12_+gouache+Arches+2023.jpeg QiPO 2024 - Hagop Najarian “Summer Breeze” 2023 Gouache on Arches 16”x12” Price Upon Request https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/0d96a316-a7a1-4d34-a9d6-fc9565e44a46/Arezoo-Journey+Through+Uncertainty+.jpeg QiPO 2024 - Arezoo Bharthania “Journey Through Uncertainty” 2023 Transferred photo, acrylic, patterned fabric 17” x 11” Price Upon Request https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/691f39ea-da2c-47dc-ba64-85c08a1b60af/Dani+16x20.jpeg QiPO 2024 - Dani Dodge “Symbiosis 7” 2019 Mixed media on board 16” x 20” $495 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/ab835db1-fc1b-43f3-a5e2-bff74137e239/unnamed.jpg QiPO 2024 - Joe Davidson “Untitled (Baby Blue)” 2023 Cast tinted hydrocal, nylon strap 40”x10”x11” $3,200 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/215aa422-49f2-4689-b4e5-6ae6953d7755/jorin.jpeg QiPO 2024 - Jorin Bossen “Marianne Faithfull” 2016 oil, acrylic, and pastel pencil on canvas board 10 in. x 8 in. (Framed 11.5 in. x 9.5 in.) $500 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/3ff50de9-5a2d-4aa4-b80d-472b31caa219/btj_la_skyline_2.jpeg QiPO 2024 - Brian Thomas Jones “Los Angeles Skyline #2” Digital Capture, archival pigment ink 24” x 24” unframed $1200 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/7bac8a6d-9fe4-4103-a68e-05db79883b77/Nonconformist_2023_acrylic_plaster_foam+board_wood_16.5x11x1.5_950.jpg QiPO 2024 - Valerie Wilcox “Nonconformist” 2023 Acrylic & Plaster, Foam Board, Wood 16.5”x11”x1.5” $950 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/907b7f18-9c32-46e4-9113-42db553b9345/Hollywood+endings+photo.jpg QiPO 2024 - Steven Wolkoff “Hollywood Endings (actresses who were murdered)” 2024 Acrylic on canvas 11”x14” $2000 http://www.durdenandray.com/exhibitions-2024 daily 0.75 2024-12-03 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/2f1d9cf8-8e33-4a6d-b528-dac25ad3a477/468476568_985564086713304_6762137537386301340_n.jpg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/644c345d-8b85-4894-9276-1f27c69faa46/Future+Perfect+at+Durden+and+Ray.png Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/0a78da00-f20b-4ac1-9392-a4e8eac6fd9e/462616281_953202576616122_5421625165610825354_n.jpg Exhibitions 2024 - IRRATIONAL Exhibits 13 IRRATIONAL 13 Exhibits Juxtaposing Terrains A one night of performance , video, sound sculpture and photography October 26, 7-9pm @bendixbuilding "Juxtaposing Terrains" serves as a platform for these artists to examine the delicate balance between historical precedents and prospective futures. Through the lens of durational performances, moving images, photographic works, and sound art they provide a nuanced discourse on the precarious nature of our present moment. In five galleries and three floors of the Bendix Building, as well as transitional spaces these 16 artists share their works. This spatial strategy promotes a continuous dialogue between the artists and the audience, blurring the boundaries between observation and participation. Join us for this one night only exhibition!! ARTISTS: @christy_robertsberkowitz, @clauditopia, @joana_p_cardozo_, @maria_adela_diaz, @kiyogutierrez, @ulyssesjenkinsothervisions, @marcuskuilandnazario, @ibuki_kuramochi, #simonleung, @cademoga, @thenhuch, @mehreganpezeshkistudio, @santipreechasaun, @the_mark_steger, @sichongxie, @raymond_tran_, @kimzzzfff Galleries: @track16gallery, @durdenandray, @tsa_la, @montevistaprojects, @515bendix Irrational Exhibits 13: Juxtaposing Terrains is on October 26, 2024 from 7 to 9 PM in the Bendix Building 1206 Maple St., Los Angeles 90015 at Track 16 1st Floor, Durden and Ray, Tiger Strikes Asteroid, Monte Vista Projects, and 515 Gallery with a post-show reception. Original Sound Score "meltdown" by christy roberts berkowitz @christy_robertsberkowitz Design: Aejin @aejinnnnnnnnnnnnnnnnnnnnnnnn https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/d2f83688-7d99-4c02-a911-25541907cf17/460285816_935701381699575_812871274348222371_n.jpg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/27c24535-589c-4d3a-bd09-d755e8cdeec1/D%26R-Loss.jpg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/828f7468-7de6-42e3-bd01-6f92a1be66bc/455266266_915326897070357_8619519475634948158_n.jpg Exhibitions 2024 - Spotlight24 SAVE THE DATE!! August 24, 7-10 pm After over 100 applications from local, regional and international artists, the Durden and Ray committee had to make some very difficult choices. We want to thank everyone that applied to Spotlight 2024 for their continued support. Durden and Ray is thrilled to announce this year's recipients for our open call Spotlight 2024 / Two solo exhibitions. We would like to congratulate and welcome Céline Brunko and Dylan Richards as they prepare for their upcoming exhibitions. Please read their artists’ statements, look at their websites and follow them on social media to see their work evolve. Céline Brunko: www.celinebrunko.ch Instagram- celinebrunko Dylan Ricards: www.dylanricards.com Instagram- dylsmack CÉLINE BRUNKO- BETON The architect Rudolf Schindler called Los Angeles a paradise on earth, and he considered it the ideal environment for the next stage of truly modern architecture. With the new possibilities and approaches in modern architecture, came the ever-increasing demand for standardization and optimized use of materials, including concrete. Today we are aware that concrete is one of the most CO2 emitting materials used in the construction industry. In the Los Angeles suburb of Irwindale lies the largest aggregate mining area in the state, if not the nation. The area is “so full of holes that more of the land in the city is a pit than not”. In the work Beton - Céline Brunko observes the material that we live on while thinking of a possible future scenario in a non-human world, where materials are the main protagonists. And prefabricated industry goods as a memory of the raise of the apocalyptic myths of radical breakthrough and the emergence of the “new man“ stands. DYLAN RICARDS- REMIX REMIX is a rumination on the beauty of a mass of knotty poppy colored plastic washed up on shore in the morning tide, moving in and out with the waves as a loop, as a breath. From a distance an object like this can be a metaphor for mass ecological devastation and symbolic of everything wrong with us as a species. But if you can get past these moral binaries and let yourself peer into the in between space to its murkiness and complexity, you may witness a vibrant ecosystem, churning and ever transforming. REMIX is a story of deep time, an index of culture, a mirror to ourselves. Material contains multitudes, and like us, it hums along, cycling through time in a constant shifty state of flux. Feedback, a phenomenon where an output signal returns to its source at a higher frequency, resonates deeply with my exploration of music, sound, and sculpture. I find comfort in the fuzzy oscillations that occur when a guitar lingers too close to an amplifier. The swirl of sound conjured by a delay pedal routed into itself becomes a portal to some kind of low rent unified state of the universe. I try to make feedback as a kind of ritual practice in my studio. Out in the world I am always listening for it. The Port of Los Angeles is an amplifier of materiality. It functions as a receiver, absorbing data in the form of goods and commodities from distant origins, materials that have been extracted, plundered, cultivated, only to amplify their frequencies through redistribution across the United States and beyond. This material lives one life and often returns to the port in a transformed state, returning to where it once came, where it will be transformed again. This loop is never ending, rhythmic. It’s as natural as birds making their seasonal migrations. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/eeaf4b9f-0af0-4dc2-bf5e-4ef946e90e0f/bed.jpg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/9b6c5bf1-70eb-4898-bccb-957f132c4bcd/Website-+Alternative+Monuments+-SM+design.jpeg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/719db93c-13d6-4364-a94d-8409e70d19dc/Internal+Affairs+graphic.jpeg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/f8742e1c-832a-44ba-98b2-7a6b4e4eaa29/Sunset+in+a+shoebox+Facebook+Banner.png Exhibitions 2024 - Sunset in a Shoebox Reception: Saturday March 2, 7-10 pm https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/34b08a60-f7fb-461c-aebd-08fbaaa46966/428616981_811717594097955_854766192535487864_n.jpg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/72bae855-07ff-4d57-96cf-5e10aadc2728/D%26R2024-1.jpg Exhibitions 2024 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.durdenandray.com/spotlight25 daily 0.75 2025-06-11 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/f125456c-b413-4a22-94f8-f44527b92d6f/SPOTLIGHT25.png SPOTLIGHT25 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/fb49e6e8-74ef-4f0e-a743-73b86d26177d/Screenshot+2025-06-10+at+5.48.48%E2%80%AFPM.png SPOTLIGHT25 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.durdenandray.com/exhibitions-2025 daily 1.0 2026-02-14 http://www.durdenandray.com/exhibitions-2025-1 daily 0.75 2026-02-14 http://www.durdenandray.com/2026 daily 0.75 2026-03-12 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/6f6063f0-42eb-4171-bd71-29d1a3d1fb05/Unseated.jpg Exhibitions 2026 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/34ca6691-d747-48d2-8a2f-11f6a94e4e93/TIEZE26.jpg Exhibitions 2026 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031496762-7L5BIJ1RN07KVNEQ0X8K/Curtis+Stage+-+Soft+Cell+5.png Exhibitions 2026 - Curtis Stage https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031498722-Y4C61WOVOW7NX68RHVYR/Screenshot+2026-02-13+at+5.01.27%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031510048-0P8UMJWEH9M4A6AP9WM9/Screenshot+2026-02-13+at+5.02.23%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031515501-O5A14B0C90CETDWECO7V/Screenshot+2026-02-13+at+5.03.20%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031515731-UZ4GT3GD0QCMM88UVHAC/Screenshot+2026-02-13+at+5.03.45%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031529167-3JOFVFOG33D7K2SEYU5W/Screenshot+2026-02-13+at+5.04.19%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031530613-K4MLD932ODRCZNUV55KZ/Screenshot+2026-02-13+at+5.04.38%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031535850-3F8POEQNNE2D7RVT3H5X/Screenshot+2026-02-13+at+5.05.20%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031547264-LQFCBKZDXDS4TZUPM8CE/Screenshot+2026-02-13+at+5.04.59%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031549563-UN8BCZEQHJ9OX1D3GF5K/Screenshot+2026-02-13+at+5.05.41%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031562632-NELRBL3HMUXLKPNP73X3/Screenshot+2026-02-13+at+5.07.48%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031561414-QOPYK61XAYXN0LD2PR6R/Screenshot+2026-02-13+at+5.08.57%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031567790-X18HI1Q636BB1VSJE4FV/Screenshot+2026-02-13+at+5.09.18%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031571192-NMUIBCP0OB2DGMSVTP4S/Screenshot+2026-02-13+at+5.09.52%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031582329-T9YW2E93AWH04S60KJH2/Screenshot+2026-02-13+at+5.10.16%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/1771031581814-RELFMY69MCZXFP6SKGC4/Screenshot+2026-02-13+at+5.10.50%E2%80%AFPM.png Exhibitions 2026 https://images.squarespace-cdn.com/content/v1/576f45cacd0f68ce8dd058eb/d2f17315-47fc-42c0-964f-3fb07411cfb3/Cloro.jpg Exhibitions 2026 - Make it stand out Whatever it is, the way you tell your story online can make all the difference.